Frauen-Schönheit
Author | : Hanfstaengl, Franz, firm, Munich |
Publisher | : |
Total Pages | : 172 |
Release | : 1920 |
Genre | : Color prints |
ISBN | : |
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Author | : Hanfstaengl, Franz, firm, Munich |
Publisher | : |
Total Pages | : 172 |
Release | : 1920 |
Genre | : Color prints |
ISBN | : |
Author | : Paul Betts |
Publisher | : Univ of California Press |
Total Pages | : 366 |
Release | : 2007-12-07 |
Genre | : Architecture |
ISBN | : 0520253841 |
"Paul Betts first came to my attention through his pioneering article on the post-1945 Bauhaus myth as a joint German-American venture. This book is a landmark study of cultural continuities and ruptures, institutional realignments, and individual careers that introduces a breath of fresh air into a field of research long staled by received ideas. It demonstrates the rewards of approaching the years from 1933 to 1945 as a revealing window onto the subsequent history of West Germany."—Wolfgang Schivelbusch "The Authority of Everyday Objects is a small gem of the new cultural history. This is a work of striking originality and insight that fits the development of industrial design in postwar Germany into the country's broader social, cultural and political history, constructing an analytical narrative that carries from the Third Reich into the Cold War. It illuminates not merely cultural transformation but the wider social history of twentieth-century Germany."—Stanley G. Payne, author of A History of Fascism, 1914-1945 "The Authority of Everyday Objects is a refreshing, innovative, and convincing approach to post-World War II Western consumer society. Design—as a weapon in Cold War competition and as a vehicle for German redemption by revitalizing Bauhaus traditions—is thoroughly researched and wonderfully presented in Paul Betts' book. This well-illustrated work convinces the reader that design was a part of gluecklich Leben ("lucky life") and schoen wohnen ("beautiful living"), and a factor in the politicization of material culture."—Ivan T. Berend, author of Decades of Crisis: Central and Eastern Europe before World War II and History Derailed: Central and Eastern Europe in the Long Nineteenth Century
Author | : Bayerische Akademie der Wissenschaften |
Publisher | : C.H.Beck |
Total Pages | : 196 |
Release | : 2009 |
Genre | : Corpus vasorum antiquorum |
ISBN | : 9783406593215 |
Author | : Agnethe Siquans |
Publisher | : Vandenhoeck & Ruprecht |
Total Pages | : 312 |
Release | : 2017-09-11 |
Genre | : Religion |
ISBN | : 3647552704 |
Biblische Frauen spielen eine bedeutende Rolle in verschiedenen Genres patristischen Schrifttums und in rabbinischen Texten: Etwa als Vorbilder für Frauen, manchmal auch für Männer, als Repräsentantinnen bestimmter Tugenden oder Laster, als Autoritäten in Streitfragen, als Ausgangspunkt für bestimmte Praktiken. Die Bilder, die die (fast immer männlichen) Autoren von den biblischen Frauen zeichnen, spiegeln stets den zeitgenössischen sozialen, kulturellen und religiösen Kontext wider, besonders im Hinblick auf weit verbreitete antike Vorstellungen über Frauen und über das Verhältnis der Geschlechter zueinander. Der Sammelband fragt nach der Präsenz und Sichtbarkeit bzw. Hörbarkeit und nach dem Bild biblischer Frauen in den spätantiken Texten. Er enthält Beiträge zu Rahab, zur ägyptischen Frau des Salomo, zur Geliebten des Hoheliedes, zu Judit, den vier Töchtern des Philippus und den Myrophoren der Evangelien, die Salben zu Jesu Grab bringen, und untersucht die Rezeption dieser biblischen Frauen in verschiedenen patristischen und rabbinischen Texten.
Author | : Mary Bergstein |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 318 |
Release | : 2024-02-22 |
Genre | : Literary Criticism |
ISBN | : |
Visual Culture in Freud's Vienna shows how photography and film in turn-of-the-century Vienna (the birthplace of psychoanalysis) not only reflected modernist ideas already in force, but helped to bring into being what might be referred to as a “psychoanalytic imagination.” Mary Bergstein demonstrates that visual images not only illustrated, but also engendered ways of seeing social, psychological, and scientific ideas during a formative time in the creation and development of psychoanalysis and the modern age. Indeed, she argues that visual culture initiated significant aspects of psychoanalytic thought. Visual Culture in Freud's Vienna examines a variety of visual materials and texts, ranging from scientific illustrations to popular "low culture" and even forms of erotica, including film. Attention is also given to women's dresses and shoes in a social context and as they are represented in photography and circulated as fetish objects. Bergstein maintains a commitment to women's history and feminist inquiry throughout, particularly in her final chapter, which is devoted to the representations of women in the erotic photography and film. Visual Culture in Freud's Vienna is well illustrated with images drawn from the sources discussed and makes a significant contribution to our understanding of modernism and psychoanalysis.