Five Centuries Of Japanese Kimono
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Fashioning Kimono
| Author | : Annie M. Van Assche |
| Publisher | : 5Continents |
| Total Pages | : 340 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : |
Published to accompany the exhibition held at the Victorian and Albert Museum, London, 13 October 2005 - 1 May 2006.
Kimono
| Author | : Terry Satsuki Milhaupt |
| Publisher | : Reaktion Books |
| Total Pages | : 314 |
| Release | : 2014-05-15 |
| Genre | : Design |
| ISBN | : 1780233175 |
What is the kimono? Everyday garment? Art object? Symbol of Japan? As this book shows, the kimono has served all of these roles, its meaning changing across time and with the perspective of the wearer or viewer. Kimono: A Modern History begins by exposing the seventeenth- and eighteenth-century foundations of the modern kimono fashion industry. It explores the crossover between ‘art’ and ‘fashion’ in this period at the hands of famous Japanese painters who worked with clothing pattern books and painted directly onto garments. With Japan’s exposure to Western fashion in the nineteenth century, and Westerners’ exposure to Japanese modes of dress and design, the kimono took on new associations and came to symbolize an exotic culture and an alluring female form. In the aftermath of the Second World War, the kimono industry was sustained through government support. The line between fashion and art became blurred as kimonos produced by famous designers were collected for their beauty and displayed in museums, rather than being worn as clothing. Today, the kimono has once again taken on new dimensions, as the Internet and social media proliferate images of the kimono as a versatile garment to be integrated into a range of individual styles. Kimono: A Modern History, the inspiration for a major exhibition at the Metropolitan Museum of Art in New York,not only tells the story of a distinctive garment’s ever-changing functions and image, but provides a novel perspective on Japan’s modernization and encounter with the West.
Kimono as Art
| Author | : Dale Carolyn Gluckman |
| Publisher | : |
| Total Pages | : 164 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : |
The first major book on Japanese textile artist Itchiku Kubota, published to accompany a touring exhibition.
Japanese Kimono Paper Dolls
| Author | : Ming-Ju Sun |
| Publisher | : Courier Corporation |
| Total Pages | : 36 |
| Release | : 1986 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 9780486250946 |
Embodying an intricate blend of pattern and color, texture and composition, the Japanese kimono is a stunning garment with origins dating back to the Nara period (645?794). Its history is rich in tradition, culture, and art. Drawing her inspiration from the 18th- and 19th-century Japanese woodblock prints by such masters as Utamaro and Hiroshige, designer and fashion historian Ming-ju Sun has created this exotic collection of 26 exquisite costumes with two charming Japanese dolls to model them. The kimonos display a broad range of lovely fabrics ? from simple, practical cottons to luxurious silks and satins ? and a variety of traditional decorative elements ? geometrics, florals, stripes, checks, plaids, animals, landscapes, Japanese characters, and circular crests. All are sensitively illustrated with clean line and lush color in the style of Japanese woodcuts. This entertaining and educational paper doll collection will be a favorite with children and collectors. As a full-color survey of the Japanese kimono as an art form, the volume will be valued by costume designers, students of the history of fashion, and the many people fascinated by Japanese art and culture.
Historical Dictionary of Japanese Traditional Theatre
| Author | : Samuel L. Leiter |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 816 |
| Release | : 2014-10-30 |
| Genre | : Performing Arts |
| ISBN | : 1442239115 |
Historical Dictionary of Japanese Traditional Theatre is the only dictionary that offers detailed comprehensive coverage of the most important terms, people, and plays in the four principal traditional Japanese theatrical forms—nō, kyōgen, bunraku, and kabuki—supplemented with individual historical essays on each form. This updated edition adds well over 200 plot summaries representing each theatrical form in addition to: a chronology; introductory essay; appendixes; an extensive bibliography; over 1500 cross-referenced entries on important terms; brief biographies of the leading artists and writers; and plot summaries of significant plays. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Japanese theatre.
Classical Kimono from the Kyoto National Museum
| Author | : Asian Art Museum of San Francisco |
| Publisher | : University of Washington Press |
| Total Pages | : 160 |
| Release | : 1997 |
| Genre | : Art |
| ISBN | : |
This handsome book illustrates and discusses classical kimono, paintings depicting people dressed in splendid robes, lacquered toiletry objects, and personal ornaments from the 16th to the 18th centuries. The garments and objects included here were made for everyday use. They eloquently illustrate the life of the Japanese people during the entire span of the Momoyama and Edo periods when Japanese culture and art matured to form the indigenous Japanese style in all expressions of art. The kimono above all blossomed in this period, when textile production reached its highest level of accomplishment in weaving technique and design.
