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| Author | : Florian Hecker |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Art, German |
| ISBN | : 9780985136420 |
Tiré du site Internet de Primary Information: "A recently developed artist book, "Chimerizations" documents Florian Hecker's recent sound works dramatizing the phenomenon of auditory chimeras. With texts by Reza Negarestani, Stefan Helmreich and Catherine Wood."
| Author | : Vanessa Joan Müller |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Sound in art |
| ISBN | : 9783956794711 |
Documenting Florian Hecker's multichannel psychoacoustic installation with essays, images, and data. This book documents an exhibition at Kunsthalle Wien that took place from November 2017 to January 2018. In Hecker's multichannel installation Resynthese FAVN, the auditory stimuli produced from the objects within the exhibition space and the synthetic sounds he composed were designed to subliminally override the mechanical processes of human sense. The result was an intervention into the psychoacoustics of the audience, dramatizing their subjective experience through auditory hallucinations. The catalogue collects essays by curators, researchers, theorists, and art historians on Hecker's work and its relation to topics ranging from musique concrète, Mallarmé's poem "The Afternoon of a Faun," and computer music. The psychoacoustic phenomenon of Resynthese FAVN is illustrated with a series of tensor acoustic measurements resembling the colorized impressions of thermal imaging, which is followed by 270 pages of densely sprawling data tables abstracting sound and its textures into text. Contributors Matthew Fuller, Vincent Lostanlen, Vanessa Joan Müller, Michael Newman, Axel Röbel, Magnus Schaefer
| Author | : FLORIAN. HECKER |
| Publisher | : |
| Total Pages | : 16 |
| Release | : 2019-09-27 |
| Genre | : |
| ISBN | : 9781913029715 |
"Masochism is cruel because, in subverting the model, it imposes it with exaggerated severity..."--Amy Ireland Florian Hecker's latest CD release continues his work with computational techniques for analysis and resynthesis. In Inspection II we hear the progressive reconstruction of original source material using algorithms based upon human hearing and designed to capture timbral characteristics of sound. As the source is iteratively extracted from featureless noise, a complex ongoing dialogue commences between formal model and empirical experience of sound. Like Charon, the boatman who ferries souls of the dead across the Styx, Inspection II crosses perpetually from one bank to the other: from the formal anticipations of analysis to the unexpected artefacts of synthesis. In Robin Mackay's libretto, recited by a synthetic voice, this inspective dialogue is transferred to the introspective psychoanalytic situation, where the continual re-narration of the self creates further disturbances and transformations--to attain a definitive image of oneself would be to face one's own death. As discussed in Amy Ireland's essay "Beside a Cold Statue" commissioned for the CD sleevenotes, this process, whose symptomatology is recognizably that of masochism, sees the coldness of the formal model subverted as Hecker's continual resynthesis delivers up a series of harsh, tantalizing, and bewildering textures and timbres: "the resynthesized sound is more intractable, more disorienting, and more empirically obscene--a contingency that always disrupts the plan [...] synthetic progency, nourished on nothing but ice and noise."
| Author | : Susanne Hecker |
| Publisher | : UCL Press |
| Total Pages | : 582 |
| Release | : 2018-10-15 |
| Genre | : Science |
| ISBN | : 178735234X |
Citizen science, the active participation of the public in scientific research projects, is a rapidly expanding field in open science and open innovation. It provides an integrated model of public knowledge production and engagement with science. As a growing worldwide phenomenon, it is invigorated by evolving new technologies that connect people easily and effectively with the scientific community. Catalysed by citizens’ wishes to be actively involved in scientific processes, as a result of recent societal trends, it also offers contributions to the rise in tertiary education. In addition, citizen science provides a valuable tool for citizens to play a more active role in sustainable development. This book identifies and explains the role of citizen science within innovation in science and society, and as a vibrant and productive science-policy interface. The scope of this volume is global, geared towards identifying solutions and lessons to be applied across science, practice and policy. The chapters consider the role of citizen science in the context of the wider agenda of open science and open innovation, and discuss progress towards responsible research and innovation, two of the most critical aspects of science today.
| Author | : Reza Negarestani |
| Publisher | : MIT Press |
| Total Pages | : 591 |
| Release | : 2018-11-27 |
| Genre | : Philosophy |
| ISBN | : 0997567406 |
A critique of both classical humanism and dominant trends in posthumanism that formulates the ultimate form of intelligence as a theoretical and practical thought unfettered by the temporal order of things. In Intelligence and Spirit Reza Negarestani formulates the ultimate form of intelligence as a theoretical and practical thought unfettered by the temporal order of things, a real movement capable of overcoming any state of affairs that, from the perspective of the present, may appear to be the complete totality of history. Intelligence pierces through what seems to be the totality or the inevitable outcome of its history, be it the manifest portrait of the human or technocapitalism as the alleged pilot of history. Building on Hegel's account of Geist as a multiagent conception of mind and on Kant's transcendental psychology as a functional analysis of the conditions of possibility of mind, Negarestani provides a critique of both classical humanism and dominant trends in posthumanism. The assumptions of the former are exposed by way of a critique of the transcendental structure of experience as a tissue of subjective or psychological dogmas; the claims of the latter regarding the ubiquity of mind or the inevitable advent of an unconstrained superintelligence are challenged as no more than ideological fixations which do not stand the test of systematic scrutiny. This remarkable fusion of continental philosophy in the form of a renewal of the speculative ambitions of German Idealism and analytic philosophy in the form of extended thought-experiments and a philosophy of artificial languages opens up new perspectives on the meaning of human intelligence and explores the real potential of posthuman intelligence and what it means for us to live in its prehistory.
