Documents

Documents
Author: Boston (Mass.). School Committee
Publisher:
Total Pages: 1356
Release: 1920
Genre:
ISBN:

Music

Music
Author: William Smythe Babcock Mathews
Publisher:
Total Pages: 876
Release: 1892
Genre: Music
ISBN:

Reader's Guide to Music

Reader's Guide to Music
Author: Murray Steib
Publisher: Routledge
Total Pages: 928
Release: 2013-12-02
Genre: Music
ISBN: 1135942625

The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).

Bulletin ...

Bulletin ...
Author: Utah. Department of Public Instruction
Publisher:
Total Pages: 392
Release: 1899
Genre: Education
ISBN:

March's A-B-C Book

March's A-B-C Book
Author: Francis Andrew March
Publisher: BoD – Books on Demand
Total Pages: 54
Release: 2024-05-03
Genre: Fiction
ISBN: 3385448123

Reprint of the original, first published in 1881.

The Country Music Reader

The Country Music Reader
Author: Travis D. Stimeling
Publisher: Oxford University Press
Total Pages: 409
Release: 2015-01-02
Genre: Music
ISBN: 0190233737

In The Country Music Reader Travis D. Stimeling provides an anthology of primary source readings from newspapers, magazines, and fan ephemera encompassing the history of country music from circa 1900 to the present. Presenting conversations that have shaped historical understandings of country music, it brings the voices of country artists and songwriters, music industry insiders, critics, and fans together in a vibrant conversation about a widely loved yet seldom studied genre of American popular music. Situating each source chronologically within its specific musical or cultural context, Stimeling traces the history of country music from the fiddle contests and ballad collections of the late nineteenth and early twentieth centuries through the most recent developments in contemporary country music. Drawing from a vast array of sources including popular magazines, fan newsletters, trade publications, and artist biographies, The Country Music Reader offers firsthand insight into the changing role of country music within both the music industry and American musical culture, and presents a rich resource for university students, popular music scholars, and country music fans alike.