Francesco Robba And The Venetian Sculpture Of The Eighteenth Century
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Almanach and painting in the second half of the 17th century in Carniola
Author | : Barbara Murovec |
Publisher | : Založba ZRC |
Total Pages | : 354 |
Release | : 2006-01-01 |
Genre | : Almanach" (Künstler) |
ISBN | : 9616568566 |
300 let Academia philharmonicorum Labacensium (1701–2001)
Author | : Ivan Klemenčič |
Publisher | : Založba ZRC |
Total Pages | : 257 |
Release | : 2004-01-01 |
Genre | : Music |
ISBN | : 9616500503 |
Zbornik prinaša referate z istoimenskega mednarodnega simpozija, ki je potekal 25. in 26. oktobra 2001 v Ljubljani. Namen zborovanja je bil slovesno obuditi spomin na to pomembno akademsko filharmonično ustanovo in opozoriti na njeno vpetost v glasbeno poustvarjanje tako na Slovenskem kot v evropskem kontekstu. Sedemnajst referentov iz šestih držav je poudarilo pomen kontinuitete tristoletnega razvoja orkestrskega oziroma simfoničnega poustvarjanja na Slovenskem, čeprav z nekaj prekinitvami, in s tem oblikovanja tradicije.
Catalogue of Italian Sculpture in the Detroit Institute of Arts: Eighth to sixteenth century
Author | : Detroit Institute of Arts |
Publisher | : Harvey Miller |
Total Pages | : 300 |
Release | : 2002 |
Genre | : Architecture |
ISBN | : |
The collection of post-antique Italian sculpture in the Detroit Institute of Arts is considered among the three finest and most comprehensive outside Europe; however, this large and distinguished collection, whose formation began a century ago, has never been published in its entirety as a museum catalogue. Ranging from early medieval, pre-Romanesque stone carvings of the eighth and ninth centuries to works created more than a millennium later, the collection numbers over 350 pieces of Italian sculpture in wood, stone, terracotta, stucco, porcelain and bronze. More than half of the collection consists of sculpture from the fifteenth and sixteenth centuries (or the Early, High and Late Italian Renaissance), and approximately one-fifth dates from the thirteenth and fourteenth centuries (roughly, Italian Gothic sculpture). Although the remainder is more or less equally balanced in number between the eighth to the twelfth centuries, and those pieces from the seventeenth to the early twentieth centuries, the latter group of Italian baroque to nineteenth-century sculpture contains some of the most important and most recently acquired Italian works of art in the collection.
Catalogue of Italian Sculpture in the Detroit Institute of Arts: Seventeenth to twentieth century
Author | : Detroit Institute of Arts |
Publisher | : |
Total Pages | : 314 |
Release | : 2002 |
Genre | : Sculpture |
ISBN | : |
Architectura perennis
Author | : Damjan Prelovsek |
Publisher | : Yale University Press |
Total Pages | : 348 |
Release | : 1997-01-01 |
Genre | : Architecture |
ISBN | : 9780300069532 |
Joze Plecnik (1872-1957), one of the most important European architects of the twentieth century, created a highly original and independent architectural language. Drawing on the architecture of antiquity, the theories of Gottfried Semper and the teachings of Otto Wagner, Plecnik developed a refined but eclectic classicism that has become increasingly popular today. In this authoritative book, Damjan Prelovsek describes the life and work of the architect, analysing his buildings and his relationships with other architects and patrons, and placing his work in the perspective of current architectural ideas and practices. Prelovsek relates how Otto Wagner recognized Plecnik's enormous gifts and accepted him as a pupil in 1894, and how the young man capped his student career by winning the coveted Rome Prize. By 1903 Plecnik had already completed the Zacherl House, the most significant work by a student of Wagner in Vienna. It was a radical work, deliberately incoporating the traditions of European art but, unlike the work of later postmodernists, not content with mere architectural quotation. In Prague, says Prelovsek, Plecnik's extensive and sometimes controversial work on the Prague Castle brought him in close contact with the Czech President, Tomas Masaryk; in Ljubljana, Plecnik's far-reaching planning decisions and numerous buildings have exerted a lasting influence on the appearance of his native town.
Bd. 2 U. 3 Mit Dem Zusatz: 1614 - 1780
Author | : Melania Bucciarelli |
Publisher | : BWV Verlag |
Total Pages | : 335 |
Release | : 2006-01-01 |
Genre | : Music |
ISBN | : 3830503814 |
The Land between Two Seas: Art on the Move in the Mediterranean and the Black Sea 1300–1700
Author | : Alina Payne |
Publisher | : BRILL |
Total Pages | : 407 |
Release | : 2022-06-20 |
Genre | : Art |
ISBN | : 9004515461 |
The Land Between Two Seas: Art on the Move in the Mediterranean and the Black Sea 1300-1700 focuses on the strong riverine ties that connect the seas of the Mediterranean system (from the Western Mediterranean through the Sea of Marmara, the Black Sea and the Sea of Azov) and their hinterland. Addressing the mediating role of the Balkans between East and West all the way to Poland and Lithuania, as well as this region’s contribution to the larger Mediterranean artistic and cultural melting pot, this innovative volume explores ideas, artworks and stories that moved through these territories linking the cultures of Central Asia with those of western Europe.
A History of Baroque Music
Author | : George J. Buelow |
Publisher | : Indiana University Press |
Total Pages | : 732 |
Release | : 2004-11-23 |
Genre | : Music |
ISBN | : 9780253343659 |
"A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.