Florencio Sánchez and the Argentine Theatre

Florencio Sánchez and the Argentine Theatre
Author: Ruth Richardson
Publisher:
Total Pages: 272
Release: 1933
Genre: Argentine drama
ISBN:

This study aims to acquaint North American with the interesting and important but little known drama of the Argentine and Uruguay -- Preface.

Politics and Violence in Cuban and Argentine Theater

Politics and Violence in Cuban and Argentine Theater
Author: K. Ford
Publisher: Springer
Total Pages: 232
Release: 2010-02-01
Genre: Performing Arts
ISBN: 023010522X

This book looks at Cuban and Argentine theater of the late 1960s and early 1970s to see how the idea of spectacle as violence was used to comment on and question the social and political violence that was unfolding offstage.

Theatre, Performance, and Memory Politics in Argentina

Theatre, Performance, and Memory Politics in Argentina
Author: B. Werth
Publisher: Springer
Total Pages: 416
Release: 2010-10-25
Genre: Performing Arts
ISBN: 0230114024

Since Argentina's transition to democracy, the expression of human fragility on the stage has taken diverse forms. This book examines the intervention of theatre and performance in the memory politics surrounding Argentina's return to democracy and makes a case for performance's transformative power.

Behind Spanish American Footlights

Behind Spanish American Footlights
Author: Willis Knapp Jones
Publisher: University of Texas Press
Total Pages: 626
Release: 2014-07-29
Genre: Performing Arts
ISBN: 1477300155

Across a five-hundred-year sweep of history, Willis Knapp Jones surveys the native drama and the Spanish influence upon it in nineteen South American countries, and traces the development of their national theatres to the 1960s. This volume, filled with a fascinating array of information, sparkles with wit while giving the reader a fact-filled course in the history of Spanish American drama that he can get nowhere else. This is the first book in English ever to consider the theatre of all the Spanish American countries. Even in Spanish, the pioneer study that covers the whole field was also written by Jones. Jones sees the history of a nation in the history of its drama. Pre-Columbian Indians, conquistadores, missionary priests, viceroys, dictators, and national heroes form a background of true drama for the main characters here—those who wrote and produced and acted in the make-believe drama of the times. The theatre mirrors the whole life of the community, Jones believes, and thus he offers information about geography, military events, and economics, and follows the politics of state and church through dramatists’ offerings. Examining the plays of a people down the centuries, he shows how the many cultural elements of both Old and New Worlds have been blended into the distinct national characteristics of each of the Spanish American countries. He does full justice to the subject he loves. A lively storyteller, he adds tidbits of spice and laughter, long-buried vignettes of history, tales of politics and drama, stories of high and low life, plots of plays, bits of verse, accounts of dalliance and of hard work, and sad and happy endings of rulers and peons, dramatists, actors, and clowns. A valuable appendix is a selected reading guide, listing the outstanding works of important Spanish American dramatists. A generous bibliography is a useful addition for scholars.

Politics and Performance in Post-dictatorship Argentine Film and Theatre

Politics and Performance in Post-dictatorship Argentine Film and Theatre
Author: Philippa J. Page
Publisher: Boydell & Brewer Ltd
Total Pages: 202
Release: 2011
Genre: Art
ISBN: 1855662043

This comparative study examines the strategies of re-politicization and socialization employed in contemporary Argentine film and theatre produced in the wake of the 1976-83 dictatorship. It focuses on the socio-political facets of performance across a range of films and dramatic compositions. This comparative study examines the strategies of re-politicization and socialization employed in contemporary Argentine film and theatre produced in the wake of the 1976-83 dictatorship. It focuses on the socio-political facets of performance across a range of films and dramatic compositions. The book highlights the manner in which the trope of performance represents the place in which film and theatre experiment with generic and mediatic hybridization. Each chapter takes as its point of departure a series of politically motivated appropriations made by cinema and theatre from neighboring genres/media. In each case, genre is shown to take on the role of mediator between competing aesthetic forms: between aesthetics and politics; aesthetic performance and social performance; reality and fiction; postmodern heterogeneity and an increasingly present modern anxiety regarding the perceived need to preserveartistic purity/autonomy, thus restoring what is specific to theatre and cinema's type of communication. Philippa Page has managed the cultural programme at the Maison de l'Argentine in the Cité Internationale Universitaire, Paris and continues to research in the field of Argentine performance studies.

World Encyclopedia of Contemporary Theatre

World Encyclopedia of Contemporary Theatre
Author: Arthur Holmberg
Publisher: Routledge
Total Pages: 640
Release: 2014-06-03
Genre: Performing Arts
ISBN: 1136118365

The second volume of the World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Entries on twenty-six countries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre. The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes. Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin. Each entry covers all aspects of theatre genres, practitioners, writers, critics and styles, with bibliographies, over 200 black & white photographs and a substantial index. This is a unique volume in its own right; in conjunction with the other volumes in this series it forms a reference resource of unparalleled value.