The Kimono in Print
| Author | : Vivian Li |
| Publisher | : Brill Hotei |
| Total Pages | : 176 |
| Release | : 2020 |
| Genre | : Art |
| ISBN | : 9789004424647 |
The Kimono in Print: 300 Years of Japanese Design will be the first ever publication devoted to examining the kimono as a major source of inspiration, and later vehicle for experimentation, in Japanese print design and culture from the Edo period (1603-1868) to the Meiji period (1868-1912). Print artists, through the wide circulation of prints, have documented the ever-evolving trends in fashion, have popularized certain styles of dress, and have even been known to have designed kimonos. Some famous print designers also were directly involved in the kimono business as designers of kimono pattern books, such as Nishikawa Sukenobu (1671-1751) and Okumura Masanobu (1686-1764). The dialogue between fashion and print is illustrated here by approximately 70 Japanese prints and illustrated books--by Nishikawa Sukenobu, Suzuki Harunobu, Utagawa Kunisada, Kikukawa Eizan, and Kamisaka Sekka, among others. The group of five essays features new research and scholarship by an international group of leading scholars working today at the intersection of the Japanese print and kimono worlds and the social, cultural, and global significances circulated therein.
Pictures of the Heart
| Author | : Joshua S. Mostow |
| Publisher | : University of Hawaii Press |
| Total Pages | : 554 |
| Release | : 1996-01-01 |
| Genre | : Poetry |
| ISBN | : 9780824817053 |
The Hyakunin Isshu, or One Hundred Poets, One Poem Each collection, is a sequence of one hundred Japanese poems in the tanka form, selected by the famous poet and scholar Fujiwara no Teika (1162-1241) and arranged, in part, to represent the history of Japanese poetry from the seventh century down to Teika's own day. The anthology is, without doubt, the most popular and widely known collection of poetry in Japan - a distinction it has maintained for hundreds of years. In this study, Joshua Mostow challenges the idea of a final or authoritative reading of the Hyakunin Isshu and presents a refreshing, persuasive case for a reception history of this seminal work. In addition to providing a new translation of this classic text and biographical information on each poet, Mostow examines issues relating to text and image that are central to the Japanese arts from the Heian into the early modern period. By using Edo-period woodblock illustrations as pictorializations of the poems - as "pictures of the heart," or meaning, of the poems - text and image are pieced together in a holistic approach that will stand as a model for further research in the interrelationship between Japanese visual and verbal art.
Icons of Beauty [2 volumes]
| Author | : Lindsay J. Bosch |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 780 |
| Release | : 2009-12-22 |
| Genre | : Social Science |
| ISBN | : 0313081565 |
What gives beauty such fascinating power? Why is beauty so easy to recognize but so hard to define? Across cultures and continents and over the centuries the standards of beauty have changed but the desire to portray beauty, to praise beauty, and to possess beauty has never diminished. Icons of Beauty offers an enthralling overview of the most revered icons of female beauty in world art from pre-history to the present. From images of Eve to Cindy Sherman's self-portraits, from Cleopatra to Madonna, from ancient goddesses to modern celebrities, this interdisciplinary set offers fresh insight as to how we can use perceptions of beauty to learn about world cultures, both past and present. Each chapter looks at an individual work of art to pose a question about the power of beauty. What makes beauty modern? What is the influence of celebrities? How do women portray their own beauty in a different manner than men? In-depth profiles of the icons reveal how specific ideas about beauty were developed and expressed, offering a full analysis of their history, cultural significance, and lasting influence. In addition to renowned works of art, Icons of Beauty also looks at icons in literature, film, politics, and contemporary entertainment. Interdisciplinary and multicultural in its approach, chapters inside this set also feature sidebars on provocative topics and issues, such as foot binding and body adornment; myths and practices; opinions and interpretations; and even related films, songs, and even comic book characters. Generously illustrated, this rich set encompasses history, politics, society, women's studies, and art history, making it an indispensable resource for high school and college students as well as general readers.
