Film Feminisms
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| Author | : Kristin Lené Hole |
| Publisher | : Routledge |
| Total Pages | : 361 |
| Release | : 2018-10-03 |
| Genre | : Social Science |
| ISBN | : 1317212150 |
Film Feminisms offers a global and updated overview of the history, present-day concerns, and future of feminist film and theory. It introduces frameworks from phenomenology, affect theory, and psychoanalysis to reception studies, new media theories, and critical historiography, as well as engaging with key issues in documentary ethics, genre theory, and star studies. This new textbook situates feminist film theory within the larger framework of transnational scholarly approaches, as well as decolonial, queer, disability studies, and critical race theories. It offers a much-needed update on pedagogical approaches to feminist film studies, providing discussions of filmmakers and films that have been overlooked in the field, or that are overdue for further analysis. Each chapter is supported by a variety of pedagogical features including activities, key terms, and case studies. Many of the activities draw on contemporary digital media, such as social media and streaming platforms, to update the field to today's changing media landscape.
| Author | : Janet McCabe |
| Publisher | : Columbia University Press |
| Total Pages | : 145 |
| Release | : 2005-01-19 |
| Genre | : Performing Arts |
| ISBN | : 0231503008 |
An introduction to feminist film theory as a discourse from the early seventies to the present. McCabe traces the broad ranging theories produced by feminist film scholarship, from formalist readings and psychoanalytical approaches to debates initiated by cultural studies, race and queer theory.
| Author | : Laura Mulvey |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Feminism and motion pictures |
| ISBN | : 9789089646767 |
This collection demonstrates the diverse legacy of feminist film studies. From female agencies in television series to digitized heroines in film to the aging female star, Feminisms combines compelling analyses of contemporary images of women and their narratives with reflections and interviews on the developments and differentiation in the history, theory, and practice of women and film and in the larger field of media studies.
| Author | : Karen Hollinger |
| Publisher | : Routledge |
| Total Pages | : 321 |
| Release | : 2012-08-21 |
| Genre | : Performing Arts |
| ISBN | : 1136509208 |
Feminist Film Studies is a readable, yet comprehensive textbook for introductory classes in feminist film theory and criticism. Karen Hollinger provides an accessible overview of women’s representation and involvement in film, complemented by analyses of key texts that illustrate major topics in the field. Key areas include: a brief history of the development of feminist film theory the theorization of the male gaze and the female spectator women in genre films and literary adaptations the female biopic feminism and avant-garde and documentary film women as auteurs lesbian representation women in Third Cinema. Each chapter includes a "Films in Focus" section, which analyzes key texts related to the chapter’s major topic, including examples from classical Hollywood, world cinema, and the contemporary period. This book provides students in both film and gender/women’s studies with a clear introduction to the field of feminist film theory and criticism.
| Author | : Laura Pietropaolo |
| Publisher | : Indiana University Press |
| Total Pages | : 264 |
| Release | : 1995-06-22 |
| Genre | : Performing Arts |
| ISBN | : 9780253116239 |
"Feminisms in the Cinema provides a platform for both women filmmakers and the women who analyze their films." -- Bloomsbury Review "... invaluable... [demonstrates] how gender and genre intersect... how feminisms are flourishing, at home and abroad." -- Women's Review of Books Well-known feminist theorists juxtapose their work with that of women filmmakers. Each writer addresses some aspect of marginality, discussing it as a political strategy and as a challenge to power structures.
| Author | : Mary C. Gentile |
| Publisher | : Praeger |
| Total Pages | : 200 |
| Release | : 1985-05-24 |
| Genre | : Literary Criticism |
| ISBN | : |
Motorheadbangers, the official fan club for rock giants, Motorhead, has never stopped. Like the band on tour, in the studio and playing live to audiences across the world, Motorheadbangers, through its stalwart fan base, has matched the band's enthusiasm to keep going against all the odds. Since the first fanzine the fan club membership has written of their experiences at seeing and meeting one of the greatest rock n roll bands in the world. In this way, Motorhead's history has been catalogued. However, the majority of those fanzines have long been out of print.
