Francesco Filelfo And Francesco Sforza
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| Author | : Jeroen De Keyser |
| Publisher | : Georg Olms Verlag |
| Total Pages | : 450 |
| Release | : 2015-05-01 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3487152460 |
Die Sphortias des Humanisten Francesco Filelfo (15. Jd.) war das erste veritable neulateinische Epos, das einen zeitgenössischen Helden in Szene setzte. Das Gedicht, das Filelfos Gönner Francesco Sforza, Herzog von Mailand, gewidmet ist, stieß fast sofort auf die heftige Kritik des Galeotto Marzio, eines Zeitgenossen Filelfos. Marzio prangerte in zwei polemischen Briefen die angeblichen literarischen und metrischen Schwächen der Sphortias an. Obwohl Filelfo Abschriften an mögliche Gönner in ganz Italien sandte, litt die Rezeption der Sphortias unter dem Fehlen einer Druckausgabe, was auch die moderne Forschung behindert hat. Der vorliegende Band bietet die editio princeps der Sphortias, ergänzt durch kritische Editionen der anderen bedeutenden, aber gleichfalls kaum erforschten Werke Filelfos, in denen Sforza im Mittelpunkt steht: das unveröffentlichte Gedicht De Genuensium deditione, das 1464 anlässlich der Unterwerfung Genuas unter die Herrschaft des Herzogs von Mailand verfasst wurde; die Oratio parentalis de divi Francisci Sphortiae Mediolanensium ducis felicitate, ein anspruchsvolles biographisches Lobgedicht, das 1467 aus Anlass des ersten Jahrestages von Sforzas Tod geschrieben wurde; und der vollständige polemische Briefwechsel mit Galeotto Marzio. The Sphortias by the Quattrocento humanist Francesco Filelfo was the first full-blown Neo-Latin epic staging a contemporary hero. Devoted to Filelfo’s patron, Francesco Sforza, Duke of Milan, the poem almost immediately met a fierce critic in Filelfo’s contemporary Galeotto Marzio, who wrote two polemical letters denouncing the Sphortias’ alleged literary and metrical flaws. Although Filelfo sent out copies to possible patrons all over Italy, the Sphortias’ reception suffered from the work’s failure to appear in print, which has not served modern scholarship either. This volume contains the editio princeps of the Sphortias, accompanied by critical editions of Filelfo’s other major Sforza-centred writings, all of them equally understudied: the unpublished poem De Genuensium deditione, written in 1464 on the occasion of Genoa’s submission to the Duke of Milan’s rule; the Oratio parentalis de divi Francisci Sphortiae Mediolanensium ducis felicitate, an ambitious biographical eulogy written in 1467 on the occasion of the first anniversary of Sforza’s demise; and the complete polemical epistolary exchange with Galeotto Marzio.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 317 |
| Release | : 2018-10-08 |
| Genre | : Philosophy |
| ISBN | : 9004382194 |
Investigating the oeuvre of the Italian humanist Francesco Filelfo (1398-1481), this collection is the first to make extensive use of the critical editions of Filelfo’s numerous writings – in particular of his Epistolarium, published in 2016 by Jeroen De Keyser, who also edited this volume. Uncovering a lot of new information not previously mentioned in the literature on Filelfo, twelve specialized scholars draw attention to long-neglected material, shedding new light on Filelfo’s intellectual endeavors and his literary journey between Greek and Latin. This illuminating collection offers historians of ideas as well as literary scholars and Neo-Latinists new inroads into Filelfo’s vast oeuvre, and through it to the world of Quattrocento humanism. Contributors include: Jean-Louis Charlet, Guy Claessens, Jeroen De Keyser, Tom Deneire, Ide François, James Hankins, Noreen Humble, Gary Ianziti, Han Lamers, David Marsh, John Monfasani, and Jan Papy.
| Author | : Jeroen de Keyser |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Latin literature, Medieval and modern |
| ISBN | : 9783487421315 |
Die Sphortias des Humanisten Francesco Filelfo (15. Jd.) war das erste veritable neulateinische Epos, das einen zeitgenössischen Helden in Szene setzte. Das Gedicht, das Filelfos Gönner Francesco Sforza, Herzog von Mailand, gewidmet ist, stieß fast sofort auf die heftige Kritik des Galeotto Marzio, eines Zeitgenossen Filelfos. Marzio prangerte in zwei polemischen Briefen die angeblichen literarischen und metrischen Schwächen der Sphortias an. Obwohl Filelfo Abschriften an mögliche Gönner in ganz Italien sandte, litt die Rezeption der Sphortias unter dem Fehlen einer Druckausgabe, was auch die ...
| Author | : Jane Black |
| Publisher | : OUP Oxford |
| Total Pages | : 257 |
| Release | : 2009-10-08 |
| Genre | : History |
| ISBN | : 0191609889 |
Absolutism in Renaissance Milan shows how authority above the law, once the preserve of pope and emperor, was claimed by the ruling Milanese dynasties, the Visconti and the Sforza, and why this privilege was finally abandoned by Francesco II Sforza (d. 1535), the last duke. As new rulers, the Visconti and the Sforza had had to impose their regime by rewarding supporters at the expense of opponents. That process required absolute power, also known as 'plenitude of power', meaning the capacity to overrule even fundamental laws and rights, including titles to property. The basis for such power reflected the changing status of Milanese rulers, first as signori and then as dukes. Contemporary lawyers, schooled in the sanctity of fundamental laws, were at first prepared to overturn established doctrines in support of the free use of absolute power: even the leading jurist of the day, Baldo degli Ubaldi (d. 1400), accepted the new teaching. However, lawyers came eventually to regret the new approach and to reassert the principle that laws could not be set aside without compelling justification. The Visconti and the Sforza too saw the dangers of absolute power: as legitimate princes they were meant to champion law and justice, not condone arbitrary acts that disregarded basic rights. Jane Black traces these developments in Milan over the course of two centuries, showing how the Visconti and Sforza regimes seized, exploited and finally relinquished absolute power.