| Author | : Dennis Cooper |
| Publisher | : Harper Collins |
| Total Pages | : 27 |
| Release | : 2009-05-26 |
| Genre | : Fiction |
| ISBN | : 0061926787 |
“[A] brilliant, triumphantly lurid writer as well as a supremely talented, elegant stylist whose prose is smart and nervy. He might also be the last literary outlaw in mainstream American fiction.” —Bret Easton Ellis Internationally acclaimed writer Dennis Cooper continues to study the material he's always explored honestly, but does so now—in stories—with a sense of awareness and a satirical touch that exploits and winks at his mastery of this world. As it has done for decades, Cooper’s taut, controlled prose lays bare the compulsions and troubling emptiness of the human soul.
| Author | : Florian Dombois |
| Publisher | : Walther Konig Verlag |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Aesthetics |
| ISBN | : 9783863351182 |
Artistic practices are manifold and highly diverse. In recent years, a claim towards research has become meaningful to many practitioners of art. Intellectual Birdhouse gives room to a number of acteurs to unfold their attitudes towards this claim.In this book, 'artistic research' is assumed as being independent of 'discipline', with the potential to occur in all contexts once epistemological expectations have shifted.This approach foregrounds questions concerning the type of models, terms and concepts that elucidate the processes and outcomes of epistemic-artistic practices while recalling theoretical debates steeped in tradition.Intellectual Birdhouse contains contributions from artists such as Renée Green and Hito Steyerl, and from writers/theorists such as Sarat Maharaj and Tom Holert.
| Author | : Cerith Wyn Evans |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Art, Modern |
| ISBN | : 9783943365887 |
This catalogue accompanies the eponymous exhibition at TBA21-Augarten in Vienna and brings together threads and voices of leading contemporary artists, scientists, and theoreticians exploring Cerith Wyn Evans's polyphonic oeuvre. A reality where matter meets dark matter, where the existence of a new elementary particle is conjured from theory--like an alternative world unlocked by psychotropic drugs--and results in the most complex experimental facilities ever built, brings us to the heart of Wyn Evans's new work at the Augarten, A Community Predicated on the Basic Fact Nothing Really Matters, but also figures as a conceptual model for the publication. CERN--the European Laboratory for Particle Physics--is devoted to the detection of a particle of the most labile and liminal nature, the Higgs boson. The Higgs is an afterthought, the materialization of wishful thinking: the Large Hadron Collider at CERN is constructed entirely on the fiction of a simulated projection of the missing particle whose necessity was postulated long before its discovery. A Community Predicated on the Basic Fact Nothing Really Matters centers on the Higgs on the one hand and the formula for LSD on the other, both containing the potential of generating new worlds. Copublished with Thyssen-Bornemisza Art Contemporary Contributors Liam Gillick, Florian Hecker, Carsten Höller, Robin Mackay, Jeannie Moser, Molly Nesbit, Olaf Nicolai, Martin Prinzhorn, Maria Spiropulu, Eva Wilson, Cerith Wyn Evans, Daniela Zyman
| Author | : Anne Faucheret |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Automation |
| ISBN | : 9783956793578 |
The exhibition The Promise of Total Automation at the Kunsthalle Wien (vienna, 2016) investigated our relationship to a world of machines, technological objects, and electronic devices. The prospect of a fully automated futurewhile acutely reshaping the notions of work, production, and value creationfeeds emancipatory scenarios that ultimately lead to the end of labor. Instead of offering a traditional record of the exhibition, the curators investigated books written on the subject and then reproduced their covers. The result is a fascinating bibliography and chronology of automation as seen across the twentieth century through the covers of books and their authors. Included artists are Athanasios Argianas, Zbynek Baladrn, Thomas Bayrle, James Benning, Bureau dtudes, Steven Claydon, Tyler Coburn, Philippe Decrauzat and Alan Licht, Harry Dodge, Juan Downey, Ccile B. evans, Judith fegerl, Melanie Gilligan, Peter Halley, Channa Horwitz, Geumhyung Jeong, David Jourdan, Barbara Kapusta, Konrad Klapheck, Bela Kolrov, nick Laessing, Mark Leckey, Tobias Madison and emanuel Rossetti, Benot Maire, Mark Manders, Daria Martin, Shawn Maximo, Rgis Mayot, Wesley Meuris, Gerald nestler, Henrik Olesen, Julien Prvieux, and Magali Reus.
