First Sonata
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Author | : Thomas Wolf |
Publisher | : Simon and Schuster |
Total Pages | : 415 |
Release | : 2019-06-04 |
Genre | : Biography & Autobiography |
ISBN | : 1643131621 |
*Winner of the Sophie Brody Medal* A moving and uplifting history set to music that reveals the rich life of one of the first internationally renowned female violinists. Spanning generations, from the shores of the Black Sea to the glittering concert halls of New York, The Nightingale's Sonata is a richly woven tapestry centered around violin virtuoso Lea Luboshutz. Like many poor Jews, music offered an escape from the predjudices that dominated society in the last years of the Russian Empire. But Lea’s dramatic rise as an artist was further accentuated by her scandalous relationship with the revolutionary Onissim Goldovsky. As the world around them descends in to chaos, between revolution and war, we follow Lea and her family from Russia to Europe and eventually, America. We cross paths with Pablo Casals, Isadora Duncan, Emile Zola and even Leo Tolstoy. The little girl from Odessa will eventually end up as one of the founding faculty of the prestigious Curtis Institute of Music, but along the way she will lose her true love, her father, and watch a son die young. The Iron Curtain would rise, but through it all, she plays on. Woven throughout this luminous odyssey is the story is Cesar Franck’s “Sonata for Violin and Piano.” As Lea was one of the first-ever internationally recognized female violinists, it is fitting that this pioneer was one of the strongest advocates for this young boundary-pushing composer and his masterwork.
Author | : William S. Newman |
Publisher | : UNC Press Books |
Total Pages | : 482 |
Release | : 2018-01-01 |
Genre | : Music |
ISBN | : 1469643723 |
This volume provides a full and careful history of what sonata meant and how the word was used from its first appearance as an instrumental title in the sixteenth century to the near end of the thorough-bass practice around 1750. The revised edition includes nearly three hundred new studies, editions, and other pertinent information. Originally published in 1966. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author | : Ludwig van Beethoven |
Publisher | : Alfred Music |
Total Pages | : 172 |
Release | : |
Genre | : Music |
ISBN | : 9781457421082 |
This carefully graded, pedagogical performance edition contains 12 outstanding classical sonatas by Haydn, Mozart and Beethoven. Each sonata appears in its original form and comes complete with performance notes and clearly presented editorial markings.
Author | : Wesley Schaum |
Publisher | : Alfred Music |
Total Pages | : 28 |
Release | : |
Genre | : Music |
ISBN | : 9781457459856 |
The pieces in this series are long-time favorites that have appeal for pianists of all ages. Very carefully correlated to standard piano method levels, each book contains arrangements that are musically appropriate to that level. The arrangements are teacher friendly, even for the teacher who is reluctant to add pop music to the curriculum. And the series is student friendly -- there will be willing practice! Titles: * Begin the Beguine * Evergreen * I Only Have Eyes for You * Stairway to Heaven * 'S Wonderful * Star Wars (Main Title) * Tea for Two * Theme from A Summer Place * The Thorn Birds (Main Theme) * The Wind Beneath My Wings * Your Smiling Face.
Author | : Thomas Schmidt-Beste |
Publisher | : Cambridge University Press |
Total Pages | : 279 |
Release | : 2011-03-10 |
Genre | : Music |
ISBN | : 0521762545 |
An introductory survey of the most enduring and popular genre of instrumental music, perfect for students, teachers and performers.
Author | : Carol Barratt |
Publisher | : Amsco Music |
Total Pages | : 0 |
Release | : 2004 |
Genre | : Music |
ISBN | : 9780825633287 |
(Music Sales America). You can take up the piano at any age with this complete, user-friendly course by Carol Barratt. Whether you're starting from scratch, or starting again, this course has been designed to guide you gently into playing simple tunes from day one. Containing familiar favorites from the classical repertoire, themes from opera and ballet, folksongs and blues, plus music by contemporary classical composers. Including fascinating items of musical history and biography, an easy-to-follow introduction to the theory of music, and suggested listening to enhance your musical appreciation. Free dummy keyboard included for silent practice, group teaching, and theory work. Book 1: Starting to Play-You'll soon be playing more than 40 piano pieces and exercises. Book 1 introduces the keyboard, the musical alphabet, terms and signs, as well as note values and time signatures. Book 2: Building Your Skills - More than 20 piano pieces for you to play, ranging from "The Entertainer" to "The Blue Danube," plus more information on music theory, expression marks, and terms and signs. Book 3: Making Music - You will play over 20 piano pieces, including music by Verdi, Chopin, Grieg, Handel, Saint-Saens, and Tchaikovsky. More theory points are incorporated, and you'll be playing the blues!
Author | : James Hepokoski |
Publisher | : Oxford University Press |
Total Pages | : 692 |
Release | : 2011-02-11 |
Genre | : Music |
ISBN | : 0199890234 |
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.
Author | : Andrew Davis |
Publisher | : Indiana University Press |
Total Pages | : 223 |
Release | : 2017-08-21 |
Genre | : Music |
ISBN | : 0253025451 |
“An effort to expand sonata theory more solidly into the nineteenth-century repertoire.” —Notes In Sonata Fragments, Andrew Davis argues that the Romantic sonata is firmly rooted, both formally and expressively, in its Classical forebears, using Classical conventions in order to convey a broad constellation of Romantic aesthetic values. This claim runs contrary to conventional theories of the Romantic sonata that place this nineteenth-century musical form squarely outside inherited Classical sonata procedures. Building on Sonata Theory, Davis examines moments of fracture and fragmentation that disrupt the cohesive and linear temporality in piano sonatas by Chopin, Brahms, and Schumann. These disruptions in the sonata form are a narrative technique that signify temporal shifts during which we move from the outer action to the inner thoughts of a musical agent, or we move from the story as it unfolds to a flashback or flash-forward. Through an interpretation of Romantic sonatas as temporally multi-dimensional works in which portions of the music in any given piece can lie inside or outside of what Sonata Theory would define as the sonata-space proper, Davis reads into these ruptures a narrative of expressive features that mark these sonatas as uniquely Romantic. “A major achievement.” —Michael L. Klein, author of Music and the Crises of the Modern Subject
Author | : Ludwig van Beethoven |
Publisher | : Alfred Music |
Total Pages | : 184 |
Release | : |
Genre | : Music |
ISBN | : 9781457421099 |
Sonata Album Volume 2 contains 10 sonatas by Haydn, Mozart and Beethoven. Like Volume 1, each sonata appears in its original form and comes complete with performance notes and clearly presented editorial markings.
Author | : Allen Sapp |
Publisher | : A-R Editions, Inc. |
Total Pages | : 133 |
Release | : |
Genre | : Music |
ISBN | : 1987208870 |
The five sonatas in this edition exhibit Allen Sapp’s characteristic expansive lyricism and depth of expression. Violin Sonata I was composed in 1942–43 while Sapp was studying with Nadia Boulanger and Aaron Copland. Following his service in Europe during World War II, he composed his Violin Sonata II and Viola Sonata in 1948. Klaus George Roy, in his review of a Boston performance by Joseph De Pasquale, called Sapp’s Viola Sonata “a work of beauty and immediate emotional appeal. There is a genuine lyric line and warmth of expression, carried by a real mastery of the polyphonic medium. . . . Who says the moderns can’t write a melody?” While these first three string sonatas were cast in a neoclassical style, Violin Sonatas III (1960) and IV (1981) are written with more chromatically complex harmonies and employ serial composition techniques, yet still exhibit a strong tonal orientation. Sapp considered Violin Sonata IV as the beginning of his late phase of composition, and possibly the most memorable of his works.