Francis Quarles Divine Fancies
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Author | : William T. Liston |
Publisher | : Routledge |
Total Pages | : 286 |
Release | : 2019-05-23 |
Genre | : Literary Criticism |
ISBN | : 0429655738 |
Published in 1992, this volume is a critical edition of Francis Quarles' Divine Fancies, including a textual introduction, textual notes and chaptres on press-variants in Q1 and historical collation.
Author | : Francis Quarles |
Publisher | : |
Total Pages | : 406 |
Release | : 1660 |
Genre | : Emblem books |
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Author | : Francis Quarles |
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Total Pages | : 222 |
Release | : 1641 |
Genre | : Epigrams |
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Author | : Francis Quarles |
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Total Pages | : 204 |
Release | : 1687 |
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Author | : Francis Quarles |
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Total Pages | : 222 |
Release | : 1657 |
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Author | : Francis Quarles |
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Total Pages | : 230 |
Release | : 1633 |
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Author | : Deanna Smid |
Publisher | : BRILL |
Total Pages | : 218 |
Release | : 2017-08-28 |
Genre | : Literary Criticism |
ISBN | : 9004344047 |
In The Imagination in Early Modern English Literature, Deanna Smid presents a literary, historical account of imagination in early modern English literature, paying special attention to its effects on the body, to its influence on women, to its restraint by reason, and to its ability to create novelty. An early modern definition of imagination emerges in the work of Robert Burton, Francis Bacon, Edward Reynolds, and Margaret Cavendish. Smid explores a variety of literary texts, from Thomas Nashe’s The Unfortunate Traveler to Francis Quarles’s Emblems, to demonstrate the literary consequences of the early modern imagination. The Imagination in Early Modern English Literature insists that, if we are to call an early modern text “imaginative,” we must recognize the unique characteristics of early modern English imagination, in all its complexity.
Author | : Maurice J. O’Sullivan |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 270 |
Release | : 2009-03-26 |
Genre | : Religion |
ISBN | : 1443806528 |
For over a thousand years translators have attempted to find the perfect English voice for The Book of Job. That challenge has attracted a broad spectrum of men and women, ranging from a member of parliament to a beggar, from a Kentish wool merchant to the Earl of Winchilsea, from the first woman to translate a book of the Bible to the Metropolitan of Canada, from a chronologer of the City of London to the secretary for the American Continental Congress, and from the Roman Catholic Archbishop of Philadelphia to a British officer of the Raj. In accessible, lively prose, The Books of Job begins by exploring the ways these men and women have used their translations of Job for everything from royalist apologetics to revolutionary polemics, from orthodox endorsements of traditional beliefs to highly heterodox speculations, and from feminist theories to idiosyncratic metrical experiments. While celebrating the conversation that these translators have with each other and their original sources, the first section places their work in particular moments of political, literary, and theological history. The second section offers a composite translation from fifty of these versions to provide as wide a variety of voices and styles as possible. The very breadth and creativity of these remarkable translations show how eclectic, compelling, and paradoxical the colloquy on Job has been. In the last section, a bibliography of translations through 1900, each author’s interpretation of one unremarkable but ambiguous verse offers a basis for tracing the English Job from Aelfric, Coverdale, and the Geneva Bible to Elizabeth Smith, Rabbi Isaac Leeser, and Noah Webster.
Author | : Victoria Moul |
Publisher | : Cambridge University Press |
Total Pages | : 601 |
Release | : 2022-07-07 |
Genre | : Literary Criticism |
ISBN | : 1108135579 |
Victoria Moul's groundbreaking study uncovers one of the most important features of early modern English poetry: its bilingualism. The first guide to a forgotten literary landscape, this book considers the vast quantities of poetry that were written and read in both Latin and English from the sixteenth to the eighteenth century. Introducing readers to a host of new authors and drawing on hundreds of manuscript as well as print sources, it also reinterprets a series of landmarks in English poetry within a bilingual literary context. Ranging from Tottel's miscellany to the hymns of Isaac Watts, via Shakespeare, Jonson, Herbert, Marvell, Milton and Cowley, this revelatory survey shows how the forms and fashions of contemporary Latin verse informed key developments in English poetry. As the complex, highly creative interactions between the two languages are revealed, the work reshapes our understanding of what 'English' literary history means.
Author | : Peter Mitchell |
Publisher | : Associated University Presse |
Total Pages | : 722 |
Release | : 2007 |
Genre | : History |
ISBN | : 9780838640180 |
Sets out to reconstruct and analyze the rationality of Phineas Fletcher's use of figurality in The Purple Island (1633) - a poetic allegory of human anatomy. This book demonstrates that the analogies and metaphors of literary works share coherence and consistency with anatomy textbooks.