Franz Schubert and the Essence of Melody
Author | : Hans Gal |
Publisher | : Crescendo |
Total Pages | : |
Release | : 1977-01-01 |
Genre | : |
ISBN | : 9780800829926 |
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Author | : Hans Gal |
Publisher | : Crescendo |
Total Pages | : |
Release | : 1977-01-01 |
Genre | : |
ISBN | : 9780800829926 |
Author | : Hans Gál |
Publisher | : Rodale Books |
Total Pages | : 212 |
Release | : 1977 |
Genre | : Biography & Autobiography |
ISBN | : |
Schubert is one of the most loved and least understood of the great composers. This wise and searching book aims to provide the key to the man and to his music. The author loves his subject, has studied Schubert's life and works for many years and writes most evocatively. The book's freshness of perception will open the eyes of many who are familiar with Schubert only through a few well-known works. Although this is no srict biography, all the details of Schubert's tragically curtailed life are here; but Dr Gal's main concern is with the character of the composer and of his music. First, the music: for Schubert, Song was Alpha and Omega, and he poured forth an inexhaustible stream of rapt melody--poetry in sound. The profusion of melodic ideas is such that one gladly excuses his initial unwillingness to master instrumental, and indeed symphonic and contrapuntal, style. Dr Gal examines Schubert's relation to his contemporaries (particularly Beethoven) and lays stress on his creation of the lied and on his exclusively Viennese background. We are given insights into his method of work (everything was composed in great haste) and we see how he tackled the manifold problems of setting verse, and begin to sense the reasons which drove him to explore extreme tonal relationships and the symbolic potential of major and minor keys. Dr Gal pinpoints weaknesses in technique and approach, and examines the risks that seemed to be inherent in Schubert's character. He finds the large number of unfinished works significant. Schubert sometimes gave up too easily: new inspirations burst upon him so frequently that they crowded out time which might have been spent refining or wrestling with yesterday's ideas. Shy and modest, he also failed to "push" his own works when completed. In addition intense melancholy underlay a serene exterior: his words and letters failed to reveal to his friends depths of grief and profundity of thought which emerge only in his music--often side by side with passages of radiant sunshine: such was the complexity of the man. Schubert's music is loved by both performers and listeners. This book, with its deep understanding that sheds light on so much that is felt but not fully comprehended, will give immense pleasure, both for the memories it conjures in the mind of the reader, and in the knowledge and wisdom it imparts [Publisher description]
Author | : Leo Black |
Publisher | : Boydell Press |
Total Pages | : 240 |
Release | : 2005 |
Genre | : Biography & Autobiography |
ISBN | : 9781843831358 |
"The old stereotypes of Schubert as Bohemian artist and unselfconscious creator have been replaced over the past half-century with a picture of a difficult man in dificult times. In this accaimed book, Leo Black aims to redress the balance".
Author | : Lawrence Kramer |
Publisher | : Cambridge University Press |
Total Pages | : 200 |
Release | : 2003-09-18 |
Genre | : Music |
ISBN | : 9780521542166 |
The first book to examine Schubert's songs as active shaping forces in the culture of their era rather than a mere reflection of it. His songs project a kaleidoscopic array of unexpected human types, all of whom are eligible for a sympathetic response. Kramer shows how Schubert sought to validate these types in his songs.
Author | : Brian Newbould |
Publisher | : Univ of California Press |
Total Pages | : 488 |
Release | : 1999-04-01 |
Genre | : Music |
ISBN | : 9780520219571 |
Of all the great composers, none - not even Mozart - has been so dogged by myth and misunderstanding as Franz Schubert. The notion of Schubert as a pudgy, lovelorn Bohemian schwammerl (mushroom) scribbling tunes on the back of menus in idle moments has never quite been eradicated. In this major new biography, Brian Newbould balances discussion of Schubert's compositions with an exploration of biographical influences that shaped his musical aesthetics. Schubert: The Music and the Man offers an eminently readable description of a musician who was compulsively dedicated to his art - a composer so prolific that he produced over a thousand works in eighteen years. Gifted with an intuitive know-how, coupled with a Mozartian facility for composition, Schubert combined the relish and wonder of an amateur with the discipline and technical rigor of a professional. He moved quickly and comfortably among genres, and sometimes composed directly into score but many pieces required painstaking revision before they satisfied his growing self-criticism. Examining afresh the enigmas surrounding Schubert's religious outlook, his loves, his sexuality, his illness and death, Newbould offers above all a celebration of a unique genius, an idiosyncratic composer of an astonishing body of powerful, enduring music.
