Francis Johnson (1792-1844)

Francis Johnson (1792-1844)
Author: Charles Kelley Jones
Publisher: Associated University Presse
Total Pages: 344
Release: 2006
Genre: Biography & Autobiography
ISBN: 9780934223867

"Johnson pursued all phases of his music with unmatched skill and fervor, even to the detriment of his health. At the time of his untimely death in 1844, Johnson had become the most prolific and widely traveled American composer, bandmaster, and performer in our nation's first century."--Jacket.

Bands in American Musical History

Bands in American Musical History
Author: Patricia Backhaus
Publisher: Boydell & Brewer
Total Pages: 379
Release: 2024
Genre: History
ISBN: 1648250823

Essays on the history of bands in America from ca. 1820 to 1930, offering new insights on a major sphere of music making that brought diverse repertories to wide audiences.The essays in this volume, written by leading scholars in the field of American-band history, examine a broad spectrum of issues, including biography, performance, repertoire, and marketing. Detailed studies of key turning points in the evolution of bands include P. S. Gilmore's 1864 New Orleans concerts, the Kaiser-Cornet-Quartett's 1872 tour, the 1892 transition from Gilmore's Band to Sousa's Band, C. G. Conn's lavish artist-endorsement posters, and the demise of the Sousa Band in the late 1920s. Additional essays seek to rectify oversights and add insights to the lives of key figures in band history. African American keyed bugler Frank Johnson's earliest works receive close scrutiny, as does the life of neglected cornet superstar Alice Raymond. A complete re-evaluation of Francesco Fanciulli, the U. S. Marine Band leader whose reputation suffered greatly from an 1897 scandal, shows his importance in the realm of conducting and composition. The repertoire of a town band in antebellum New Hampshire and a documentary study of Civil War bandsmen seek to better understand social aspects of bands in the 1850s and 1860s.Edited by Bryan Proksch and George Foreman. Contributors: Patricia Backhaus, Margaret Downie Banks, Steve Bornemann, Jim Davis, Dave Detwiler, Michael O'Connor, Eric Roefs, and Colin Roust. suffered greatly from an 1897 scandal, shows his importance in the realm of conducting and composition. The repertoire of a town band in antebellum New Hampshire and a documentary study of Civil War bandsmen seek to better understand social aspects of bands in the 1850s and 1860s.Edited by Bryan Proksch and George Foreman. Contributors: Patricia Backhaus, Margaret Downie Banks, Steve Bornemann, Jim Davis, Dave Detwiler, Michael O'Connor, Eric Roefs, and Colin Roust. suffered greatly from an 1897 scandal, shows his importance in the realm of conducting and composition. The repertoire of a town band in antebellum New Hampshire and a documentary study of Civil War bandsmen seek to better understand social aspects of bands in the 1850s and 1860s.Edited by Bryan Proksch and George Foreman. Contributors: Patricia Backhaus, Margaret Downie Banks, Steve Bornemann, Jim Davis, Dave Detwiler, Michael O'Connor, Eric Roefs, and Colin Roust. suffered greatly from an 1897 scandal, shows his importance in the realm of conducting and composition. The repertoire of a town band in antebellum New Hampshire and a documentary study of Civil War bandsmen seek to better understand social aspects of bands in the 1850s and 1860s.Edited by Bryan Proksch and George Foreman. Contributors: Patricia Backhaus, Margaret Downie Banks, Steve Bornemann, Jim Davis, Dave Detwiler, Michael O'Connor, Eric Roefs, and Colin Roust.

