Francis Bacon And Nazi Propaganda
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| Author | : Martin Hammer |
| Publisher | : Tate |
| Total Pages | : 0 |
| Release | : 2013-03-26 |
| Genre | : Art |
| ISBN | : 9781849760737 |
Born in 1909, Francis Bacon's entire early adulthood was penetrated by the tragedy of the Second World War. Unlike many of his contemporaries in Britain, he did not participate in the war or become a war artist. Rather, he is unique amongst his generation of artists as independently choosing Hitler, Nazi Germany and Fascist propaganda to be one of the most influential sources for his practice. In this new scholarly study, Martin Hammer addresses the question of how and why Bacon appropriated the photographs and documentation of Fascist imagery to his own expressive ends, emphasising how it was used technically in his painting as a visual aid, and how, far from being an artist of private spaces and personal anguish, he in fact found inspiration from mass circulated media and the use of it for the promotion of global ideals. Featuring an extensive selection of colour and black-and-white reproductions of both paintings and source material from Bacon's own collected archive, Hammer uses focussed visual engagement with Bacon's work, illuminating the artist's aims to comment and reflect on the wider contemporary world.
| Author | : Sarah Greenough |
| Publisher | : Yale University Press |
| Total Pages | : 191 |
| Release | : 2005 |
| Genre | : Photography |
| ISBN | : 0300109067 |
A fascinating look at Irving Penn's platinum prints, which the photographer carefully made of some of his most iconic images.
| Author | : Mark Stevens |
| Publisher | : Knopf |
| Total Pages | : 896 |
| Release | : 2021-03-23 |
| Genre | : Biography & Autobiography |
| ISBN | : 052565674X |
THE TIMES ART BOOK OF THE YEAR Named one of The Irish Times' Books of the Year for 2021 A compelling and comprehensive look at the life and art of Francis Bacon, one of the iconic painters of the twentieth century—from the Pulitzer Prize-winning authors of de Kooning: An American Master. This intimate study of the singularly private, darkly funny, eruptive man and his extraordinary art “is bejeweled with sensuous detail … the iconoclastic charm of the artist keeps the pages turning” (The Washington Post). “A definitive life of Francis Bacon ... Stevens and Swan are vivid scene setters ... Francis Bacon does justice to the contradictions of both the man and the art.” —The Boston Globe Francis Bacon created an indelible image of mankind in modern times, and played an outsized role in both twentieth century art and life—from his public emergence with his legendary Triptych 1944 (its images "so unrelievedly awful" that people fled the gallery), to his death in Madrid in 1992. Bacon was a witty free spirit and unabashed homosexual at a time when many others remained closeted, and his exploits were as unforgettable as his images. He moved among the worlds of London's Soho and East End, the literary salons of London and Paris, and the homosexual life of Tangier. Through hundreds of interviews, and extensive new research, the authors probe Bacon's childhood in Ireland (he earned his father's lasting disdain because his asthma prevented him from hunting); his increasingly open homosexuality; his early design career—never before explored in detail; the formation of his vision; his early failure as an artist; his uneasy relationship with American abstract art; and his improbable late emergence onto the international stage as one of the great visionaries of the twentieth century. In all, Francis Bacon: Revelations gives us a more complete and nuanced--and more international--portrait than ever before of this singularly private, darkly funny, eruptive man and his equally eruptive, extraordinary art. Bacon was not just an influential artist, he helped remake the twentieth-century figure.
| Author | : Martin Hammer |
| Publisher | : Phaidon Press |
| Total Pages | : 0 |
| Release | : 2013-03-05 |
| Genre | : Art |
| ISBN | : 9780714861333 |
The art of Francis Bacon (1909-1992) epitomises the angst at the heart of the modern human condition. His dramatic images of screaming figures and distorted anatomies are painted with a richly gestural technique, alluding to such old masters as Titian, Velázquez and Rembrandt. Displaying repressed and raw emotion, his body of work includes portraits of Lucian Freud and John Deakin.
