Franco Maghrebi Artists Of The 2000s
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Author | : Ramona Mielusel |
Publisher | : BRILL |
Total Pages | : 199 |
Release | : 2018-11-26 |
Genre | : Literary Criticism |
ISBN | : 9004385452 |
In Franco-Maghrebi Artists of the 2000s: Transnational Narratives and Identities Ramona Mielusel offers an account of the way how young artists (writers, filmmakers, actors, singers, photographers, contemporary migrant artists) of Maghrebi origin residing in France during the last twenty years (2000-2016) contest French “national identity” in their work. Mielusel's interest lies in analyzing the impact that these “minor” artists and their chosen genres have on mainstream cultural productions. She argues that constant displacement and changes in political, social and cultural contexts have significantly transformed the dynamics that govern the relationship between the center (Metropolitan France) and the periphery (its Others). Most importantly, she seeks to position their work in the field of transnationalism, which has dominated postcolonial studies and cultural studies in the past decade.
Author | : Ramona Mielusel |
Publisher | : Rowman & Littlefield |
Total Pages | : 167 |
Release | : 2024-08-06 |
Genre | : Social Science |
ISBN | : 1666949957 |
Contemporary Feminist Art by Women in North Africa: Body Talks dissects the diverse perceptions of the body and how it becomes symbolically charged in the artwork of six contemporary Maghrebi female artists: Majida Khattari, Lalla Essaydi, Zoulikha Bouabdellah, Déborah Benzaquen, Fatima Mazmouz and Zaïnab Fasiki. With a focus on the French, Maghrebi, and North American market and examining artistic mediums ranging from painting and photography to videos and installations, Ramona Mielusel highlights how the body functions as both subject and object of aesthetic discourse. The author denotes these artistic works as the intersection of the intimate and the impersonal, of the individual perception and the communitarian and societal view, without promoting a fixed notion of the body in a specific spatiality and temporality. This book explores the work of female Maghrebi artists and their intentional framing of the body’s duality between the symbolic and the real, between cultural interpretation of the body in literature and the actual perception of the body.
Author | : Ramona Mielusel |
Publisher | : Springer Nature |
Total Pages | : 242 |
Release | : 2022-01-01 |
Genre | : Social Science |
ISBN | : 3030812340 |
Artistic (Self)-Representations of Islam and Muslims: Perspectives Across France and the Maghreb is a collection of essays that explores the question of artistic representation(s)/self-representation(s) of Muslim religious and cultural identity in France, the Maghreb and in/between since the 2000s. The volume offers a plurality of feminine and masculine voices and points of view on cultural Islam (Franco-French, Franco-Maghrebi, Maghrebi), all the while addressing the impact of events like 9/11, the tragic attacks in France in 2015-2016 (Charlie Hebdo, Stade de France, Bataclan, Nice), and the Arab Spring. Taken together, the volume features a transnational and transversal set of artistic voices that are not looking for consensus, but rather invoke dissensus (Rancière) and a full range of expression. A necessary part of that full range of expression is (self)-representations: Muslims representing themselves, though this is no facile (self)-representations, as artists continue to use the properties of the imagination and performance to complexify an easy reading, reductive meaning, or oversimplified interpretation. This interdisciplinary study contributes to the fields of French and Francophone Studies, Humanities and Global/Cultural Studies such as political studies, sociology, political philosophy, literature, cinema, visual arts and media studies with a focus on broadening views on the topic of Islam and Muslim (self)-representations across disciplines.
Author | : Gott Michael Gott |
Publisher | : Edinburgh University Press |
Total Pages | : 341 |
Release | : 2020-09-21 |
Genre | : Performing Arts |
ISBN | : 1474466540 |
ReFocus: The Films of Rachid Bouchareb is the first book-length study of the internationally recognized director's films. Bouchareb was one of France's first filmmakers of North African descent and his career as a director and producer now spans over 35 years. Remarkably varied in their themes, formal elements and narrative settings, Bouchareb's work has engaged with and reflected on a variety of crucial social, political and historical issues; from the role of colonial troops in the French army during the Second World War, to terrorism in contemporary Europe. This volume examines Bouchareb's films from an interdisciplinary perspective, exploring key influences on his output and considering new theoretical approaches to his filmmaking.
Author | : Ramona Mielusel |
Publisher | : Springer Nature |
Total Pages | : 265 |
Release | : 2020-01-09 |
Genre | : Political Science |
ISBN | : 3030301583 |
The first decades of the new millennium have been marked by major political changes. Although The West has wished to revisit internal and international politics concerning migration policies, refugee status, integration, secularism, and the dismantling of communitarianism, events like the Syrian refugee crisis, the terrorist attacks in France in 2015-2016, and the economic crisis of 2008 have resurrected concepts such as national identity, integration, citizenship and re-shaping state policies in many developed countries. In France and Canada, more recent public elections have brought complex democratic political figures like Emmanuel Macron and Justin Trudeau to the public eye. Both leaders were elected based on their promising political agendas that aimed at bringing their countries into the new millennium; Trudeau promotes multiculturalism, while Macron touts the diverse nation and the inclusion of diverse ethnic communities to the national model. This edited collection aims to establish a dialogue between these two countries and across disciplines in search of such discursive illustrations and opposing discourses. Analyzing the cultural and political tensions between minority groups and the state in light of political events that question ideas of citizenship and belonging to a multicultural nation, the chapters in this volume serve as a testimonial to the multiple views on the political and public perception of multicultural practices and their national and international applicability to our current geopolitical context.
