Film Technique and Film Acting

Film Technique and Film Acting
Author: Vsevolod Illarionovich Pudovkin
Publisher: Read Books Ltd
Total Pages: 346
Release: 2013-04-16
Genre: Drama
ISBN: 1446547353

This vintage book contains two pioneering volumes on the subject of film making by V.I. Pudovkin. Considered two of the most valuable manuals of the practice and theory of film making ever written, these texts will prove invaluable for the student or film enthusiast, and are not to be missed by discerning collectors of such literature. The chapters of this volume include: 'The Film Scenario and Its Theory', 'Film Director and Film Material', 'Types Instead of Actors', 'Close-Ups in Time', 'Asynchronism as a Principle of Sound Film', 'Rhythmic Problems in my First Sound Film', 'Notes and Appendices', 'Film Acting', et cetera. Vsevolod Illarionovich Pudovkin (1893 – 1953) was a Russian film director, screenwriter, and actor, famous for developing influential theories of montage. This volume is being republished now complete with a new prefatory biography of the author.

Acting in Film

Acting in Film
Author: Michael Caine
Publisher: Hal Leonard Corporation
Total Pages: 153
Release: 2000-02-01
Genre: Performing Arts
ISBN: 1476842752

(Applause Books). A master actor who's appeared in an enormous number of films, starring with everyone from Nicholson to Kermit the Frog, Michael Caine is uniquely qualified to provide his view of making movies. This revised and expanded edition features great photos, with chapters on: Preparation, In Front of the Camera Before You Shoot, The Take, Characters, Directors, On Being a Star, and much more. "Remarkable material ... A treasure ... I'm not going to be looking at performances quite the same way ... FASCINATING!" Gene Siskel

Give War a Chance

Give War a Chance
Author: P. J. O'Rourke
Publisher: Open Road + Grove/Atlantic
Total Pages: 264
Release: 2007-12-01
Genre: Humor
ISBN: 1555847129

The #1 New York Times bestseller from “one of America’s most hilarious and provocative writers . . . a volatile brew of one-liners and vitriol” (Time). Renowned for his cranky conservative humor, P. J. O’Rourke runs hilariously amok in this book, tackling the death of communism; his frustration with sanctimonious liberals; and Saddam Hussein in a series of classic dispatches from his coverage of the 1991 Gulf War. On Kuwait City after the war, he comments, “It looked like all the worst rock bands in the world had stayed there at the same time.” On Saddam Hussein, O’Rourke muses: “He’s got chemical weapons filled with . . . with . . . chemicals. Maybe he’s got The Bomb. And missiles that can reach Riyadh, Tel Aviv, Spokane. Stock up on nonperishable foodstuffs. Grab those Diet Coke cans you were supposed to take to the recycling center and fill them with home heating oil. Bury the Hummel figurines in the yard. We’re all going to die. Details at eleven.” And on the plague of celebrity culture, he notes: “You can’t shame or humiliate modern celebrities. What used to be called shame and humiliation is now called publicity.” Mordant and utterly irreverent, this is a modern classic from one of our great political satirists, described by Christopher Buckley as being “like S. J. Perelman on acid.” “Mocking on the surface but serious beneath . . . When it comes to scouting the world for world-class absurdities, O’Rourke is the right man for the job.” —Los Angeles Times Book Review “The funniest writer in America.” —The Wall Street Journal

Acting for Film

Acting for Film
Author: Cathy Haase
Publisher: Simon and Schuster
Total Pages: 344
Release: 2012-01-30
Genre: Performing Arts
ISBN: 158115951X

Aspiring film and television actors will discover exercises for relaxing the face to achieve maximum expressiveness; maintaining proper eye focus in front of the camera and conveying the "beats" of a scene, even in the shortest takes. They'll also learn tested techniques for adapting to the styles of different directors; modulating voice and breath for maximum effect; preparing for the first day on the set; enduring multiple takes and on-the-set waiting; and much, much more. For any performer who intends to make a living in front of the camera, Acting for Film is the most authoritative resource!

The Film Sense

The Film Sense
Author: Sergei Eisenstein
Publisher: Houghton Mifflin Harcourt
Total Pages: 316
Release: 1947
Genre: Biography & Autobiography
ISBN: 9780156309356

A renowned Soviet director discusses his theory of film as an artistic medium which must appeal to all senses and applies it to an analysis of sequences from his major movies.

