Twenty Four Frames Under
Author | : Russell Lack |
Publisher | : Quartet Books (UK) |
Total Pages | : 386 |
Release | : 1997 |
Genre | : Music |
ISBN | : |
A history of film music combined with an examination of music's emotional impact on the film audience.
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Author | : Russell Lack |
Publisher | : Quartet Books (UK) |
Total Pages | : 386 |
Release | : 1997 |
Genre | : Music |
ISBN | : |
A history of film music combined with an examination of music's emotional impact on the film audience.
Author | : Scott MacDonald |
Publisher | : Univ of California Press |
Total Pages | : 462 |
Release | : 2006 |
Genre | : Electronic books |
ISBN | : 0520245954 |
A Critical Cinema 5 is the fifth volume in Scott MacDonald's Critical Cinema series, the most extensive, in-depth exploration of independent cinema available in English.
Author | : Giorgio Bertellini |
Publisher | : Wallflower Press |
Total Pages | : 294 |
Release | : 2004 |
Genre | : Performing Arts |
ISBN | : 9781903364987 |
Giorgio Bertellini examines the historical and aesthetic connections of some of Italy's most important films with both Italian and Western film culture.
Author | : Douglas Keesey |
Publisher | : McFarland |
Total Pages | : 240 |
Release | : 2015-01-09 |
Genre | : Performing Arts |
ISBN | : 0786481005 |
British filmmaker Peter Greenaway says life offers only two subjects: "One is sex and the other is death." Greenaway uses both and romanticizes neither; indeed, his goal is the antithesis of the sanitary and sentimental portrayal of humanity. Although his films have met with outrage from some viewers, cult audiences praise them for insightful messages: that people are detached from violence because they fail to see others' bodies as identical to their own; that predatory capitalism has caused humans to lose sight of our shared physicality and mortality; and that taboos are simply a system allowing people to exercise power over others. This book examines nine of Greenaway's feature films, dedicating a chapter to each: The Draughtsman's Contract; A Zed and Two Noughts; The Belly of an Architect; Drowning by Numbers; The Cook, the Thief, His Wife and Her Lover; Prospero's Books; The Baby of Macon; The Pillow Book; and 8 1⁄2 Women. The author examines the characters and plot, studies the structure and elements of the story, explores Greenaway's motives and reactions, and reveals audience reactions, including comments from viewers. A filmography lists films written and directed by Peter Greenaway from 1962 to 2004.
Author | : United States. Patent Office |
Publisher | : |
Total Pages | : 916 |
Release | : 1939 |
Genre | : Copyright |
ISBN | : |
"Compiled from Official gazette. Beginning with 1876, the volumes have included also decisions of United States courts, decisions of Secretary of Interior, opinions of Attorney-General, and important decisions of state courts in relation to patents, trade-marks, etc. 1869-94, not in Congressional set." Checklist of U. S. public documents, 1789-1909, p. 530.
Author | : Christie Milliken |
Publisher | : Indiana University Press |
Total Pages | : 387 |
Release | : 2021-07-06 |
Genre | : Performing Arts |
ISBN | : 025305690X |
The documentary has achieved rising popularity over the past two decades thanks to streaming services like Netflix and Hulu. Despite this, documentary studies still tends to favor works that appeal primarily to specialists and scholars. Reclaiming Popular Documentary reverses this long-standing tendency by showing that documentaries can be—and are—made for mainstream or commercial audiences. Editors Christie Milliken and Steve Anderson, who consider popular documentary to be a subfield of documentary studies, embrace an expanded definition of popular to acknowledge the many evolving forms of documentary, such as branded entertainment, fictional hybrids, and works with audience participation. Together, these essays address emerging documentary forms—including web-docs, virtual reality, immersive journalism, viral media, interactive docs, and video-on-demand—and offer the critical tools viewers need to analyze contemporary documentaries and consider how they are persuaded by and represented in documentary media. By combining perspectives of scholars and makers, Reclaiming Popular Documentary brings new understandings and international perspectives to familiar texts using critical models that will engage media scholars and fans alike.
Author | : Daniel Barnett |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 508 |
Release | : 2017-08-10 |
Genre | : Performing Arts |
ISBN | : 1501329839 |
Movement as Meaning in Experimental Cinema offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language. Using the analogy of the movie projector, Barnett deconstructs all communication acts into functions of interval, repetition and context. He describes how Wittgenstein's concepts of family resemblance and language games provide a dynamic perspective on the analysis of acts of reference. He then develops a hyper-simplified formula of movement as meaning to discuss, with true equivalence, the process of reference as it occurs in natural language, technical language, poetic language, painting, photography, music, and of course, cinema. Barnett then applies his analytic technique to an original perspective on cine-poetics based on Paul Valery's concept of omnivalence, and to a projection of how this style of analysis, derived from analog cinema, can help us clarify our view of the digital mediasphere and its relation to consciousness. Informed by the philosophy of Quine, Dennett, Merleau-Ponty as well as the later work of Wittgenstein, among others, he uses the film work of Stan Brakhage, Tony Conrad, A.K. Dewdney, Nathaniel Dorsky, Ken Jacobs, Owen Land, Saul Levine, Gregory Markopoulos Michael Snow, and the poetry of Basho, John Cage, John Cayley and Paul Valery to illustrate the power of his unique perspective on meaning.
Author | : Elliot Grove |
Publisher | : CRC Press |
Total Pages | : 417 |
Release | : 2012-11-12 |
Genre | : Performing Arts |
ISBN | : 1136047069 |
"Discover vital insider tips on producing movies with a micro budget! Covering both tried and true filmmaking techniques as well as insight on marketing, selling, and distributing your film, Raindance Producers' Lab, Second Edition is the ultimate independent filmmaker's guide to producing movies. This edition has been updated to include: fresh features on low-budget, high quality video cameras, including new digital camera options such as DSLRAn extensive selection of new case studies and interviews with industry talents such as Ewan McGregor, Ate de Jong, James Youngs, Joe Pavlo, Martin Myers, Rolin Heap, and more; essential advice on how to make the web work for you and promote your films through Twitter, Facebook and other social media platformsAll new postproduction workflows. A companion website (www.lotonobudgetfilmmaking.com) providing all the contracts and material you need to run a production company and make successful low budget movies. The verdict is in: if you're looking for a clear-cut, no-nonsense approach to micro-budget filmmaking and producing, Elliot Grove's wealth of teaching and filmmaking experience combined with winning formulas for marketing and promotion make this book a must-have one-stop shop for filmmakers! "--