Author | : Julia Khrebtan-Hörhager |
Publisher | : University of Michigan Press |
Total Pages | : 329 |
Release | : 2023-11-01 |
Genre | : Language Arts & Disciplines |
ISBN | : 0472221396 |
Whenever political and social decisions use categories of identity such as race, religion, social class, or nationality to distinguish groups of people, they risk holding certain groups as inferior and culturally “Other.” When people employ ideologies of imperialism, colonialism, patriarchy, and classism, they position certain groups as superior or ideal/ized people. Such ideological positioning causes nations to take actions that isolate or endanger minoritized populations. This cultural Othering can lead to atrocities such as Native Americans being expelled from their native lands through the Trail of Tears, millions of Ukrainians starving to death during the Holodomor, or millions of Jews exterminated during the Holocaust. Communicating the Other across Cultures uses examples from the United States, Western Europe, and Russia to demonstrate historical patterns of Othering people, as well as how marginalized people fight back against dominant powers that seek to silence or erase them. Deeply ingrained in our society, cultural Othering affects information in history books, children’s education, and the values upheld in our society. By taking a closer look at historical and modern instances of Othering, Julia Khrebtan-Hörhager shows examples of how different societies created ideas of social and cultural superiority or inferiority, and how deeply they are ingrained in our current society. In everyday life—the cash in your pocket, the movies shown at your local theater, museum exhibits, or politician's speeches—certain cultural ideologies are consistently upheld, while others are silenced. By exposing the communicative patterns of those in power, Khrebtan-Hörhager then suggests alternative ways of thinking, communicating, and eventually being, that offer transformative solutions for global problems.
Author | : Gábor Gergely |
Publisher | : Routledge |
Total Pages | : 484 |
Release | : 2021-12-30 |
Genre | : Social Science |
ISBN | : 1000512290 |
Presenting new and diverse scholarship, this wide-ranging collection of 43 original chapters asks what European cinema tells us about Europe. The book engages with European cinema that attends to questions of European colonial, racialized and gendered power; seeks to decentre Europe itself (not merely its putative centres); and interrogate Europe’s various conceptualizations from a variety of viewpoints. It explores the broad, complex and heterogeneous community/ies produced in and by European films, taking in Kurdish, Hollywood and Singapore cinema as comfortably as the cinema of Poland, Spanish colonial films or the European gangster genre. Chapters cover numerous topics, including individual films, film movements, filmmakers, stars, scholarship, representations and identities, audiences, production practices, genres and more, all analysed in their context(s) so as to construct an image of Europe as it emerges from Europe’s film corpus. The Companion opens the study of European cinema to a broad readership and is ideal for students and scholars in film, European studies, queer studies and cultural studies, as well as historians with an interest in audio-visual culture, nationalism and transnationalism, and those working in language-based area studies.
Author | : Kaya Davies Hayon |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 321 |
Release | : 2024-01-25 |
Genre | : Performing Arts |
ISBN | : 1501393235 |
Building on the work of star studies scholars, this collection provides contextual analyses of off-screen representation, as well as close textual analyses of films and star personas, thereby offering an in-depth study of the Arab star as text and context of Arab cinema. Using the tools of audience reception studies, the collection will also look at how stars (of film, stage, screen and new media) are viewed and received in different cultural contexts, both within and outside of the Arabic-speaking world. Arab cinema is often discussed in terms of political representation and independent art film, but rarely in terms of stardom, glamour, performance or masquerade. Aside from a few individual studies on female stardom or aspects of Arab masculinity, no major English-language study on Arab stardom exists, and collections on transnational stars or world cinema also often neglect to include Arab performers. This new book seeks to address this gap by providing the first study dedicated entirely to stardom on the Arab screen. Structured chronologically and thematically, this collection highlights and explores Arab film, screen and music stars through a transnational and interdisciplinary set of contributions that draw on feminist, performance and film theories, media studies, sound studies, material culture, queer star and celebrity studies, and social media studies.
Author | : Dervila Cooke |
Publisher | : Springer Nature |
Total Pages | : 306 |
Release | : |
Genre | : |
ISBN | : 303149234X |
Author | : Katharina Fritsch |
Publisher | : Taylor & Francis |
Total Pages | : 259 |
Release | : 2022-07-15 |
Genre | : Political Science |
ISBN | : 1000614174 |
Based on an ethnographic study of mobilisations of the Comorian diaspora in Marseille during political and cultural events, the book examines communitarisation in relation to three thematic areas, namely spaces, cultural markets and local politics. Drawing on Foucault’s concept of the dispositif, the author analyses mobilisations of postcolonial diaspora as part of a dispositif of communitarisation, that is, a set of discourses, practices, institutions and subjectivations of diasporic community. She argues that constructions of ‘community’ are both shaped by and shape ethnicised biopolitics, expressed by modes of governing diasporic groups along ethnicised divisions and a marking of ethnicised communities as the Other of the French Republic. The performativity of a Comorian community brought into being through political, cultural, economic and customary practices also shows how Comorian communities govern themselves along ethnicised categories, at the intersection with generation, gender, age classes, locality and class. Communitarisation processes as part of ethnicised (self-)governing reveal postcolonial power relations in France as well as practices of negotiation and contestation on the part of Comorian communities. This book will be of interest to scholars in the fields of critical diaspora studies, critical ethnography, discourse and dispositif analysis, postcolonial politics, and the African diaspora.