Film and Television Acting

Film and Television Acting
Author: Ian Bernard
Publisher: CRC Press
Total Pages: 172
Release: 1997-12-11
Genre: Performing Arts
ISBN: 1136081747

Film and Television Acting offers solid techniques for creating a natural, believable performance for film and television. The reader will discover techniques for listening and reacting, blocking and business, character, focus, the closeup, and comedy as they pertain to acting in front of a camera. The book analyzes the differences between theatre, film, and television acting, providing the theatre trained actor with specific approaches for making the transition to on-camera work. This second edition is thoroughly revised and updated. The book contains numerous scenes and exercises, including sample scenes from Cheers and Seinfeld, which provide the reader with ways to practice the specific techniques outlined by the author. Included are interviews with well-know actors and directors: Don Murray, Norman Jewison, and Emmy award winner, Glenn Jordan, to name a few. These interviews illustrate how the professionals apply their training and technique to filmed performances. There is also a chapter-length interview with John Lithgow, in which the actor provides a first-hand account of the differences of acting for the theatre and for the camera.

Movie Acting, the Film Reader

Movie Acting, the Film Reader
Author: Pamela Robertson Wojcik
Publisher: Psychology Press
Total Pages: 256
Release: 2004
Genre: Biography & Autobiography
ISBN: 9780415310246

Combining classic and recent essays and examining key issues such Movie Acting, the Film Reader explores one of the most central but often overlooked aspects of cinema: film acting.

Stanislavski in Practice

Stanislavski in Practice
Author: Nick O'Brien
Publisher: Routledge
Total Pages: 277
Release: 2010-10-04
Genre: Performing Arts
ISBN: 1136945598

Stanislavski in Practice is an unparalleled step-by-step guide to Stanislavski’s System. Author Nick O’Brien makes this cornerstone of acting accessible to teachers and students alike. This is an exercise book for students and a lesson planner for teachers on syllabi from Edexcel, WJEC and AQA to the practice-based requirements of BTEC. Each element of the System is covered practically through studio exercises and jargon-free discussion. Over a decade’s experience of acting and teaching makes O’Brien perfectly placed to advise anyone wanting to understand or apply Stanislavski’s system. Features include: Practical extension work for students to take away from the lesson Notes for teachers on how to use material with different age groups Exam tips for students based on specific syllabi requirements A chapter dedicated to using Stanislavski when rehearsing a text A glossary of terms that students of the System will encounter

The Power of the Actor

The Power of the Actor
Author: Ivana Chubbuck
Publisher: Penguin
Total Pages: 404
Release: 2005-08-18
Genre: Performing Arts
ISBN: 9781592401536

In The Power of the Actor, a Los Angeles Times bestseller, premier acting teacher and coach Ivana Chubbuck reveals her cutting-edge technique, which has launched some of the most successful acting careers in Hollywood. The first book from the instructor who has taught Charlize Theron, Brad Pitt, Elisabeth Shue, Djimon Hounsou, and Halle Berry, The Power of the Actor guides you to dynamic and effective results. For many of today’s major talents, the Chubbuck Technique is the leading edge of acting for the twenty-first century. Ivana Chubbuck has developed a curriculum that takes the theories of the acting masters, such as Stanislavski, Meisner, and Hagen, to the next step by utilizing inner pain and emotions, not as an end in itself, but rather as a way to drive and win a goal. In addition to the powerful twelve-step process, the book takes well-known scripts, both classic and contemporary, and demonstrates how to precisely apply Chubbuck’s script-analysis process. The Power of the Actor is filled with fascinating and inspiring behind-the-scenes accounts of how noted actors have mastered their craft and have accomplished success in such a difficult and competitive field.

Directing

Directing
Author: Michael Rabiger
Publisher: Taylor & Francis
Total Pages: 690
Release: 2013-04-02
Genre: Performing Arts
ISBN: 1136042490

Directing: Film Techniques and Aesthetics is a comprehensive manual that teaches the essentials of filmmaking from the perspective of the director. Ideal for film production and directing classes, as well as for aspiring and current directors, Directing covers all phases of preproduction and production, from idea development to final cut. Thoroughly covering the basics, Directing guides the reader to professional standards of expression and control, and goes to the heart of what makes a director. The book outlines a great deal of practical work to meet this goal, with projects, exercises. The third edition emphasizes the connection between knowing and doing, with every principle realizable through projects and exercises. Much has been enhanced and expanded, notably: aspects of dramaturgy; beats and dramatic units; pitching stories and selling one's work; the role of the entrepreneurial producer; and the dangers of embedded moral values. Checklists are loaded with practical recommendations for action, and outcomes assessment tables help the reader honestly gauge his or her progress. Entirely new chapters present: preproduction procedures; production design; script breakdown; procedures and etiquette on the set; shooting location sound; continuity; and working with a composer. The entire book is revised to capitalize on the advantages offered by the revolutionary shift to digital filmmaking.