| Author | : Christopher Bucklow |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2020-09-08 |
| Genre | : Art |
| ISBN | : 0500971064 |
The third book in the Francis Bacon Studies series, this volume reveals fundamental insights into the artist’s character and psychology that will change existing perceptions. Very little is known about Francis Bacon’s early career, but this third installment in the Bacon estate’s groundbreaking series provides exciting new insight into and analysis of the elusive artist. Archived material recently added to the Estate of Francis Bacon’s collection—including the diaries of Bacon’s first two patrons and an extensive number of records kept by Bacon’s doctor, Paul Brass—has allowed Francesca Pipe, Sophie Pretorius, and Martin Harrison to delve deeper into the artist’s formative years than ever before and revolutionize existing perceptions of Bacon’s character and psychology. Essays by Sarah Whitfield, Joyce Townsend, and Christopher Bucklow draw on biographical details of the artist’s life and technical analysis of his work. Utilizing this more traditional, art-historical approach, these scholars examine the complex relationships between Bacon and his peers and offer new insights into the artist’s methods and the system of metaphors within his paintings. This fascinating collection of scholarship will interest anyone looking to learn more about Francis Bacon, contemporary art, or the artistic imagination.
| Author | : Perry Ogden |
| Publisher | : |
| Total Pages | : 120 |
| Release | : 2001 |
| Genre | : Art |
| ISBN | : 9780500510346 |
This is a photographic portrait of painter Francis Bacon's south London studio in the days following his death. A visual statement of Bacon's frenetic life and work. 60 photos.
| Author | : Martin Harrison |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2019-09-17 |
| Genre | : Art |
| ISBN | : 0500970971 |
The first in a series of books that sheds new light on Francis Bacon's art and motivations, published under the aegis of the Estate of Francis Bacon Bacon and the Mind sheds light on Francis Bacon’s art by exploring his motivations, and in so doing opens up new ways of understanding his paintings. It comprises five essays by prominent scholars in their respective disciplines, illustrated throughout by Bacon’s works. Christopher Bucklow argues compellingly that Bacon does not depict the reality of his subjects, but rather their reality for him—in his memory, in his sensibility, and in his private world of sensations and ideas. Steven Jaron’s essay questions the psychological implications of Bacon’s habitual language, his obsession with “the wound,” vulnerability, and the nervous system. Darian Leader’s essay “Bacon and the Body,” presents the latest of his fresh and stimulating insights into the artist. The focus in John Onians’s “Francis Bacon: A Neuroarthistory” is the effect of Bacon’s unconscious mental processes in the creation of his paintings. “The ‘Visual Shock’ of Francis Bacon: An Essay in Neuroaesthetics” is a newly edited and now fully illustrated re-presentation of an article by Semir Zeki, previously accessible only as an online academic paper.
| Author | : CAROL. JACOBI |
| Publisher | : |
| Total Pages | : |
| Release | : 2020 |
| Genre | : |
| ISBN | : 9780500971055 |
| Author | : Andrew Maraniss |
| Publisher | : Penguin |
| Total Pages | : 258 |
| Release | : 2021-03-02 |
| Genre | : Young Adult Nonfiction |
| ISBN | : 0525514651 |
*"Rivaling the nonfiction works of Steve Sheinkin and Daniel James Brown's The Boys in the Boat....Even readers who don't appreciate sports will find this story a page-turner." --School Library Connection, starred review *"A must for all library collections." --Booklist, starred review Winner of the 2020 AJL Sydney Taylor Honor! From the New York Times bestselling author of Strong Inside comes the remarkable true story of the birth of Olympic basketball at the 1936 Summer Games in Hitler's Germany. Perfect for fans of The Boys in the Boat and Unbroken. On a scorching hot day in July 1936, thousands of people cheered as the U.S. Olympic teams boarded the S.S. Manhattan, bound for Berlin. Among the athletes were the 14 players representing the first-ever U.S. Olympic basketball team. As thousands of supporters waved American flags on the docks, it was easy to miss the one courageous man holding a BOYCOTT NAZI GERMANY sign. But it was too late for a boycott now; the ship had already left the harbor. 