| Author | : Constance Penley |
| Publisher | : Routledge |
| Total Pages | : 284 |
| Release | : 2013-07-04 |
| Genre | : Social Science |
| ISBN | : 1135201056 |
First published in 1988. Feminism and Film Theory traces the major issues in feminist film theory as they have evolved over the last decade. Comprised of essays that are classics of this intellectually sophisticated area of cultural studies, Feminism and Film Theory makes available much sought after essays that are often difficult to find. Emphasizing the polemical challenge of feminism to film theory, this anthology forces us to reconsider film theory's most basic ideas about genre, narrative, image, spectatorship, and audience. The essays offer a model for a politically engaged critique of contemporary thought. Feminism and Film Theory will be of great interest to students and scholars concerned with film, critical theory, art and media, cultural studies, or feminism.
| Author | : Hilary Radner |
| Publisher | : Routledge |
| Total Pages | : 351 |
| Release | : 2012-03-22 |
| Genre | : Social Science |
| ISBN | : 1136519122 |
Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema examines the way that contemporary film reflects today’s changing gender roles. The book offers a comprehensive overview of the central issues in feminist film criticism with analyses of over twenty popular contemporary films across a range of genres, such as chick flicks, teen pics, hommecoms, horror, action adventure, indie flicks, and women lawyer films. Contributors explore issues of femininity as well as masculinity, reflecting on the interface of popular cinema with gendered realities and feminist ideas. Topics include the gendered political economy of cinema, the female director as auteur, postfeminist fatherhood, consumer culture, depictions of professional women, transgender, sexuality, gendered violence, and the intersections of gender, race, and ethnic identities. The volume contains essays by following contributors: Taunya Lovell Banks, Heather Brook, Mridula Nath Chakraborty, Michael DeAngelis, Barry Keith Grant, Kelly Kessler, Hannah Hamad, Christina Lane (with Nicole Richter), JaneMaree Maher, David Hansen-Miller (with Rosalind Gill), Gary Needham, Sarah Projansky, Hilary Radner, Rob Schaap, Yael D Sherman, Michele Shreiber, Janet Staiger, Peter Stapleton, Rebecca Stringer, Yvonne Tasker, and Ewa Ziarek.
| Author | : Sue Thornham |
| Publisher | : NYU Press |
| Total Pages | : 367 |
| Release | : 1999-04 |
| Genre | : Performing Arts |
| ISBN | : 0814782442 |
For the past twenty-five years, cinema has been a vital terrain on which feminist debates about culture, representation, and identity have been fought. This anthology charts the history of those debates, bringing together the key, classic essays in feminist film theory. Feminist Film Theory maps the impact of major theoretical developments on this growing field-from structuralism and psychoanalysis in the 1970s, to post-colonial theory, queer theory, and postmodernism in the 1990s. Covering a wide range of topics, including oppressive images, "woman" as fetishized object of desire, female spectatorship, and the cinematic pleasures of black women and lesbian women, Feminist Film Theory is an indispensable reference for scholars and students in the field. Contributors include Judith Butler, Carol J. Clover, Barbara Creed, Michelle Citron, Mary Ann Doane, Teresa De Lauretis, Jane Gaines, Christine Gledhill, Molly Haskell, bell hooks, Claire Johnston, Annette Kuhn, Julia Lesage, Judith Mayne, Tania Modleski, Laura Mulvey, B. Ruby Rich, Kaja Silverman, Sharon Smith, Jackie Stacey, Janet Staiger, Anna Marie Taylor, Valerie Walkerdine, and Linda Williams.
| Author | : Patricia Erens |
| Publisher | : Indiana University Press |
| Total Pages | : 492 |
| Release | : 1990 |
| Genre | : Performing Arts |
| ISBN | : 9780253206107 |
"This anthology makes it abundantly clear that feminist film criticism is flourishing and has developed dramatically since its inception in the early 1970s." —Journal of Aesthetics and Art Criticism Erens brings together a wide variety of writings and methodologies by U.S. and British feminist film scholars. The twenty-seven essays represent some of the most influential work on Hollywood film, women's cinema, and documentary filmmaking to appear during the past decade and beyond. Contributors include Lucie Arbuthnot, Linda Artel, Pam Cook, Teresa de Lauretis, Mary Ann Doane, Elizabeth Ellsworth, Lucy Fischer, Jane Gaines, Mary C. Gentile, Bette Gordon, Florence Jacobowitz, Claire Johnston, E. Ann Kaplan, Annette Kuhn, Julia Lesage, Judith Mayne, Sonya Michel, Tania Modleski, Laura Mulvey, B. Ruby Rich, Gail Seneca, Kaja Silverman, Lori Spring, Jackie Stacey, Maureen Turim, Diane Waldman, Susan Wengraf, Linda Williams, and Robin Wood.
