Film History And Cultural Citizenship
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Author | : Tina Mai Chen |
Publisher | : Routledge |
Total Pages | : 322 |
Release | : 2020-09-19 |
Genre | : Art |
ISBN | : 1135762074 |
This new book investigates the relationship of film to history, power, memory, and cultural citizenship. The book is concerned with two central issues: firstly, the participation of film and filmmakers in articulating and challenging projects of modernity; and, secondly, the role of film in shaping particular understandings of self and other to evoke collective notions of belonging. These issues call for interdisciplinary and multi-layered analyses that are ideally met through dialogue across place, time, identities and genres. The contributors to this volume enable this dialogue by considering the ways in which cultural expression and identity expressed through film serve to create notions of belonging, group identity, and entitlement within modern societies.
Author | : Renato Rosaldo |
Publisher | : Univ of California Press |
Total Pages | : 244 |
Release | : 2003-10-09 |
Genre | : History |
ISBN | : 9780520227484 |
Author | : Moya Luckett |
Publisher | : Wayne State University Press |
Total Pages | : 436 |
Release | : 2013-07-12 |
Genre | : Performing Arts |
ISBN | : 0814337260 |
Investigates how progressivism structured many aspects of understudied era of cinema. Caught between the older model of short film and the emerging classic era, the transitional period of American cinema (1907-1917) has typically posed a problem for studies of early American film. Yet in Cinema and Community: Progressivism, Exhibition, and Film Culture in Chicago, 1907-1917, author Moya Luckett uses the era's dominant political ideology as a lens to better understand its cinematic practice. Luckett argues that movies were a typically Progressive institution, reflecting the period's investment in leisure, its more public lifestyle, and its fascination with celebrity. She uses Chicago, often considered the nation's most Progressive city and home to the nation's largest film audience by 1907, to explore how Progressivism shaped and influenced the address, reception, exhibition, representational strategies, regulation, and cultural status of early cinema. After a survey of Progressivism's general influences on popular culture and the film industry in particular, she examines the era's spectatorship theories in chapter 1 and then the formal characteristics of the early feature film-including the use of prologues, multiple diegesis, and oversight-in chapter 2. In chapter 3, Luckett explores the period's cinema in the light of its celebrity culture, while she examines exhibition in chapter 4. She also looks at the formation of Chicago's censorship board in November 1907 in the context of efforts by city government, social reformers, and the local press to establish community standards for cinema in chapter 5. She completes the volume by exploring race and cinema in chapter 6 and national identity and community, this time in relation to World War I, in chapter 7. As well as offering a history of an underexplored area of film history, Luckett provides a conceptual framework to help navigate some of the period's key issues. Film scholars interested in the early years of American cinema will appreciate this insightful study.
Author | : Lori Kido Lopez |
Publisher | : NYU Press |
Total Pages | : 259 |
Release | : 2016-05-17 |
Genre | : Social Science |
ISBN | : 1479825417 |
Choice Top 25 Academic Title How activists and minority communities use media to facilitate social change and achieve cultural citizenship. Among the most well-known YouTubers are a cadre of talented Asian American performers, including comedian Ryan Higa and makeup artist Michelle Phan. Yet beneath the sheen of these online success stories lies a problem—Asian Americans remain sorely underrepresented in mainstream film and television. When they do appear on screen, they are often relegated to demeaning stereotypes such as the comical foreigner, the sexy girlfriend, or the martial arts villain. The story that remains untold is that as long as these inequities have existed, Asian Americans have been fighting back—joining together to protest offensive imagery, support Asian American actors and industry workers, and make their voices heard. Providing a cultural history and ethnography, Asian American Media Activism assesses everything from grassroots collectives in the 1970s up to contemporary engagements by fan groups, advertising agencies, and users on YouTube and Twitter. In linking these different forms of activism, Lori Kido Lopez investigates how Asian American media activism takes place and evaluates what kinds of interventions are most effective. Ultimately, Lopez finds that activists must be understood as fighting for cultural citizenship, a deeper sense of belonging and acceptance within a nation that has long rejected them.