The Black History of the White House

The Black History of the White House
Author: Clarence Lusane
Publisher: City Lights Books
Total Pages: 662
Release: 2013-01-23
Genre: History
ISBN: 0872866114

The Black History of the White House presents the untold history, racial politics, and shifting significance of the White House as experienced by African Americans, from the generations of enslaved people who helped to build it or were forced to work there to its first black First Family, the Obamas. Clarence Lusane juxtaposes significant events in White House history with the ongoing struggle for democratic, civil, and human rights by black Americans and demonstrates that only during crises have presidents used their authority to advance racial justice. He describes how in 1901 the building was officially named the “White House” amidst a furious backlash against President Roosevelt for inviting Booker T. Washington to dinner, and how that same year that saw the consolidation of white power with the departure of the last black Congressmember elected after the Civil War. Lusane explores how, from its construction in 1792 to its becoming the home of the first black president, the White House has been a prism through which to view the progress and struggles of black Americans seeking full citizenship and justice. “Clarence Lusane is one of America’s most thoughtful and critical thinkers on issues of race, class and power.”—Manning Marable "Barack Obama may be the first black president in the White House, but he's far from the first black person to work in it. In this fascinating history of all the enslaved people, workers and entertainers who spent time in the president's official residence over the years, Clarence Lusane restores the White House to its true colors."—Barbara Ehrenreich "Reading The Black History of the White House shows us how much we DON'T know about our history, politics, and culture. In a very accessible and polished style, Clarence Lusane takes us inside the key national events of the American past and present. He reveals new dimensions of the black presence in the US from revolutionary days to the Obama campaign. Yes, 'black hands built the White House'—enslaved black hands—but they also built this country's economy, political system, and culture, in ways Lusane shows us in great detail. A particularly important feature of this book its personal storytelling: we see black political history through the experiences and insights of little-known participants in great American events. The detailed lives of Washington's slaves seeking freedom, or the complexities of Duke Ellington's relationships with the Truman and Eisenhower White House, show us American racism, and also black America's fierce hunger for freedom, in brand new and very exciting ways. This book would be a great addition to many courses in history, sociology, or ethnic studies courses. Highly recommended!"—Howard Winant "The White House was built with slave labor and at least six US presidents owned slaves during their time in office. With these facts, Clarence Lusane, a political science professor at American University, opens The Black History of the White House(City Lights), a fascinating story of race relations that plays out both on the domestic front and the international stage. As Lusane writes, 'The Lincoln White House resolved the issue of slavery, but not that of racism.' Along with the political calculations surrounding who gets invited to the White House are matters of musical tastes and opinionated first ladies, ingredients that make for good storytelling."—Boston Globe Dr. Clarence Lusane has published in The Washington Post, The Miami Herald, The Baltimore Sun, Oakland Tribune, Black Scholar, and Race and Class. He often appears on PBS, BET, C-SPAN, and other national media.

Expanding the Music Theory Canon

Expanding the Music Theory Canon
Author: Paula Maust
Publisher: State University of New York Press
Total Pages: 381
Release: 2023-12-01
Genre: Music
ISBN: 1438495803

Featuring music by sixty-seven historical women and/or people of color, Expanding the Music Theory Canon is designed to supplement any introductory Western classical music theory curriculum. At a time when many academics are focused on increasing diversity and inclusion, this book provides the means to seamlessly incorporate works by underrepresented composers into music theory core courses. The anthology’s 255 musical examples are organized topically and include excerpts as well as nineteen complete pieces for analysis. Each chapter begins with guided analysis questions aimed at students approaching these concepts for the first time. Notably, this anthology provides a biography and image for each composer, which is particularly significant since works by these individuals have rarely been included in previous textbooks or anthologies. A related website, www.expandingthemusictheorycanon.com, provides additional examples and links to recordings when available. All musical examples in the anthology have been classroom-tested with music majors and minors at a major conservatory, at private and public universities, and at community colleges. Detailed tables provide suggestions for using this book in conjunction with the major introductory theory textbooks. A special set of online exercises has been prepared by the book's author using the Auralia & Musition software programs; you can find further information here: a href="https://www.risingsoftware.com/expanding-the-music-theory-canon"https://www.risingsoftware.com/expanding-the-music-theory-canona. Additional examples and a blog offering teaching suggestions may be found at: a href="https://www.expandingthemusictheorycanon.com"https://www.expandingthemusictheorycanon.coma.

