Francois Villon A Bibliography New York Usw 1990 Xx 534 S 8
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| Author | : Robert D. Peckham |
| Publisher | : Garland Publishing |
| Total Pages | : 576 |
| Release | : 1990 |
| Genre | : Poetry |
| ISBN | : |
Some 2,000 entries span a period from the late 15th century to 1985. The volume includes an analytical introduction and sections on documentary sources of biographical data; textual sources of Villon's work; editions; translations; general studies; line, section, and poem studies; works inspired by Villon; and reviews. Annotation copyrighted by Book News, Inc., Portland, OR
| Author | : Arthur James Wells |
| Publisher | : |
| Total Pages | : 1022 |
| Release | : 1991 |
| Genre | : Bibliography, National |
| ISBN | : |
| Author | : Steven A. Mansbach |
| Publisher | : |
| Total Pages | : 260 |
| Release | : 1991 |
| Genre | : Art |
| ISBN | : |
| Author | : Francisco Chinesta |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 236 |
| Release | : 2007-10-27 |
| Genre | : Technology & Engineering |
| ISBN | : 2287721436 |
This book groups the main advances in material forming, considering different processes, both conventional and non-conventional. It focuses on polymers, composites and metals, which are analyzed from the state of the art. Special emphasis is devoted to the contributions of the European Scientific Association for Material Forming (ESAFORM) during the last decade and in particular the ones coming from its annual international conference.
| Author | : Simone Celine Marshall |
| Publisher | : BRILL |
| Total Pages | : 206 |
| Release | : 2017-11-01 |
| Genre | : Literary Criticism |
| ISBN | : 9004357025 |
In The Medieval Presence in the Modernist Aesthetic: Unattended Moments, editors Simone Celine Marshall and Carole M. Cusack have brought together essays on literary Modernism that uncover medieval themes and tropes that have previously been “unattended”, that is, neglected or ignored. A historical span of a century is covered, from musical modernist Richard Wagner’s final opera Parsifal (1882) to Russell Hoban’s speculative fiction Riddley Walker (1980), and themes of Arthurian literature, scholastic philosophy, Irish legends, classical philology, dream theory, Orthodox theology and textual exegesis are brought into conversation with key Modernist writers, including T. S. Eliot, Ezra Pound, Samuel Beckett, Marcel Proust, W. B. Yeats, Evelyn Waugh and Eugene Ionesco. These scholarly investigations are original, illuminating, and often delightful.
| Author | : Robert L. Herbert |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 462 |
| Release | : 1991 |
| Genre | : Dots (Art) |
| ISBN | : 0810964104 |
A volume which embodies an entire generation of scholarship on the artist. Seurat's brief but brilliant career is traced from his early academic drawings of the 1870s to the paintings of popular entertainments and the serene landscapes of his final years.
| Author | : William Shurtleff; Akiko Aoyagi |
| Publisher | : Soyinfo Center |
| Total Pages | : 1794 |
| Release | : 2016-07-12 |
| Genre | : |
| ISBN | : 192891487X |
The world's most comprehensive, well documented and well illustrated book on this subject. With extensive subject and geographical index. 338 photographs and illustrations, many old and rare, many recent in color. Free of charge in digital PDF format on Google Books.
| Author | : Hans Bernhard Moeller |
| Publisher | : SIU Press |
| Total Pages | : 384 |
| Release | : 2012-10-31 |
| Genre | : Performing Arts |
| ISBN | : 0809389398 |
Volker Schlöndorff’s Cinema: Adaptation, Politics and the “Movie-Appropriate”examines the work of major postwar Germandirector Volker Schlöndorff in historical, economic, and artistic contexts. . In spite of Schlöndorff’s successes with films like The Lost Honor ofKatharina Blum and The Tin Drum, as well as his acclaimed work in the U.S. with Death of a Salesman, Gathering of Old Men and The Handmaid’s Tale, this is the first in-depthcritical study of the filmmaker’s career.
| Author | : Charles (d'Orléans) |
| Publisher | : Arizona Center for Medieval and Renaissance Studies (ACMRS) |
| Total Pages | : 648 |
| Release | : 1994 |
| Genre | : Poetry |
| ISBN | : |
| Author | : Leonard Lewisohn |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 546 |
| Release | : 2010-06-02 |
| Genre | : Literary Criticism |
| ISBN | : 0857736604 |
The romantic lyricism of the great Persian poet Hafiz (1315-1390) continues to be admired around the world. Recent exploration of that lyricism by Iranian scholars has revealed that, in addition to his masterful use of poetic devices, Hafiz's verse is deeply steeped in the philosophy and symbolism of Persian love mysticism. This innovative volume discusses the aesthetic theories and mystical philosophy of the classical Persian love-lyric (ghazal) as particularly exemplified by Hafiz (who, along with Rumi and Sa'di, is Persia's most celebrated poet). For the first time in western literature, Hafiz's rhetoric of romance is situated within the broader context of what scholars refer to as 'Love Theory' in Arabic and Persian poetry in particular and Islamic literature more generally. Contributors from both the West and Iran conduct a major investigation of the love lyrics of Hafiz and of what they signified to that high culture and civilization which was devoted to the School of Love in medieval Persia. The volume will have strong appeal to scholars of the Middle East, medieval Islamic literature, and the history and culture of Iran.