Author | : André Gaudreault |
Publisher | : University of Illinois Press |
Total Pages | : 226 |
Release | : 2011 |
Genre | : Performing Arts |
ISBN | : 0252078055 |
An important reexamination of early film history, translated from the French for the first time.
Author | : Z. Wang |
Publisher | : Springer |
Total Pages | : 285 |
Release | : 2014-07-17 |
Genre | : Performing Arts |
ISBN | : 1137378743 |
A comprehensive history of how the conflicts and balances of power in the Maoist revolutionary campaigns from 1951 to 1979 complicated and diversified the meanings of films, this book offers a discursive study of the development of early PRC cinema.
Author | : Daniela Treveri Gennari |
Publisher | : Springer |
Total Pages | : 370 |
Release | : 2018-10-19 |
Genre | : Performing Arts |
ISBN | : 3319663445 |
Although it has only been in the last decade that the planet’s population balance tipped from a predominantly rural makeup towards an urban one, the field of cinema history has demonstrated a disproportionate skew toward the urban. Within audience studies, however, an increasing number of scholars are turning their attention away from the bright lights of the urban, and towards the less well-lit and infinitely more variegated history of rural cinema-going. Rural Cinema Exhibition and Audiences in A Global Context is the first volume to consider rural cinema-going from a global perspective. It aims to provide a rich and wide-ranging introduction to this growing field, and to further develop some of its key questions. It brings together eighteen international scholars or teams, all representatives of a dynamic, new field. Moving beyond a Western focus is essential for thinking through questions of rural exhibition, distribution and cinema experience, since over the relatively short history of cinema it is the rural that has dominated cinema-goers’ lives in much of the developing world. To this end, the volume also innovates by bringing discussions of North American and European ruralities into dialogue with contributions on Kenya, Brazil, China, Thailand, South Africa and Australia.
Author | : Chenshu Zhou |
Publisher | : Univ of California Press |
Total Pages | : 281 |
Release | : 2021-07-06 |
Genre | : History |
ISBN | : 0520343387 |
At a time when what it means to watch movies keeps changing, this book offers a case study that rethinks the institutional, ideological, and cultural role of film exhibition, demonstrating that film exhibition can produce meaning in itself apart from the films being shown. Cinema Off Screen advances the idea that cinema takes place off screen as much as on screen by exploring film exhibition in China from the founding of the People’s Republic in 1949 to the end of the Cold War in the early 1990s. Drawing on original archival research, interviews, and audience recollections, Cinema Off Screen decenters the filmic text and offers a study of institutional operations and lived experiences. Chenshu Zhou details how the screening space, media technology, and the human body mediate encounters with cinema in ways that have not been fully recognized, opening new conceptual avenues for rethinking the ever-changing institution of cinema.
Author | : Irina Metzler |
Publisher | : Routledge |
Total Pages | : 348 |
Release | : 2013 |
Genre | : History |
ISBN | : 0415822599 |
This book covers the social history of disability in the Middle Ages. By exploring cultural discourses of medieval disability, the volume opens up the subject of disability history prior to the modern period. The wealth, variety and significance of sources inform how law, work, age and charity affected medieval disability.
Author | : Andrea JANKU |
Publisher | : Routledge |
Total Pages | : 369 |
Release | : 2011-12-21 |
Genre | : History |
ISBN | : 1136476253 |
Growing concerns about climate change and the increasing occurrence of ever more devastating natural disasters in some parts of the world and their consequences for human life, not only in the immediately affected regions, but for all of us, have increased our desire to learn more about disaster experiences in the past. How did disaster experiences impact on the development of modern sciences in the early modern era? Why did religion continue to play such an important role in the encounter with disasters, despite the strong trend towards secularization in the modern world? What was the political role of disasters? Historical Disasters in Context illustrates how past societies coped with a threatening environment, how societies changed in response to disaster experiences, and how disaster experiences were processed and communicated, both locally and globally. Particular emphasis is put on the realms of science, religion, and politics. International case studies demonstrate that while there are huge differences across cultures in the way people and societies responded to disasters, there are also many commonalities and interactions between different cultures that have the potential to alter the ways people prepare for and react to disasters in future. To explain these relationships and highlight their significance is the purpose of this volume.