French And British Paintings From 1600 To 1800 In The Art Institute Of Chicago
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| Author | : Art Institute of Chicago |
| Publisher | : Princeton University Press |
| Total Pages | : 336 |
| Release | : 1996 |
| Genre | : Art |
| ISBN | : |
The second in a series of scholarly catalogs on the permanent collections of The Art Institute of Chicago, this volume focuses on the museum's important holdings of French and British paintings of the seventeenth and eighteenth centuries. The catalog contains comprehensive entries on close to one hundred paintings, representing the full range of artistic production (portraiture, landscape, still life, genre, and history painting) in France and Britain during this period. Featured are major works by some of the most significant artists of the time: Jacques Louis David, Jean Honor Fragonard, Claude Lorrain, Nicolas Poussin, and Jean Antoine Watteau among the French; Henry Fuseli, Thomas Gainsborough, Sir Joshua Reynolds, and Benjamin West among the British. Each painting in the catalog is accompanied by complete and up-to-date documentation, including a detailed description of physical condition, a fully documented provenance, and a critical discussion of attribution, date, subject, and function, as well as a summary of earlier scholarship. Many of these works are little published and some are published here for the first time. Forty-one works are reproduced in color, the rest in duotone; there are also 101 comparative illustrations.
| Author | : Susan Wise |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1996 |
| Genre | : |
| ISBN | : |
| Author | : Art Institute of Chicago |
| Publisher | : |
| Total Pages | : 317 |
| Release | : 1996 |
| Genre | : Painting |
| ISBN | : 9780865591370 |
Each painting in the catalogue is accompanied by complete and up-to-date documentation, including a detailed description of physical condition, a fully documented provenance, and a critical discussion of attribution, date, subject, and function, as well as a summary of earlier scholarship. Many of these works are little published and some are published here for the first time. Forty-one works are reproduced in color, the rest in duotone; there are also 101 comparative illustrations.
| Author | : Paul J. Young |
| Publisher | : Routledge |
| Total Pages | : 188 |
| Release | : 2016-12-05 |
| Genre | : Literary Criticism |
| ISBN | : 1351901362 |
As he demonstrates that narratives of seduction function as a master plot for French literature in the eighteenth century, Paul Young argues that the prevalence of this trope was a reaction to a dominant cultural discourse that coded the novel and the new practice of solitary reading as dangerous, seductive practices. Situating his study in the context of paintings, educational manuals, and criticism that caution against the act of reading, Young considers both canonical and lesser-known works by authors that include Rousseau, Sade, Bastide, Laclos, Crébillon fils, and the writers of two widely read libertine novels. How these authors responded to a cultural climate that viewed literature, and especially the novel, as seductive, sheds light on the perils and pleasures of authorship, the ways in which texts interact with the larger cultural discourse, and what eighteenth-century texts tell us about the dangers of reading or writing. Ultimately, Young argues, the seduction not in the text, but by the text raises questions about the nature of pleasure in eighteenth-century French literature and culture.
| Author | : Christopher Lloyd |
| Publisher | : Princeton University Press |
| Total Pages | : 344 |
| Release | : 1993 |
| Genre | : Art |
| ISBN | : |
In color, the rest in duotone; there are also eighty comparative illustrations.
| Author | : JenniferG Germann |
| Publisher | : Routledge |
| Total Pages | : 360 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351554131 |
Portraits of Queen Marie Leszczinska (1703-1768) were highly visible in eighteenth-century France. Appearing in royal ch?aux and, after 1737, in the Parisian Salons, the queen's image was central to the visual construction of the monarchy. Her earliest portraits negotiated aspects of her ethnic difference, French gender norms, and royal rank to craft an image of an appropriate consort to the king. Later portraits by Maurice-Quentin de La Tour, Carle Van Loo, and Jean-Marc Nattier contributed to changing notions of queenship over the course of her 43 year tenure. Whether as royal wife, devout consort, or devoted mother, Marie Leszczinska's image mattered. While she has often been seen as a weak consort, this study argues that queenly images were powerful and even necessary for Louis XV's projection of authority. This is the first study dedicated to analyzing the queen's portraits. It engages feminist theory while setting the queen's image in the context of portraiture in France, courtly factional conflict, and the history of the French monarchy. While this investigation is historically specific, it raises the larger problem of the power of women's images versus the empowerment of women, a challenge that continues to plague the representation of political women today.
