Folklore in the United States and Canada

Folklore in the United States and Canada
Author: Patricia Sawin
Publisher: Indiana University Press
Total Pages: 323
Release: 2020-10-06
Genre: History
ISBN: 0253052882

To ensure continuity and foster innovation within the discipline of folklore, we must know what came before. Folklore in the United States and Canada is an essential guide to the history and development of graduate folklore programs throughout the United States and Canada. As the first history of folklore studies since the mid-1980s, this book offers a long overdue look into the development of the earliest programs and the novel directions of more recent programs. The volume is encyclopedic in its coverage and is organized chronologically based on the approximate founding date of each program. Drawing extensively on archival sources, oral histories, and personal experience, the contributors explore the key individuals and central events in folklore programs at US and Canadian academic institutions and demonstrate how these programs have been shaped within broader cultural and historical contexts. Revealing the origins of graduate folklore programs, as well as their accomplishments, challenges, and connections, Folklore in the United States and Canada is an essential read for all folklorists and those who are studying to become folklorists.

Contemporary Legend

Contemporary Legend
Author: Gillian Bennett
Publisher: Routledge
Total Pages: 419
Release: 2013-09-05
Genre: Literary Criticism
ISBN: 1135812128

First published in 1996. For most of the time since the Grimm brothers first contrasted the fairy tale (Märchen) and the legend (Sage), the former has enjoyed the greater reputation among folklorists. Only in recent years, and with the work of such scholars as Gillian Bennett and Paul Smith, has it been recognized that—both as art and as news—the legend is now central to contemporary culture in a way that the Märchen no longer is. The present book is the first collection of essays on legend to appear in English since 1971. Nevertheless, its publication consolidates a gradual shift which has taken place over the last two decades, in which English-language scholarship has taken the lead in the study of certain kinds of legends—variously dubbed modern horror legends, urban legends, urban myths or, here, contemporary legends.

A Guide to Applicants

A Guide to Applicants
Author: Memorial University of Newfoundland. Department of Folklore
Publisher:
Total Pages: 22
Release: 1993
Genre: Folklore
ISBN:

Ballads and Sea-Songs of Newfoundland

Ballads and Sea-Songs of Newfoundland
Author: Grace Yarrow Mansfield
Publisher: Harvard University Press
Total Pages: 464
Release: 1933
Genre: Music
ISBN: 9780674012639

Newfoundland songs are diverse in origin. Vast numbers of them come from the British Isles, especially from England and Ireland; many are composed in Newfoundland, usually on English or Irish models; a lesser number of American, Canadian, and French songs are current. The ballads to be found in the Child collection are probably the oldest now sung. Then there are many seventeenth- and eighteenth-century broadside ballads, particularly English, and many nineteenth-century compositions. Such are the backgrounds from which the compilers of this volume have drawn their unusually interesting and delightful collection of ballad texts and ballad music. Expeditions to the island in 1920 and 1929 furnished the tunes; and a genuine interest in folk-literature assured the care and accuracy of the work.

Strange Terrain

Strange Terrain
Author: Barbara Rieti
Publisher:
Total Pages: 376
Release: 2021-06-30
Genre:
ISBN: 9781894725804

Thirty years after its original publication, a special anniversary edition of Barbara Rieti's iconic work Strange Terrain: The Fairy World in Newfoundland.

The Return of Ancestral Gods

The Return of Ancestral Gods
Author: Mariya Lesiv
Publisher: McGill-Queen's Press - MQUP
Total Pages: 239
Release: 2013-10
Genre: History
ISBN: 0773589651

As Ukraine struggles to find its national identity, modern Ukrainian Pagans offer an alternative vision of the Ukrainian nation. Drawing inspiration from the spiritual life of past millennia, they strive to return to the pre-Christian roots of their ancestors. Since Christianity dominates the spiritual discourse in Ukraine, Pagans are marginalized, and their ideas are perceived as radical. In The Return of Ancestral Gods, Mariya Lesiv explores Pagan beliefs and practices in Ukraine and amongst the North American Ukrainian diaspora. Drawing on intensive fieldwork, archival documents, and published sources not available in English, she allows the voices of Pagans to be heard. Paganism in Slavic countries is heavily charged with ethno-nationalist politics, and previous scholarship has mainly focused on this aspect. Lesiv finds it important to consider not only how Paganism is preached but also the way that it is understood on a private level. She shows that many Ukrainians embrace Paganism because of its aesthetic aspects rather than its associated politics and discusses the role that aesthetics may play in the further development of Ukrainian Paganism. Paganism in Eastern Europe remains underrepresented within Pagan studies, and this work helps to fill that gap. Extensive comparative references to various forms of Western Paganism allows English-speaking readers to better understand the world of Ukrainian Pagans.

Bluegrass

Bluegrass
Author: Neil V. Rosenberg
Publisher: University of Illinois Press
Total Pages: 516
Release: 2005
Genre: Music
ISBN: 9780252072451

The twentieth anniversary paperback edition, updated with a new preface Winner of the International Bluegrass Music Association Distinguished Achievement Award and of the Country Music People Critics' Choice Award for Favorite Country Book of the Year Beginning with the musical cultures of the American South in the 1920s and 1930s, Bluegrass: A History traces the genre through its pivotal developments during the era of Bill Monroe and his Blue Grass Boys in the forties. It describes early bluegrass's role in postwar country music, its trials following the appearance of rock and roll, its embracing by the folk music revival, and the invention of bluegrass festivals in the mid_sixties. Neil V. Rosenberg details the transformation of this genre into a self-sustaining musical industry in the seventies and eighties is detailed and, in a supplementary preface written especially for this new edition, he surveys developments in the bluegrass world during the last twenty years. Featuring an amazingly extensive bibliography, discography, notes, and index, this book is one of the most complete and thoroughly researched books on bluegrass ever written.