| Author | : Cecilia Mary Ady |
| Publisher | : |
| Total Pages | : 472 |
| Release | : 1907 |
| Genre | : Art |
| ISBN | : |
| Author | : Gary Ianziti |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 280 |
| Release | : 1988 |
| Genre | : History |
| ISBN | : |
Seeking to establish the city of Milan as a major center of Renaissance Italian humanism, this book explores the methods, concerns, and attitudes that influenced the humanist approach to the writing of history there. Ianziti focuses on the two works about Francesco Sforza written by his chancery employees, Crivelli and Simonetta, and considers the radical and innovative features of their work that evolved in response to a specific set of political circumstances. This unique focus provides not only a convincing argument for the evolution of humanist methods of historical writing in the latter half of the 15th century, but also a fresh look at the relationship between politics and culture in the Renaissance.
| Author | : Patrick Baker |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 551 |
| Release | : 2016-06-20 |
| Genre | : Literary Criticism |
| ISBN | : 3110472392 |
The portrayal of princes plays a central role in the historical literature of the European Renaissance. The sixteen contributions collected in this volume examine such portrayals in a broad variety of historiographical, biographical, and poetic texts. It emerges clearly that historical portrayals were not essentially bound by generic constraints but instead took the form of res gestae or historiae, discrete or collective biographies, panegyric, mirrors for princes, epic poetry, orations, even commonplace books – whatever the occasion called for. Beyond questions of genre, the chapters focus on narrative strategies and the transformation of ancient, medieval, and contemporary authors, as well as on the influence of political, cultural, intellectual, and social contexts. Four broad thematic foci inform the structure of this book: the virtues ascribed to the prince, the cultural and political pretensions inscribed in literary portraits, the historical and literary models on which these portraits were based, and the method that underlay them. The volume is rounded out by a critical summary that considers the portrayal of princes in humanist historiogrpahy from the point of view of transformation theory.
| Author | : John M. McManamon, S.J. |
| Publisher | : UNC Press Books |
| Total Pages | : 267 |
| Release | : 2017-10-01 |
| Genre | : History |
| ISBN | : 146963967X |
By studying the funeral orations of Renaissance Italy, McManamon analyzes Italian humanism as a characteristic phase in Western rhetorical culture. By examining hundreds of funeral speeches, he provides a valuable overview of major civic issues and humanistic themes, adding significant new material to the history of rhetoric. When Italian humanists spoke at funerals, they took this unique opportunity to press for their reformist goals. Originally published in 1989. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
| Author | : Craig Kallendorf |
| Publisher | : OUP Oxford |
| Total Pages | : 272 |
| Release | : 2007-10-18 |
| Genre | : Literary Criticism |
| ISBN | : 0191607398 |
The Other Virgil tells the story of how a classic like the Aeneid can say different things to different people. As a school text it was generally taught to support the values and ideals of a succession of postclassical societies, but between 1500 and 1800 a number of unusually sensitive readers responded to cues in the text that call into question what the poem appears to be supporting. This book focuses on the literary works written by these readers, to show how they used the Aeneid as a model for poems that probed and challenged the dominant values of their society, just as Virgil had done centuries before. Some of these poems are not as well known today as they should be, but others, like Milton's Paradise Lost and Shakespeare's The Tempest, are; in the latter case, the poems can be understood in new ways once their relationship to the 'other Virgil' is made clear.
| Author | : Margaret L. King |
| Publisher | : University of Chicago Press |
| Total Pages | : 504 |
| Release | : 2009-05-15 |
| Genre | : History |
| ISBN | : 0226436276 |
Margaret King shows what the death of a little boy named Valerio Marcello over five hundred years ago can tell us about his time. This child, scion of a family of power and privilege at Venice's time of greatness, left his father in a state of despair so profound and so public that it occasioned an outpouring of consoling letters, orations, treatises, and poems. In these documents, we find a firsthand account, richly colored by humanist conventions and expectations, of the life of the fifteenth-century boy, the passionate devotion of his father, the feelings of his brothers and sisters, the striking absence of his mother. The father's story is here as well: the career of a Venetian nobleman and scholar, patron and soldier, a participant in Venice's struggle for dominion in the north of Italy. Through these sources also King traces the cultural trends that made Marcello's century famous. Her work enlarges our view of the literature of consolation, which had a distinctive tradition in Venice, and shifting attitudes toward death from the late Middle Ages onward. For the depth and acuity of its insights into political, cultural, and private life in fifteenth-century Venice, this book will be essential reading for students of the Renaissance. For the grace and drama of its storytelling, it will be savored by anyone who wishes to look into life and death in a palace, and a city, long ago.