| Author | : Coltman Viccy Coltman |
| Publisher | : Edinburgh University Press |
| Total Pages | : 352 |
| Release | : 2019-06-01 |
| Genre | : Portrait painters |
| ISBN | : 1474465846 |
An edited volume devoted to the reception and reputation of Edinburgh's premier Enlightenment portrait painter.Sir Henry Raeburn (1756-1823) is especially well known in Scotland as the portrait painter of members of the Scottish Enlightenment. However, outside Scotland, the artist rarely makes more than a fleeting appearance in survey books about portraiture. A review of the most recent exhibition devoted to the artist held in Edinburgh and London during 1997/8, noted that it wears the aspect of a closure rather than a new dawn' in Raeburn studies, with the painter being shown 'in solitary splendour'.This volume seeks to recover Raeburn from his artistic isolation by looking at his local and international reception and reputation, both in his lifetime and posthumously. It focuses as much on Edinburgh and Scotland as on metropolitan markets and cosmopolitan contexts. Previously unpublished archival material will be brought to light for the first time, especially from the Innes of Stow papers and the archives of the dukes of Hamilton.Key Features* 14 chapters each looking at different aspects of Raeburn's professional career* International scholars contributing to Raeburn studies for the first time* Interdisciplinary perspectives setting a new agenda for Raeburn studies* Traditional art analysis integrated with cultural, social, political and economic history* Includes much unpublished archival materialKeywordsScotland, Raeburn, Enlightenment, portraiture, art, patronage, taste, collecting
| Author | : Art Institute of Chicago |
| Publisher | : Art Institute of Chicago |
| Total Pages | : 100 |
| Release | : 2006 |
| Genre | : Architecture |
| ISBN | : |
This issue of Museum Studies focuses on the Art Institute of Chicago's impressive collection of Old Master paintings, works on paper, textiles, tapestries, and sculptures. With an introduction by Larry J. Feinberg on the growth and evolution of the museum's Old Master collection, the book includes five fascinating and richly illustrated essays written by museum curators and scholars. They examine recent acquisitions and present new discoveries and scholarship on a range of works--including a recently rediscovered Nativity by Fra Bartolommeo; a late-15th-century Hispano-Flemish sculpture of Saint Michael and the Devil; a series of reattributed drawings by 17th-century artists such as Guido Reni and Guercino; a pair of early-18th-century tapestries designed by the French artist Charles LeBrun; and a stunning group of works by Charles-Antoine Coypel, Jean-Baptiste Perronneau, and Maurice Quentin de La Tour, the preeminent pastellists of 18th-century France. Distributed for the Art Institute of Chicago
| Author | : Kelly Baum |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 342 |
| Release | : 2016-03-01 |
| Genre | : Art |
| ISBN | : 1588395863 |
This groundbreaking book explores the evolving concept of unfinishedness as essential to understanding art movements from the Renaissance to the present day. Unfinished features more than 200 works, created in a variety of media, by artists ranging from Leonardo, Titian, Rembrandt, Turner, and Cézanne to Picasso, Warhol, Twombly, Freud, Richter, and Nauman. What unites these works, across centuries and media, is that each one displays some aspect of being unfinished. Essays and case studies by major contemporary scholars address this key concept from the perspective of both the creator and the viewer, probing the impact that this long artistic trajectory—which can be traced back to the first century—has had on modern and contemporary art. The book investigates the degrees to which instances of incompleteness were accidental or intentional experimental or conceptual. Also included are illuminating interviews with contemporary artists, including Tuymans, Celmins, and Marden, and parallel considerations of the unfinished in literature and film. The result is a multidisciplinary approach and thought-provoking analysis that provide valuable insight into the making, meaning, and critical reception of the unfinished in art.
| Author | : Peter de Bolla |
| Publisher | : Springer |
| Total Pages | : 259 |
| Release | : 2005-01-07 |
| Genre | : Literary Criticism |
| ISBN | : 0230502040 |
Over the last twenty years, critics and historians of the late Eighteenth-century have developed a multidisciplinary approach to the history of culture. This dialogue between literary critics and theorists, art historians and social historians is remapping the relations between culture and society, politics and aesthetics, law and representation. These essays by twelve internationally known scholars return 'Taste' to a central position in the discussion of nation, culture and aesthetics in the period.