Author | : Suzannah Clark |
Publisher | : Cambridge University Press |
Total Pages | : |
Release | : 2011-09-15 |
Genre | : Music |
ISBN | : 1139500597 |
When Schubert's contemporary reviewers first heard his modulations, they famously claimed that they were excessive, odd and unplanned. This book argues that these claims have haunted the analysis of Schubert's harmony ever since, outlining why Schubert's music occupies a curiously marginal position in the history of music theory. Analyzing Schubert traces how critics, analysts and historians from the early nineteenth century to the present day have preserved cherished narratives of wandering, alienation, memory and trance by emphasizing the mystical rather than the logical quality of the composer's harmony. This study proposes a new method for analyzing the harmony of Schubert's works. Rather than pursuing an approach that casts Schubert's famous harmonic moves as digressions from the norms of canonical theoretical paradigms, Suzannah Clark explores how the harmonic fingerprints in Schubert's songs and instrumental sonata forms challenge pedigreed habits of thought about what constitutes a theory of tonal and formal order.
Author | : Lorraine Byrne Bodley |
Publisher | : Routledge |
Total Pages | : 294 |
Release | : 2017-07-05 |
Genre | : Music |
ISBN | : 1351539833 |
Franz Schubert (1797-1828) is now rightly recognized as one of the greatest and most original composers of the nineteenth century. His keen understanding of poetry and his uncanny ability to translate his profound understanding of human nature into remarkably balanced compositions marks him out from other contemporaries in the field of song. Schubert was one of the first major composers to devote so much time to song and his awareness that this genre was not rated highly in the musical hierarchy did not deter him, throughout a short but resolute and hard-working career, from producing songs that invariably arrest attention and frequently strike a deeply poetic note. Schubert did not emerge as a composer until after his death, but during his short lifetime his genius flowered prolifically and diversely. His reputation was first established among the aristocracy who took the art music of Vienna into their homes, which became places of refuge from the musical mediocrity of popular performance. More than any other composer, Schubert steadily graced Viennese musical life with his songs, piano music and chamber compositions. Throughout his career he experimented constantly with technique and in his final years began experiments with form. The resultant fascinating works were never performed in his lifetime, and only in recent years have the nature of his experiments found scholarly favor. In The Unknown Schubert contributors explore Schubert's radical modernity from a number of perspectives by examining both popular and neglected works. Chapters by renowned scholars describe the historical context of his work, its relation to the dominant artistic discourses of the early nineteenth century, and Schubert's role in the paradigmatic shift to a new perception of song. This valuable book seeks to bring Franz Schubert to life, exploring his early years as a composer of opera, his later years of ill-health when he composed in the shadow of death, and his efforts to reflect i
Author | : Christopher H. Gibbs |
Publisher | : Cambridge University Press |
Total Pages | : 364 |
Release | : 1997-04-17 |
Genre | : Biography & Autobiography |
ISBN | : 9780521484244 |
This Companion to Schubert examines the career, music, and reception of one of the most popular yet misunderstood and elusive composers. Sixteen chapters by leading Schubert scholars make up three parts. The first seeks to situate the social, cultural, and musical climate in which Schubert lived and worked, the second surveys the scope of his musical achievement, and the third charts the course of his reception from the perceptions of his contemporaries to the assessments of posterity. Myths and legends about Schubert the man are explored critically and the full range of his musical accomplishment is examined.
Author | : David Montgomery |
Publisher | : Pendragon Press |
Total Pages | : 346 |
Release | : 2003 |
Genre | : Juvenile Nonfiction |
ISBN | : 9781576470251 |
In Franz Schubert's Music in Performance David Montgomery challenges many operative myths about the music of this great, but often misunderstood, Viennese master. Chief among them is the lingering notion that Schubert was poorly-trained but still managed to turn out brilliant, if often flawed, scores. Modern adherents of this view believe that Schubert could not notate his own musical wishes accurately, and that he was principally a creature of intuition. Accordingly, musicians might allow themselves wide intuitive leeway in the interpretation of his music. Another myth challenged by Montgomery is that Schubert was a conservative, or perhaps even a chronological throwback. Opposing recent attempts to legitimize performer-generated embellishment of Schubert's music in the style of the eighteenth century, He clarifies Schubert's contributions to the radical intellectualism of nineteenth-century romanticism. The book offers six informative chapters ranging from aesthetics and acoustics to the specifics of tempo and expression, plus an appendix of pertinent Viennese pedagogical sources. In addition to many years of musicological research, Montgomery brings long experience as a concertizing pianist and conductor to this engaging and controversial work.
Author | : Robert Haven Schauffler |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2023-07-18 |
Genre | : |
ISBN | : 9781021217912 |
In this lyrical tribute to one of music's greatest composers, Robert Haven Schauffler captures the essence of Schubert's genius. From the joyous melodies of his art songs to the intricate harmonies of his symphonies, Schubert's music has inspired generations. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.