The World of Jazz Trumpet

The World of Jazz Trumpet
Author: Scotty Barnhart
Publisher: Hal Leonard Corporation
Total Pages: 284
Release: 2005
Genre: Music
ISBN: 9780634095276

In The World of Jazz Trumpet - A Comprehensive History and Practical Philosophy, acclaimed jazz trumpet soloist Scotty Barnhart examines the political, social and musical conditions that led to the creation of jazz as America's premier art form. He traces the many factors that enabled freed slaves and their descendants to merge the blues, gospel, classical marches, and African rhythms to create a timeless and profound art that, since its inception, circa 1900, continues to have a major impact on all music. The World of Jazz Trumpet is a must-have study of the jazz trumpet for students, instructors, and professional musicians, as well as for anyone who appreciates the genre. Readers will appreciate Barnhart's personal and professional connection to a major part of American and world history. This book fills a major void in the world of jazz education as well as in general music education. With entries on 800 trumpeters, it is destined to become required reading in thousands of colleges, schools and homes around the world.

Philadelphia Stories

Philadelphia Stories
Author: C. Dallett Hemphill
Publisher: University of Pennsylvania Press
Total Pages: 368
Release: 2021-05-07
Genre: Biography & Autobiography
ISBN: 0812253183

Philadelphia Stories chronicles the rich lives of twelve of its citizens—men and women, Black and white Americans, immigrants and native born—to explore the city's people and places from the colonial era to the years before the Civil War.

The Negro Leagues Were Major Leagues

The Negro Leagues Were Major Leagues
Author: Todd Peterson
Publisher: McFarland
Total Pages: 324
Release: 2019-12-11
Genre: Sports & Recreation
ISBN: 1476665141

How good was Negro League Baseball (1920-1948)? Some experts maintain that the quality of play was equal to that of the American and National Leagues. Some believe the Negro Leagues should be part of Major League Baseball's official record and that more Negro League players should be in the Hall of Fame. Skeptics contend that while many players could be rated highly, NL organizations were minor league at best. Drawing on the most comprehensive data available, including stats from more than 2,000 interracial games, this study finds that black baseball was very good indeed. Negro leaguers beat the big leaguers more than half the time in head-to-head contests, demonstrated stronger metrics within their own leagues and excelled when finally allowed into the majors. The authors document the often duplicitous manner in which MLB has dealt with the legacy of the Negro Leagues, and an appendix includes the scores and statistics from every known contest between Negro League and Major League teams.

Expanding the Canon

Expanding the Canon
Author: Melissa Hoag
Publisher: Taylor & Francis
Total Pages: 286
Release: 2022-12-30
Genre: Music
ISBN: 1000821625

Directly addressing the underrepresentation of Black composers in core music curricula, Expanding the Canon: Black Composers in the Music Theory Classroom aims to both demonstrate why diversification is badly needed and help faculty expand their teaching with practical, classroom-oriented lesson plans that focus on teaching music theory with music by Black composers. This collection of 21 chapters is loosely arranged to resemble a typical music theory curriculum, with topics progressing from basic to advanced and moving from fundamentals, diatonic harmony, and chromatic harmony to form, popular music, and music of the twentieth and twenty-first centuries. Some chapters focus on segments of the traditional music theory sequence, while others consider a single style or composer. Contributors address both methods to incorporate the music of Black composers into familiar topics, and ways to rethink and expand the purview of the music theory curriculum. A foreword by Philip Ewell and an introductory narrative by Teresa L. Reed describing her experiences as an African American student of music set the volume in wider context. Incorporating a wide range of examples by composers across classical, jazz, and popular genres, this book helps bring the rich and varied body of music by Black composers into the core of music theory pedagogy and offers a vital resource for all faculty teaching music theory and analysis.