Filming The Colonial Past
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Author | : Annabel Cooper |
Publisher | : |
Total Pages | : 0 |
Release | : 2018 |
Genre | : Performing Arts |
ISBN | : 9781988531083 |
Introduction -- Hayward in The Bay of Plenty: The silent Rewi's Last Stand and The Te Kooti Trail -- Hayward in the Waipā: Rewi's Last Stand in the sound era -- Wars in the living room: The Killing of Kane and The Governor -- The Pūhā western: Utu -- Documentary adventures: The New Zealand Wars -- Television histories in uncertain times: Greenstone, Von Tempsky's Ghost and Frontier of Dreams -- Aftermath and memory: In Spring One Plants Alone and Rain of the Children -- Encounter, romance and conflict: River Queen -- Māori creative control and new screens -- Conclusion.
Author | : Tom Rice |
Publisher | : University of California Press |
Total Pages | : 360 |
Release | : 2019-10-01 |
Genre | : Performing Arts |
ISBN | : 0520300394 |
Films for the Colonies examines the British Government’s use of film across its vast Empire from the 1920s until widespread independence in the 1960s. Central to this work was the Colonial Film Unit, which produced, distributed, and, through its network of mobile cinemas, exhibited instructional and educational films throughout the British colonies. Using extensive archival research and rarely seen films, Films for the Colonies provides a new historical perspective on the last decades of the British Empire. It also offers a fresh exploration of British and global cinema, charting the emergence and endurance of new forms of cinema culture from Ghana to Jamaica, Malta to Malaysia. In highlighting the integral role of film in managing and maintaining a rapidly changing Empire, Tom Rice offers a compelling and far-reaching account of the media, propaganda, and the legacies of colonialism.
Author | : Nadine Chan |
Publisher | : Indiana University Press |
Total Pages | : 304 |
Release | : 2022-02 |
Genre | : History |
ISBN | : 0253059763 |
Theorizing Colonial Cinema is a millennial retrospective on the entangled intimacy between film and colonialism from film's global inception to contemporary legacies in and of Asia. The volume engages new perspectives by asking how prior discussions on film form, theory, history, and ideology may be challenged by centering the colonial question rather than relegating it to the periphery. To that end, contributors begin by excavating little-known archives and perspectives from the colonies as a departure from a prevailing focus on Europe's imperial histories and archives about the colonies. The collection pinpoints various forms of devaluation and misrecognition both in and beyond the region that continue to relegate local voices to the margins. This pathbreaking study on global film history advances prior scholarship by bringing together an array of established and new interdisciplinary voices from film studies, Asian studies, and postcolonial studies to consider how the present is continually haunted by the colonial past.
Author | : Rebecca Weaver-Hightower |
Publisher | : Routledge |
Total Pages | : 345 |
Release | : 2014-02-24 |
Genre | : Art |
ISBN | : 1134747349 |
Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century’s end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation’s unique postcolonial situation. This analysis of one nation’s struggle with its coloniality allows each essay to investigate just what it means to be postcolonial.
Author | : Ian Aitken |
Publisher | : Edinburgh University Press |
Total Pages | : 256 |
Release | : 2016-12-05 |
Genre | : Performing Arts |
ISBN | : 1474407226 |
Based on rare archival documents and films, this anthology is the first to focus primarily on the use of official and colonial documentary films in the South and South-East Asian regions. Drawing together a range of international scholars, the book sheds new light on historical, theoretical and empirical issues pertaining to the documentary film, in order to better comprehend the significant transformations of the form in the colonial, late colonial and immediate post-colonial period. Covering diverse geographical and colonial contexts in countries like Singapore, Malaysia, the Philippines and Hong Kong, and focusing on under-researched or little-known films, it demonstrate the complex set of relations between the colonisers and the colonised throughout the region.
Author | : Debashree Mukherjee |
Publisher | : Columbia University Press |
Total Pages | : 288 |
Release | : 2020-09-22 |
Genre | : Performing Arts |
ISBN | : 0231551673 |
From starry-eyed fans with dreams of fame to cotton entrepreneurs turned movie moguls, the Bombay film industry has historically energized a range of practices and practitioners, playing a crucial and compelling role in the life of modern India. Bombay Hustle presents an ambitious history of Indian cinema as a history of material practice, bringing new insights to studies of media, modernity, and the late colonial city. Drawing on original archival research and an innovative transdisciplinary approach, Debashree Mukherjee offers a panoramic portrait of the consolidation of the Bombay film industry during the talkie transition of the 1920s–1940s. In the decades leading up to independence in 1947, Bombay became synonymous with marketplace thrills, industrial strikes, and modernist experimentation. Its burgeoning film industry embodied Bombay’s spirit of “hustle,” gathering together and spewing out the many different energies and emotions that characterized the city. Bombay Hustle examines diverse sites of film production—finance, pre-production paperwork, casting, screenwriting, acting, stunts—to show how speculative excitement jostled against desires for scientific management in an industry premised on the struggle between contingency and control. Mukherjee develops the concept of a “cine-ecology” in order to examine the bodies, technologies, and environments that collectively shaped the production and circulation of cinematic meaning in this time. The book thus brings into view a range of marginalized film workers, their labor and experiences; forgotten film studios, their technical practices and aesthetic visions; and overlooked connections among media practices, geographical particularities, and historical exigencies.
Author | : Janne Lahti |
Publisher | : |
Total Pages | : 218 |
Release | : 2020 |
Genre | : Colonies in motion pictures |
ISBN | : 9780367503833 |
Conquest -- Settlers -- Natives -- Space.
Author | : P. Limbrick |
Publisher | : Springer |
Total Pages | : 282 |
Release | : 2010-06-21 |
Genre | : History |
ISBN | : 0230107915 |
Through a shrewd analysis of the historical experience of imperialism and settler colonialism, Limbrick draws new conclusions about their effect on cinematic production, distribution, reception and filmic discourse.
Author | : Isaac Schapera |
Publisher | : University of Chicago Press |
Total Pages | : 241 |
Release | : 2007-06-30 |
Genre | : History |
ISBN | : 0226114120 |
Author | : |
Publisher | : |
Total Pages | : 204 |
Release | : |
Genre | : |
ISBN | : 0520295307 |