For The Gay Stage
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Author | : Drewey Wayne Gunn |
Publisher | : McFarland |
Total Pages | : 206 |
Release | : 2017-06-02 |
Genre | : Performing Arts |
ISBN | : 1476670196 |
Previous surveys of the gay theatrical repertoire have concentrated on plays produced on Broadway or in London's West End. This comprehensive guide goes well beyond these earlier studies by introducing productions from Off Broadway, from regional theaters in the U.S. and U.K., and from Ireland, Canada, Australia, New Zealand and South Africa. Also included are Puerto Rican, Indian and Filipino plays written in English, as well as translations from other languages. Well over half of the works discussed here appear for the first time in such a study.
Author | : Alan Sinfield |
Publisher | : Yale University Press |
Total Pages | : 428 |
Release | : 1999-01-01 |
Genre | : Social Science |
ISBN | : 9780300081022 |
This intriguing, authoritative book tracks stage representations of lesbians and gay men from Oscar Wilde to the present day and examines scores of British and American plays and playwrights, including works by Wilde, Maugham, Coward, Hellman, O'Neill, Le Roi Jones, and Joe Orton.
Author | : Billy J. Harbin |
Publisher | : University of Michigan Press |
Total Pages | : 444 |
Release | : 2005 |
Genre | : Actors |
ISBN | : 9780472068586 |
Recovers the hidden history of theater professionals who transgressed the gendered expectations of their time
Author | : Jonathan Harvey |
Publisher | : Dramatists Play Service Inc |
Total Pages | : 76 |
Release | : 1999 |
Genre | : Drama |
ISBN | : 9780822217176 |
THE STORY: Jamie and Ste (short for Steve) are teenage neighbors in a working-class housing project in London. Jamie is bookish and shy while Ste is more athletic. Neither one has an ideal home life: Jamie's mother Sandra is bitter over her financi
Author | : Sarah Schulman |
Publisher | : Duke University Press |
Total Pages | : 180 |
Release | : 1998 |
Genre | : Biography & Autobiography |
ISBN | : 9780822322641 |
Stagestruck: theater, AIDS, and the marketing of gay America.
Author | : Calhoun Winton |
Publisher | : University Press of Kentucky |
Total Pages | : 232 |
Release | : 2014-10-17 |
Genre | : Drama |
ISBN | : 0813159369 |
The Beggar's Opera, often referred to today as the first musical comedy, was the most popular dramatic piece of the eighteenth century—and is the work that John Gay (1685-1732) is best remembered for having written. That association of popular music and satiric lyrics has proved to be continuingly attractive, and variations on the Opera have flourished in this century: by Kurt Weill and Bertolt Brecht, by Duke Ellington, and most recently by Vaclav Havel. The original opera itself is played all over the world in amateur and professional productions. But John Gay's place in all this has not been well defined. His Opera is often regarded as some sort of chance event. In John Gay and the London Theatre, the first book-length study of John Gay as dramatic author, Calhoun Winton recognized the Opera as part of an entirely self-conscious career in the theatre, a career that Gay pursued from his earliest days as a writer in London and continued to follow to his death. Winton emphasizes Gay's knowledge of and affection for music, acquired, he argues, by way of his association with Handel. Although concentrating on Gay and his theatrical career, Winton also limns a vivid portrait of London itself and of the London stage of Gay's time, a period of considerable turbulence both within and outside the theatre. Gay's plays reflect in varying ways and degrees that social, political, and cultural turmoil. Winton's study sheds new light not only on Gay and the theatre, but also on the politics and culture of his era.
Author | : Gay Gibson Cima |
Publisher | : Cornell University Press |
Total Pages | : 252 |
Release | : 1993 |
Genre | : Drama |
ISBN | : 9780801483370 |
Argues that critics have misunderstood the relationship between male playwrights and women's roles because they have neglected the interpretive skills of the actresses playing those roles. Analyzes hypothetical as well as historical performances to demonstrate how women have invented acting styles to portray women created by playwrights from Ibsen to Beckett. Annotation copyright by Book News, Inc., Portland, OR
Author | : Malychite |
Publisher | : |
Total Pages | : 188 |
Release | : 2015-12-03 |
Genre | : |
ISBN | : 9781469906263 |
The Gay Grimoire is written for the gay man coming out of the closet to the end of his years, and composed of spells, rituals, and recommendations that cater to gay pagan men. There are spells for love, career, finances, gay rights and the golden years.