1936 was a turbulent time in world history. Adolf Hitler had gained power in Germany three years earlier. Jewish people and political opponents of the Nazis were the targets of vicious mistreatment, yet were unaware of the horrors that awaited them in the coming years. But the Olympians on board the S.S. Manhattan and other international visitors wouldn't see any signs of trouble in Berlin. Streets were swept, storefronts were painted, and every German citizen greeted them with a smile. Like a movie set, it was all just a facade, meant to distract from the terrible things happening behind the scenes. This is the incredible true story of basketball, from its invention by James Naismith in Springfield, Massachusetts, in 1891, to the sport's Olympic debut in Berlin and the eclectic mix of people, events and propaganda on both sides of the Atlantic that made it all possible. Includes photos throughout, a Who's-Who of the 1936 Olympics, bibliography, and index. Praise for Games of Deception: A 2020 ALA Notable Children's Book! A 2020 CBC Notable Social Studies Book! "Maraniss does a great job of blending basketball action with the horror of Hitler's Berlin to bring this fascinating, frightening, you-can't-make-this-stuff-up moment in history to life." -Steve Sheinkin, New York Times bestselling author of Bomb and Undefeated "I was blown away by Games of Deception....It's a fascinating, fast-paced, well-reasoned, and well-written account of the hidden-in-plain-sight horrors and atrocities that underpinned sports, politics, and propaganda in the United States and Germany. This is an important read." -Susan Campbell Bartoletti, Newbery Honor winning author of Hitler Youth "A richly reported and stylishly told reminder how, when you scratch at a sports story, the real world often lurks just beneath." --Alexander Wolff, New York Times bestselling author of The Audacity of Hoop: Basketball and the Age of Obama "An insightful, gripping account of basketball and bias." --Kirkus Reviews "An exciting and overlooked slice of history." --School Library Journal
| Author | : Darren Coffield |
| Publisher | : Troubador Publishing Ltd |
| Total Pages | : 280 |
| Release | : 2013-05-01 |
| Genre | : Art |
| ISBN | : 1780885261 |
Joshua's gallery 'Factual Nonsense' was quite unlike any other. Called a 'crazy powerhouse of ideas' it was a kind of cultural think-tank located in the then run-down East End area known as Shoreditch, which would later become a cohesive and creative hub (since rebranded as 'Silicon Roundabout'). Joshua was the driving force that turned the area's fortune and reputation around. Under the auspices of his Factual Nonsense banner, he held some of the most important and influential public art events of the late 20th Century. The first of these was an anarchic swipe at the notion of a traditional village fete called 'A Fete Worse than Death', with some of the biggest but the still yet unknown stars of the art world, including Damien Hirst and Angus Fairhurst, famously dressed as clowns and produced the first spin paintings at the Fete (for sale for the princely sum of £1). Whilst Hirst's spin machine has, from lowly beginnings at the Fete, gone on to appear recently at the World Economic Forum, a billionaire's playground, creating spin paintings for rich oligarch's wives as entertainment, Joshua was to die alone, poverty stricken back in 1996 on the cusp of international fame. Never reaping the rewards that were to come from the economic upturn and Charles Saatchi's Sensation exhibition, his death was a marker for the beginning of an era of international fame and success for his contemporaries and the end of the 'classic' avant-garde. The list of the seventy or so names of people I have interviewed for the book over the past year reads like a who's who of the contemporary art world, with contributions from the likes of Jay Jopling, Damien Hirst, Sarah Lucas, Sam Taylor-Wood, Gary Hume, Gavin Turk, Maureen Paley and Sir Peter Blake. Although Joshua never achieved the recognition that he deserved in his lifetime, he was a pivotal figure in the London art scene during the early 1990's. Josh moved into Hoxton and opened a gallery there and started a veritable art movement, while the place was a neglected London backwater. His lasting legacy was to bring together a group of artists and gallerists and create what is now known as the YBA scene. The text is illustrated with previously unseen photographs, letters and extracts from Joshua's diaries, which give insight into his thought process as well as the deterioration of his mental state towards the end of his brief but eventful life.
