Films Of The New French Extremity
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| Author | : Alexandra West |
| Publisher | : McFarland |
| Total Pages | : 216 |
| Release | : 2016-05-19 |
| Genre | : Performing Arts |
| ISBN | : 1476625115 |
The films of the New French Extremity have been reviled by critics but adored by fans and filmmakers. Known for graphically brutal depictions of sex and violence, the subgenre emerged from the French art-house scene in the late 1990s and became a cult phenomenon, eventually merging into the horror genre where it became associated with American torture porn. Decidedly French in flavor, the films seek to reveal the dark side of French society. This book provides an in-depth study of New French Extremity, focusing on such films as Trouble Every Day (2001), Irreversible (2002), Twentynine Palms (2003), High Tension (2003) and Martyrs (2008). The author explores the social implications of cinematic cruelty presented not as "violent films" but as "films about violence."
| Author | : Alexandra West |
| Publisher | : McFarland |
| Total Pages | : 196 |
| Release | : 2018-06-08 |
| Genre | : Performing Arts |
| ISBN | : 1476670641 |
Many critics and fans refer to the 1990s as the decade that horror forgot, with few notable entries in the genre. Yet horror went mainstream in the '90s by speaking to the anxieties of American youth during one of the country's most prosperous eras. No longer were films made on low budgets and dependent on devotees for success. Horror found its way onto magazine covers, fashion ads and CD soundtrack covers. "Girl power" feminism and a growing distaste for consumerism defined an audience that both embraced and rejected the commercial appeal of these films. This in-depth study examines the youth subculture and politics of the era, focusing on such films as Buffy the Vampire Slayer (1992), Scream (1996), I Know What You Did Last Summer (1997), Idle Hands (1999) and Cherry Falls (2000).
| Author | : Tim Palmer |
| Publisher | : Wesleyan University Press |
| Total Pages | : 303 |
| Release | : 2011-07-21 |
| Genre | : Performing Arts |
| ISBN | : 0819570001 |
Brutal Intimacy is the first book to explore the fascinating films of contemporary France, ranging from mainstream genre spectaculars to arthouse experiments, and from wildly popular hits to films that deliberately alienate the viewer. Twenty-first-century France is a major source of international cinema—diverse and dynamic, embattled yet prosperous—a national cinema offering something for everyone. Tim Palmer investigates France's growing population of women filmmakers, its buoyant vanguard of first-time filmmakers, the rise of the controversial cinema du corps, and France's cinema icons: auteurs like Olivier Assayas, Claire Denis, Bruno Dumont, Gaspar Noé, and stars such as Vincent Cassel and Jean Dujardin. Analyzing dozens of breakthrough films, Brutal Intimacy situates infamous titles alongside many yet to be studied in the English language. Drawing on interviews and the testimony of leading film artists, Brutal Intimacy promises to be an influential treatment of French cinema today, its evolving rivalry with Hollywood, and its ambitious pursuits of audiences in Europe, North America, and around the world.
| Author | : Samantha Holland |
| Publisher | : Emerald Group Publishing |
| Total Pages | : 272 |
| Release | : 2019-03-13 |
| Genre | : Social Science |
| ISBN | : 1787698971 |
This edited collection focuses on gender and contemporary horror in film, examining how and if representations of gender in horror have changed.
| Author | : Kerner Aaron Kerner |
| Publisher | : Edinburgh University Press |
| Total Pages | : 192 |
| Release | : 2016-06-14 |
| Genre | : Performing Arts |
| ISBN | : 1474402917 |
Extreme Cinema examines the highly stylized treatment of sex and violence in post-millennial transnational cinema, where the governing convention is not the narrative but the spectacle. Using profound experiments in form and composition, including jarring editing, extreme close-ups, visual disorientation and sounds that straddle the boundary between non-diegetic and diegetic registers, this mode of cinema dwells instead on the exhibition of intense violence and an acute intimacy with the sexual body. Interrogating works such as Wetlands and A Serbian Film, as well as the sub-culture of YouTube 'reaction videos', Aaron Michael Kerner and Jonathan L. Knapp demonstrate the way content and form combine in extreme cinema to affectively manipulate the viewing body.