Author | : James Earl Hardy |
Publisher | : Independently Published |
Total Pages | : 0 |
Release | : 2022-12-21 |
Genre | : |
ISBN | : |
1994. Years before "homo thug" and "down low" became infamous catchphrases, Omar Little put the "G" in Gangsta on HBO's The Wire, and Lil Nas X became a global pop star ... there was B-BOY BLUES. Revisit or experience for the first time the story that ushered in the Africentric gay fiction genre, and put Black-on-Black male love on both the map and the bestseller lists! SYNOPSIS: Mitchell Crawford always wished, hoped, and dreamed for a RUFFNECK - a hip-hop-lovin', street-struttin', cool posin', crazy crotch-grabbin' brotha. And he finally finds one in Raheim Rivers, who is a vision of lust: six feet tall and 215 pounds of mocha-chocolate muscle. Mitchell knows Raheim will take him for a walk on the wild side. But he doesn't count on getting behind Raheim's mask - and finding someone he can love. Praise for B-Boy Blues: "Hardy has successfully crafted the first gay hip hop love story. It sexily sizzles off the page." - E. Lynn Harris "Not since Terry McMillan's Disappearing Acts has it felt so good to be loved so bad. Grade: A-." - Entertainment Weekly "Hardy proves that Black love is just as dizzying and gratifying when boy meets boy." - Vibe "A masterpiece of both Black and gay literature." - Booklist Cover image: Alyxandria Fabrega @artbyalyx Cover models: Timothy Richardson & Thomas Mackie aka Mitchell & Raheim from @bboybluesthefilm (currently streaming on @betplus) Cover design: Tony Dobson @hallsongraphics
Author | : John M. Clum |
Publisher | : Cambria Press |
Total Pages | : 578 |
Release | : 2015-08-10 |
Genre | : Drama |
ISBN | : 1621967514 |
The plays in this volume, written by men (some of whom are the most celebrated playwrights) who were in their late twenties and early thirties, affirm adolescents as subjects active in same-sex relationships. Sexual identity is important to the young men in their plays, in great part because they must define themselves against the prejudice and sanctions of family and social institutions. In some cases, the experiences dramatized in these plays are examples of the "gay pathos." Some boys, like Benjy in A. Rey Pamatmat's Edith Can Shoot Things and Hit Them, were severely punished by their parents for expressing their sexuality. Others, like Chris in Daniel Talbott's Slipping, are terrified of anyone, particularly his peers, discovering his sexual relationship with another boy. Dennis, in Michael Perlman's From White Plains, has never recovered from the anti-gay bullying he and his best friend endured in high school. At the same time, most of the plays in this book depict joyful expressions of gayness. Much of Edith Can Shoot Things and Hit Them is the story of two teenage boys discovering sex and love on a remote Midwestern farm despite the interventions of parents. On his twelfth birthday, Ricardo Bracho's Sissy discovers and celebrates his inner queen. Yet not all adolescents can feel that joy. Eli, in Slipping, connects sex and desire with cruelty, first suffered at the hands of the conflicted lover Chris, then projected onto the sweet boy with whom he becomes involved in Iowa, and finally inflicted upon himself. The young men in these plays are all unique characters. Affirmation of their sexuality in a time and places where homophobia is still a reality is only one problem each faces. Like many works about adolescence, these plays depict the blurry no man's land between childhood and adulthood. All of these plays have received powerful productions at theatres across America and demonstrate the vitality and variety of contemporary American drama. This is an important book for all collections not only in LGBT studies and theater studies, but also education and sociology because of how it deals with adolescent homosexuality and homophobia, as well as bullying. See http://www.cambriapress.com/books/9781604979084.cfm for more information.