Form and Ideology in Crime Fiction

Form and Ideology in Crime Fiction
Author: Stephen Knight
Publisher:
Total Pages: 220
Release: 1980
Genre: Literary Criticism
ISBN:

The author studies different kinds of highly popular crime fiction to show their social function, drawing on recent work in the sociology of literature, which has explained how stories both shape and ratify our response to the world.

The Cambridge Companion to Crime Fiction

The Cambridge Companion to Crime Fiction
Author: Martin Priestman
Publisher: Cambridge University Press
Total Pages: 316
Release: 2003-11-06
Genre: Literary Criticism
ISBN: 9780521008716

This Companion covers British and American crime fiction from the eighteenth century to the end of the twentieth. As well as discussing the 'detective' fiction of writers like Arthur Conan Doyle, Agatha Christie and Raymond Chandler, it considers other kinds of fiction where crime plays a substantial part, such as the thriller and spy fiction. It also includes chapters on the treatment of crime in the eighteenth-century literature, French and Victorian fiction, women and black detectives, crime on film and TV, police fiction and postmodernist uses of the detective form.

Crime Fiction

Crime Fiction
Author: John Scaggs
Publisher: Psychology Press
Total Pages: 192
Release: 2005
Genre: Fiction
ISBN: 9780415318259

Provides a lively introduction to what is both a wide-ranging and hugely popular literary genre. Accessible and clear, this comprehensive overview is the essential guide for all those studying crime fiction.

Crime Fiction since 1800

Crime Fiction since 1800
Author: Stephen Knight
Publisher: Bloomsbury Publishing
Total Pages: 304
Release: 2010-04-09
Genre: Fiction
ISBN: 1137020210

Since its appearance nearly two centuries ago, crime fiction has gripped readers' imaginations around the world. Detectives have varied enormously: from the nineteenth-century policemen (and a few women), through stars like Sherlock Holmes and Miss Marple, to newly self-aware voices of the present - feminist, African American, lesbian, gay, postcolonial and postmodern. Stephen Knight's fascinating book is a comprehensive analytic survey of crime fiction from its origins in the nineteenth century to the present day. Knight explains how and why the various forms of the genre have evolved, explores a range of authors and movements, and argues that the genre as a whole has three parts – the early development of Detection, the growing emphasis on Death, and the modern celebration of Diversity. The expanded second edition has been thoroughly updated in the light of recent research and new developments, such as ethnic crime fiction, the rise of thrillers in the serial-killer and urban collapse modes, and feel-good 'cozies'. It also explores a number of fictional works which have been published in the last few years and features a helpful glossary. With full references, and written in a highly engaging style, this remains the essential short guide for readers of crime fiction everywhere!

Crime Fiction, 1800-2000

Crime Fiction, 1800-2000
Author: Stephen Knight
Publisher: Palgrave Macmillan
Total Pages: 240
Release: 2004-01-17
Genre: Literary Criticism
ISBN: 9780333791790

Stephen Knight's book is a full analytic survey of crime fiction from its origins in the nineteenth century to the most recent developments. Knight explains how and why the various forms of the genre evolved, explores major authors and movements, and argues that the genre as a whole has three parts: the early development of Detection, the growing emphasis on Death, and the modern celebration of Diversity. The best criticism is cited and the book provides full references and a helpful chronology, making this a highly readable complete study of a popular and still relatively underexamined genre.

Murder Most Fair

Murder Most Fair
Author: Michael Cohen
Publisher: Fairleigh Dickinson Univ Press
Total Pages: 220
Release: 2000
Genre: Literary Criticism
ISBN: 9780838638514

The treatment of formal features is historical."--Jacket.

Christianity and the Detective Story

Christianity and the Detective Story
Author: Anya Morlan
Publisher: Cambridge Scholars Publishing
Total Pages: 260
Release: 2014-08-11
Genre: Fiction
ISBN: 1443865419

Christianity and the Detective Story is the first book to gather together academic criticism on this particular connection between religion and popular culture. The articles cover the origin of this relationship in the works of G. K. Chesterton, examine its development through the “Golden Age” of mystery writers such as Dorothy L. Sayers, and include discussions of recent and contemporary television crime dramas. The volume makes a strong case for viewing mystery writing as a valid means of providing both entertainment and religious insight.

Detecting Texts

Detecting Texts
Author: Patricia Merivale
Publisher: University of Pennsylvania Press
Total Pages: 324
Release: 1999
Genre: Literary Criticism
ISBN: 9780812216769

Although readers of detective fiction ordinarily expect to learn the mystery's solution at the end, there is another kind of detective story--the history of which encompasses writers as diverse as Poe, Borges, Robbe-Grillet, Auster, and Stephen King--that ends with a question rather than an answer. The detective not only fails to solve the crime, but also confronts insoluble mysteries of interpretation and identity. As the contributors to Detecting Texts contend, such stories belong to a distinct genre, the "metaphysical detective story," in which the detective hero's inability to interpret the mystery inevitably casts doubt on the reader's similar attempt to make sense of the text and the world. Detecting Texts includes an introduction by the editors that defines the metaphysical detective story and traces its history from Poe's classic tales to today's postmodernist experiments. In addition to the editors, contributors include Stephen Bernstein, Joel Black, John T. Irwin, Jeffrey T. Nealon, and others.

Fiction, Crime, and Empire

Fiction, Crime, and Empire
Author: Jon Thompson
Publisher: University of Illinois Press
Total Pages: 212
Release: 1993
Genre: Crime in literature
ISBN: 9780252062803

Reading fiction from high and low culture together, Fiction, Crime, and Empire skillfully sheds light on how crime fiction responded to the British and American experiences of empire, and how forms such as the detective novel, spy thrillers, and conspiracy fiction articulate powerful cultural responses to imperialism. Poe's Dupin stories, for example, are seen as embodying a highly critical vision of the social forces that were then transforming the United States into a modern, democratic industrialized nation; a century later, Le Carré employs the conventions of espionage fiction to critique the exhausted and morally compromised values of British imperialism. By exploring these works through the organizing figure of crime during and after the age of high imperialism, Thompson challenges and modifies commonplace definitions of modernism, postmodernism, and popular or mass culture.