| Author | : Alison Peirse |
| Publisher | : Rutgers University Press |
| Total Pages | : 270 |
| Release | : 2020-09-17 |
| Genre | : Performing Arts |
| ISBN | : 1978805136 |
Winner of the the 2021 Best Edited Collection Award from BAFTSS Winner of the 2021 British Fantasy Award in Best Non-Fiction Finalist for the 2020 Bram Stoker Award® for Superior Achievement in Non-Fiction Runner-Up for Book of the Year in the 19th Annual Rondo Halton Classic Horror Awards “But women were never out there making horror films, that’s why they are not written about – you can’t include what doesn’t exist.” “Women are just not that interested in making horror films.” This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer, or filmmaker. These assumptions are based on decades of flawed scholarly, critical, and industrial thinking about the genre. Women Make Horror sets right these misconceptions. Women have always made horror. They have always been an audience for the genre, and today, as this book reveals, women academics, critics, and filmmakers alike remain committed to a film genre that offers almost unlimited opportunities for exploring and deconstructing social and cultural constructions of gender, femininity, sexuality, and the body. Women Make Horror explores narrative and experimental cinema; short, anthology, and feature filmmaking; and offers case studies of North American, Latin American, European, East Asian, and Australian filmmakers, films, and festivals. With this book we can transform how we think about women filmmakers and genre.
| Author | : Romain Chareyron |
| Publisher | : Edinburgh University Press |
| Total Pages | : 264 |
| Release | : 2019-05-14 |
| Genre | : Motion pictures |
| ISBN | : 1474449441 |
Youth has been represented on screen for decades and has informed many directors' visual, narrative and social perspectives, but there has not been a body of work addressing the richness and complexity of this topic in a French and Francophone context. This volume offers new insights into the works of emerging and well-established directors alike, who all chose to place youth at the heart of their narrative and aesthetic concerns. Showing how the topic of 'youth' has inspired filmmakers to explore and reinvent common tropes associated with young people, the book also addresses how the representation of youth can be used to mirror the tensions - political, social, religious, economic or cultural - that agitate a society at a given time in its history.
| Author | : Marjorie Vecchio |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 365 |
| Release | : 2014-10-01 |
| Genre | : Art |
| ISBN | : 0857735993 |
The films of Claire Denis probe the idea of global citizenship and trace the borderlines of family, desire, nationality and power. Her films, including Chocolat, Beau travail and White Material explore connections between national experience and individual circumstance, visualizing the complications of such dualities. Following a foreword by Wim Wenders, international contributors explore the themes she addresses in her films, such as kinship and landscape, neo-colonialism and New French Extremity. Original interviews with an editor, actor and two composers familiar with Denis's working style and with Denis herself, also reveal fresh facets of this intrepid filmmaker.
| Author | : Adrian Roe |
| Publisher | : |
| Total Pages | : 370 |
| Release | : 2021-12-14 |
| Genre | : |
| ISBN | : 9781794755628 |
Screams for a New Millennium offers a fascinating and insightful journey through the horror movies of the '00s. An intriguing and pivotal decade for the genre, this era of filmmaking would become synonymous with returning the horror film to a visceral and subversive place that would very much echo the tone of the '70s. Remakes of many classic films were also produced during this period, while new horror franchises and villains were created with uncompromising and terrifying effect. Supported by exclusive interviews from Paul Verhoeven, Joe Lynch, Jocelin Donahue, Jamie Blanks, Marcus Dunstan and many others, this book covers hundreds of films across various subgenres, enabling the reader to revisit a wide range of movies and memories from this hugely important moment in horror history.
| Author | : Xavier Aldana Reyes |
| Publisher | : Routledge |
| Total Pages | : 221 |
| Release | : 2016-02-12 |
| Genre | : Performing Arts |
| ISBN | : 1317748794 |
This book brings together various theoretical approaches to Horror that have received consistent academic attention since the 1990s – abjection, disgust, cognition, phenomenology, pain studies – to make a significant contribution to the study of fictional moving images of mutilation and the ways in which human bodies are affected by those on the screen on three levels: representationally, emotionally and somatically. Aldana Reyes reads Horror viewership as eminently carnal, and seeks to articulate the need for an alternative model that understands the experience of feeling under corporeal threat as the genre’s main descriptor. Using recent, post-millennial examples throughout, the book also offers case studies of key films such as Hostel, [REC], Martyrs or Ginger Snaps, and considers contemporary Horror strands such as found footage or 3D Horror.
