A Foreword to the Panama-Pacific International Exposition
Author | : Juliet Helena Lumbard James |
Publisher | : |
Total Pages | : 24 |
Release | : 1915 |
Genre | : Panama-Pacific International Exposition |
ISBN | : |
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Author | : Juliet Helena Lumbard James |
Publisher | : |
Total Pages | : 24 |
Release | : 1915 |
Genre | : Panama-Pacific International Exposition |
ISBN | : |
Author | : James A. Ganz |
Publisher | : Univ of California Press |
Total Pages | : 400 |
Release | : 2015-10-17 |
Genre | : Art |
ISBN | : 0520287185 |
Timed with the centennial of the Panama-Pacific International Exposition (PPIE) of 1915, Jewel City presents a large and representative selection of artworks from the fair, emphasizing the variety of paintings, sculptures, photographs, and prints that greeted attendees. It is unique in its focus on the works of art that were scattered among the venues of the expositionÑthe most comprehensive art exhibition ever shown on the West Coast. Notably, the PPIE included the first American presentations of Italian Futurism, Austrian Expressionism, and Hungarian avant-garde painting, and there were also major displays of paintings by prominent Americans, especially those working in the Impressionist style. This lavishly illustrated catalogue features works by masters such as Winslow Homer, John Singer Sargent, Claude Monet, Paul CŽzanne, Robert Henri, Edward Weston, Imogen Cunningham, Edvard Munch, Oskar Kokoschka, Umberto Boccioni, and many more. The volume also explores the PPIEÕs distinctive murals program, developments in the art of printmaking, and the legacy of the French Pavilion, which hosted an abundance of works by Auguste Rodin and inspired the founding and architecture of the Legion of Honor museum in San Francisco. A rich and fascinating study of a critical moment in American and European art history, Jewel City is indispensable for understanding both the United StatesÕ and CaliforniaÕs role in the reception of modernism as well as the regionÕs historical place on the international art stage. Published in association with the Fine Arts Museums of San Francisco. Exhibition dates: de Young Museum, San Francisco: October 17, 2015ÐJanuary 10, 2016
Author | : Gray Brechin |
Publisher | : Univ of California Press |
Total Pages | : 438 |
Release | : 2006-10-03 |
Genre | : History |
ISBN | : 0520933486 |
First published in 1999, this celebrated history of San Francisco traces the exploitation of both local and distant regions by prominent families—the Hearsts, de Youngs, Spreckelses, and others—who gained power through mining, ranching, water and energy, transportation, real estate, weapons, and the mass media. The story uncovered by Gray Brechin is one of greed and ambition on an epic scale. Brechin arrives at a new way of understanding urban history as he traces the connections between environment, economy, and technology and discovers links that led, ultimately, to the creation of the atomic bomb and the nuclear arms race. In a new preface, Brechin considers the vulnerability of cities in the post-9/11 twenty-first century.
Author | : James Adam Barr |
Publisher | : San Francisco : Printed for the Exposition by the J.H. Nash |
Total Pages | : 216 |
Release | : 1916 |
Genre | : Panama-Pacific International Exposition |
ISBN | : |
Letters of appreciation and congratulations from prominent citizens, businessmen, educators, leaders of organizations, political figures, etc.
Author | : Ohio. Department of Agriculture |
Publisher | : |
Total Pages | : 1162 |
Release | : 1913 |
Genre | : Agriculture |
ISBN | : |
Author | : Ohio State Board of Agriculture |
Publisher | : |
Total Pages | : 990 |
Release | : 1915 |
Genre | : |
ISBN | : |
Author | : Ana Luisa Sánchez Laws |
Publisher | : Berghahn Books |
Total Pages | : 145 |
Release | : 2011-05 |
Genre | : Art |
ISBN | : 0857452401 |
Panama is an ethnically diverse country with a recent history of political conflict which makes the representation of historical memory an especially complex and important task for the country’s museums. This book studies new museum projects in Panama with the aim of identifying the dominant narratives that are being formed as well as those voices that remain absent and muted. Through case analyses of specific museums and exhibitions the author identifies and examines the influences that form and shape museum strategy and development.