Fredric James And The Wolf Of Wall Street
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Author | : Clint Burnham |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 193 |
Release | : 2016-10-20 |
Genre | : Performing Arts |
ISBN | : 1501308335 |
"An exploration of Fredric Jameson's film theory and how it explicates Martin Scorsese's film The Wolf of Wall Street"--
Author | : Keith B. Wagner |
Publisher | : Rutgers University Press |
Total Pages | : 187 |
Release | : 2022-01-14 |
Genre | : Performing Arts |
ISBN | : 1978808887 |
Frederic Jameson and Film Theory is the first collection of its kind, it assesses and critically responds to Fredric Jameson’s remarkable contribution to film theory. The essays assembled explore key Jamesonian concepts—such as totality, national allegory, geopolitics, globalization, representation, and pastiche—and his historical schema of realism, modernism, and postmodernism, considering, in both cases, how these can be applied, revised, expanded and challenged within film studies. Featuring essays by leading and emerging voices in the field, the volume probes the contours and complexities of neoliberal capitalism across the globe and explores world cinema's situation within these forces by deploying and adapting Jamesonian concepts, and placing them in dialogue with other theoretical paradigms. The result is an innovative and rigorously analytical effort that offers a range of Marxist-inspired approaches towards cinemas from Asia, Latin America, Europe, and North America in the spirit of Jameson's famous rallying cry: 'always historicize!'.
Author | : Jordan Belfort |
Publisher | : Bantam |
Total Pages | : 530 |
Release | : 2007-09-25 |
Genre | : Biography & Autobiography |
ISBN | : 0553904248 |
NEW YORK TIMES BESTSELLER • Now a major motion picture directed by Martin Scorsese and starring Leonardo DiCaprio By day he made thousands of dollars a minute. By night he spent it as fast as he could. From the binge that sank a 170-foot motor yacht and ran up a $700,000 hotel tab, to the wife and kids waiting at home and the fast-talking, hard-partying young stockbrokers who called him king, here, in Jordan Belfort’s own words, is the story of the ill-fated genius they called the Wolf of Wall Street. In the 1990s, Belfort became one of the most infamous kingpins in American finance: a brilliant, conniving stock-chopper who led his merry mob on a wild ride out of Wall Street and into a massive office on Long Island. It’s an extraordinary story of greed, power, and excess that no one could invent: the tale of an ordinary guy who went from hustling Italian ices to making hundreds of millions—until it all came crashing down. Praise for The Wolf of Wall Street “Raw and frequently hilarious.”—The New York Times “A rollicking tale of [Jordan Belfort’s] rise to riches as head of the infamous boiler room Stratton Oakmont . . . proof that there are indeed second acts in American lives.”—Forbes “A cross between Tom Wolfe’s The Bonfire of the Vanities and Scorsese’s GoodFellas . . . Belfort has the Midas touch.”—The Sunday Times (London) “Entertaining as pulp fiction, real as a federal indictment . . . a hell of a read.”—Kirkus Reviews
Author | : Eugene Nulman |
Publisher | : Taylor & Francis |
Total Pages | : 260 |
Release | : 2024-11-29 |
Genre | : Social Science |
ISBN | : 1040184618 |
How Popular Culture Destroys Our Political Imagination: Capitalism and Its Alternatives in Film and Television explores the representations of capitalism, the state, and their alternatives in popular screen media texts. Acknowledging the problems that stem systemically from capitalism and the state, this book investigates an often-overlooked reason why society struggles to imagine alternative economic and political systems in our neoliberal age: popular culture. The book analyzes 455 screen media texts in search of critiques and alternative representations of these systems and demonstrates the ways in which film and television shape the way we collectively see the world and imagine our political futures. It suggests that popular culture is the answer to the question of why it is easier to imagine the end of the world than the end of capitalism. Contributing to the areas of sociology, media studies, and utopian studies, this book provides insights into the topic of popular culture and politics in a theoretically informed and entertaining manner. The book will be useful to both students and scholars interested in these topics, as well as activists and organizers seeking to make the world a better place.
Author | : Fredric Jameson |
Publisher | : Routledge |
Total Pages | : 358 |
Release | : 2016-01-29 |
Genre | : Performing Arts |
ISBN | : 1136760415 |
In such celebrated works as Postmodernism: The Cultural Logic of Late Capitalism, Fredric Jameson has established himself as one of America‘s most observant cultural commentators. In Signatures of the Visible, Jameson turns his attention to cinema - the artform that has replaced the novel as the defining cultural form of our time. Histori
Author | : Clint Burnham |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 193 |
Release | : 2016-10-20 |
Genre | : Performing Arts |
ISBN | : 1501308351 |
The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Fredric Jameson and The Wolf of Wall Street offers a concise introduction to Jameson in jargon-free language and shows how his Marxist theories can be deployed to interpret Martin Scorsese's critically acclaimed 2013 film The Wolf of Wall Street. Beginning with a detailed account of Jameson's extensive writings on Marxist theory and how they have been deployed in the analysis of film writings, Clint Burnham then illustrates how Jameson's theory can help to make sense of The Wolf of Wall Street, a film that shows in all its glory the excesses, lunacies, and inner workings of 1990s finance capitalism. As Jameson has influentially argued, films like The Wolf of Wall Street are both complicit in and critical of their historical subject: Scorsese's film is not about the richest stockbrokers, but the Long Island penny traders who made it big. As a narrative of American success, it is also a film about failure. Clint Burnham's reading of Jameson and The Wolf of Wall Street is a book about a contemporary film, and contemporary events, and contemporary theory.
Author | : Fredric Jameson |
Publisher | : Verso Books |
Total Pages | : 448 |
Release | : 2016-03-08 |
Genre | : Literary Criticism |
ISBN | : 1784783471 |
Cultural critic Fredric Jameson, renowned for his incisive studies of the passage of modernism to postmodernism, returns to the movement that dramatically broke with all tradition in search of progress for the first time since his acclaimed A Singular Modernity . The Modernist Papers is a tour de froce of anlysis and criticism, in which Jameson brings his dynamic and acute thought to bear on the modernist literature of the nineteenth and twentieth centuries. Jameson discusses modernist poetics, including intensive discussions of the work of Baudelaire, Rimbaud, Mallarmé, Wallace Stevens, Joyce, Proust, and Thomas Mann. He explores the peculiarties of the American literary field, taking in William Carlos Williams and the American epic, and examines the language theories of Gertrude Stein. Refusing to see modernism as simply a Western phenomenon he also pays close attention to its Japanese expression; while the complexities of a late modernist representation of twentieth-century politics are articulated in a concluding section on Peter Weiss’s novel The Aesthetics of Resistance. Challenging our previous understanding of the literature of this pperiod, this monumental work will come to be regarded as the classic study of modernism.
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Total Pages | : 80 |
Release | : 1944-04-15 |
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In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Author | : New York (N.Y.) |
Publisher | : |
Total Pages | : 1930 |
Release | : 1898 |
Genre | : New York (N.Y |
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Author | : 道蘭 |
Publisher | : |
Total Pages | : 1752 |
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