Fors seulement
Author | : Martin Picker |
Publisher | : A-R Editions, Inc. |
Total Pages | : 136 |
Release | : 1891-01-01 |
Genre | : |
ISBN | : 0895791536 |
xxv + 104 pp.
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Author | : Martin Picker |
Publisher | : A-R Editions, Inc. |
Total Pages | : 136 |
Release | : 1891-01-01 |
Genre | : |
ISBN | : 0895791536 |
xxv + 104 pp.
Author | : Peter Woetmann Christoffersen |
Publisher | : Museum Tusculanum Press |
Total Pages | : 218 |
Release | : 1990 |
Genre | : |
ISBN | : |
Author | : Peter Woetmann Christoffersen |
Publisher | : Museum Tusculanum Press |
Total Pages | : 920 |
Release | : 1994-05 |
Genre | : Literary Collections |
ISBN | : 9788772892429 |
A description, reconstruction and discussion of the repertory of an exceptional musical source, the French manuscript made at Lyons c. 1520-1525 as the private collection of a music copyist. The book contains 280 compositions, sacred and secular, from the period 1450-1524 with Loyset, Compère, Alexander Agricola, Antoine de Févin, Claudin de Sermisy and Clément Janequin as the prominent composers. Besides discussing the many-faceted repertory, the book studies the circulation of music in the early sixteenth century and the relationships between popular songs and courtly chansons and between provincial music and the music of the musical centres. -- The manuscript has been in the Royal Library of Copenhagen since 1921. This is the first comprehensive study of it.
Author | : Jon Banks |
Publisher | : Routledge |
Total Pages | : 212 |
Release | : 2019-10-23 |
Genre | : Music |
ISBN | : 1351543458 |
Though individual pieces from the late fifteenth century are widely accepted as being written for instruments rather than voices, they are traditionally considered as exceptions within the context of a mainstream of vocal polyphony. After a rigorous examination of the criteria by which music of this period may be judged to be instrumental, Dr Jon Banks isolates all such pieces and establishes them as an explicit genre alongside the more commonly recognized vocal forms of the period. The distribution of these pieces in the manuscript and early printed sources of the time demonstrate how central instrumental consorts were to musical experience in Italy at this time. Banks also explores the social background to Italian music-making, and particularly the changing status of instrumentalists with respect to other musicians. Convincing evidence is put forward in particular for the lute ensemble to be a likely performance context for many of the surviving sources. The book is not intended to be a prescriptive account for the role of instruments in late medieval music, but instead restores an impressive but largely overlooked consort repertory to its rightful place in the history of music.
Author | : Michael Spitzer |
Publisher | : Oxford University Press |
Total Pages | : 416 |
Release | : 2020-09-14 |
Genre | : Music |
ISBN | : 0190061766 |
When asked to describe what music means to them, most people talk about its power to express or elicit emotions. As a melody can produce a tear, tingle the spine, or energize athletes, music has a deep impact on how we experience and encounter the world. Because of the elusiveness of these musical emotions, however, little has been written about how music creates emotions and how musical emotion has changed its meaning for listeners across the last millennium. In this sweeping landmark study, author Michael Spitzer provides the first history of musical emotion in the Western world, from Gregorian chant to Beyoncé. Combining intellectual history, music studies, philosophy, and cognitive psychology, A History of Emotion in Western Music introduces current approaches to the study of emotion and formulates an original theory of how musical emotion works. Diverging from psychological approaches that center listeners' self-reports or artificial experiments, Spitzer argues that musical emotions can be uncovered in the techniques and materials of composers and performers. Together with its extensive chronicle of the historical evolution of musical style and emotion, this book offers a rich union of theory and history.
Author | : Sean Gallagher |
Publisher | : Routledge |
Total Pages | : 802 |
Release | : 2017-07-05 |
Genre | : Music |
ISBN | : 1351549367 |
Secular music of the fifteenth and sixteenth centuries encompasses an extraordinarily wide range of works and practices: courtly love songs, music for civic festivities, instrumental music, entertainments provided by minstrels, the unwritten traditions of solo singing, and much else. This collection of essays addresses many of these practices, with a focus on polyphonic settings of vernacular texts, examining their historical and stylistic contexts, their transmission in written and printed sources, questions of performance, and composers? approaches to text setting. Essays have been selected to reflect the wide range of topics that have occupied scholars in recent decades, and taken together, they point to the more general significance of secular music within a broad complex of cultural practices and institutions.
Author | : Chester Lee Alwes |
Publisher | : Oxford University Press, USA |
Total Pages | : 505 |
Release | : 2015 |
Genre | : Music |
ISBN | : 0199361932 |
"A History of Western Choral Music explores the various genres, important composers, and influential works essential to the development of the western choral tradition. Divided across two volumes, this comprehensive investigation moves from the Medieval period through the Avant-Garde." -- Publisher description.
Author | : Chester L. Alwes |
Publisher | : Oxford University Press |
Total Pages | : 505 |
Release | : 2015-06-24 |
Genre | : Music |
ISBN | : 0190457724 |
A History of Western Choral Music explores the various genres, key composers, and influential works essential to the development of the western choral tradition. Author Chester L. Alwes divides this exploration into two volumes which move from Medieval music and the Renaissance era up to the 21st century. Volume I surveys the choral music of composers including Josquin, Palestrina, Purcell, Handel, and J.S. Bach while detailing the stylistic, textual, and extramusical considerations unique to the topics covered. Consideration of Renaissance music includes both sacred and secular works, specifically addressing the growth of sacred music, the rise of secular music, and the proliferation of sacred polyphony from Josquin to Palestrina. Discussion of the Baroque era is organized by geographic location, exploring the spread of Baroque style from Italy to German, France, and England. Volume I concludes by examining the aesthetic underpinnings of the early Classical and Romantic eras. Framing discussion within the political, religious, cultural, philosophical, aesthetic, and technological contexts of each era, A History of Western Choral Music offers readers specialized insight into major composers and works while providing a cohesive understanding of choral music's place in Western history.
Author | : Jane Alden |
Publisher | : Oxford University Press, USA |
Total Pages | : 308 |
Release | : 2010 |
Genre | : History |
ISBN | : 0195381521 |
Songs, Scribes, and Society explores the cultural and musical importance of five 15th-century Chansonniers - personalized, portable, and lavishly decorated songbooks - from the Loire Valley of France. Author Jane Alden treats the Chansonniers as physical artifacts to reveal their cultural context and its relationship to their commission, creation, and use.
Author | : Vincenzo Borghetti |
Publisher | : Taylor & Francis |
Total Pages | : 266 |
Release | : 2024-05-09 |
Genre | : Music |
ISBN | : 1040021069 |
This book brings a new perspective to secular music sources from the Middle Ages and early modernity by viewing them as media communication tools, whose particular features shape the meaning of their contents. Ranging from the eleventh to seventeenth centuries, and across countries and genres, the chapters offer innovative insights into the historical relationship between music and its presentation in a wide variety of media. The lens of media enables contributors to expand music history beyond notated music manuscripts and instruments to include images, furniture, luxury items, and other objects, and to address uniquely visual and material aspects of music sources in books and literature. Drawing together an international group of contributors, the volume pays close attention to the medial and material dimensions of musical sources, considering them as multifaceted objects that not only contain but also determine the nature of the music they transmit. Transforming our understanding of musical media, this volume will be of interest to scholars of musicology, art history, and medieval and early modern cultures.