Film Fatales
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Author | : Tom Lisanti |
Publisher | : McFarland |
Total Pages | : 356 |
Release | : 2002-04-10 |
Genre | : Performing Arts |
ISBN | : 9780786411948 |
Sean Connery began the sixties spy movie boom playing James Bond in Dr. No and From Russia with Love. Their success inspired every studio in Hollywood and Europe to release everything from serious knockoffs to spoofs on the genre featuring debonair men, futuristic gadgets, exotic locales, and some of the world's most beautiful actresses whose roles ranged from the innocent caught up in a nefarious plot to the femme fatale. Profiled herein are 107 dazzling women, well-known and unknown, who had film and television appearances in the spy genre. They include superstars Doris Day in Caprice, Raquel Welch in Fathom, and Ann-Margret in Murderer's Row; international sex symbols Ursula Andress in Dr. No and Casino Royale, Elke Sommer in Deadlier Than the Male, and Senta Berger in The Spy with My Face; and forgotten lovelies Greta Chi in Fathom, Alizia Gur in From Russia with Love, and Maggie Thrett in Out of Sight. Each profile includes a filmography that lists the actresses' more notable films. Some include the actresses' candid comments and anecdotes about their films and television shows, the people they worked with, and their feelings about acting in the spy genre are offered throughout. A list of websites that provide further information on women in spy films and television is also included.
Author | : Judith M. Redding |
Publisher | : Seal Press (CA) |
Total Pages | : 293 |
Release | : 1997 |
Genre | : Performing Arts |
ISBN | : 9781878067975 |
Film Fatales offers a fascinating glimpse into the lives and work of women filmmakers. Profiled here are over thirty pioneering directors, producers, and distributors who have changed the face of contemporary film by delivering new and distinctly female images and sensibilities for the screen.
Author | : Mary Ann Doane |
Publisher | : Routledge |
Total Pages | : 324 |
Release | : 2013-06-17 |
Genre | : Social Science |
ISBN | : 1136639047 |
In this work of feminist film criticism, Mary Ann Doane examines questions of sexual difference and knowledge in cinematic, theoretical, and psychoanalytic discourses. "Femmes Fatales" examines Freud, the female spectator, the meaning of the close-up, and the nature of stardom. Doane's analyses of such figures as Pabst's Lulu and Rita Hayworth's Gilda trace the thematics and mechanics of maskes, masquerade, and veiling, with specific attention to the form and technology of the cinema. Working through and against the intellectual frameworks of post-structuralist and psychoanalytic theory, Doane interrogates cinematic and theoretical claims to truth about women which rely on judgements about vision and its stability or instability. Reflecting the shift in conceptual priorities within feminist film theory over the last decade, "Femmes Fatales" addresses debates over female spectatorhsip, essentialism and anti-essentialism, the tensions between psychoanalysis and history, and the relations between racial and sexual difference. Doane's nuanced and original readings of the "femme fatale" in cinema illustrate confrontations between feminism, film theory and psychoanalysis. This book should be of interest to students and lecturers in women's studies, communications studies and film theory.
Author | : Niall Williams |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 333 |
Release | : 2015-11-03 |
Genre | : Fiction |
ISBN | : 1632863197 |
Niall Williams's internationally bestselling “delicate and graceful love story . . . a magical work of fiction” (NYTBR), now a major motion picture starring Pierce Brosnan, Helena Bonham Carter, and Gabriel Byrne. Nicholas Coughlan is twelve years old when his father, an Irish civil servant, announces that God has commanded him to become a painter. He abandons the family and a wife who is driven to despair. Years later, Nicholas's own civil-service career is disrupted by tragic news: his father has burned down the house, with all his paintings and himself in it. Isabel Gore is the daughter of a poet. She's a passionate girl, but her brother is the real prodigy, a musician. And yet this family, too, is struck by tragedy: a seizure leaves the boy mute and unable to play. Years later, Isabel will continue to somehow blame herself, casting off her own chances for happiness. And then, the day after Isabel's wedding to man she doesn't love, Nicholas arrives on her western isle, seeking his father's last surviving painting. Suddenly the winds of fortune begin to shift, sweeping both these souls up with them. Nicholas and Isabel, it seems, were always meant to meet. But it will take a series of chance events-and perhaps, a proper miracle-to convince both to follow their hearts to where they're meant to be.
Author | : Tony Turtu |
Publisher | : Booksales |
Total Pages | : 0 |
Release | : 2005 |
Genre | : Femmes fatales in motion pictures |
ISBN | : 9781933112039 |
Sensational and unapologetic, B movie bad girls of the big screen starred in sexy suspense thrillers during film's golden age. A celebration of the wicked, the wayward, and the wanton, Bad Girls: Film Fatales, Sirens, and Molls remembers the actresses who gave those celluloid sinners their oomph. Blinded by desire, crazed with jealousy, and ripe with sin, these luscious, lascivious ladies broke the female stereotype as they antagonized with a vengeance, hiding guns in their garters and knives in their hair. Working with scant scripts, they relied on their beauty, bodies, and female prowess to carve their own niche in the man's world of moviemaking. Prized for their campy quality and over-acting, these bad girls redefined the Hollywood girl-next-door ideal and paved the walk of fame for villainous vixens to come. Encompassing film noir femme fatales, brassy blondes, juvenile delinquents, and their foreign 'sisters, ' we will shine a spotlight (or would an interrogation lamp be more fitting?) on several genres of filmmaking where these man traps flourished
Author | : Sam B. Girgus |
Publisher | : Cambridge University Press |
Total Pages | : 244 |
Release | : 2002-10-17 |
Genre | : Performing Arts |
ISBN | : 9780521009317 |
In America on Film, first published in 2002, Sam Girgus examines a selection of films made in the last quarter of the twentieth century in an effort to trace how the notion of 'American' has changed drastically from that portrayed in American cinema up to the 1950s. In works such as Mississippi Masala, Lone Star, Malcolm X, Raging Bull, When We Were Kings, and Bugsy he finds a new and ethnically varied array of characters that embody American values, ideals, and conflicts; and a transformation in the relationship of American identity and culture to race and ethnicity, as well as to sexuality, gender, and the body. America on Film charts these changes through analysis of cinematic tensions between fiction, documentary, and modernism. An art form that combines fragments of reality with imagination, film, Girgus maintains, connects the documentary realism of the photographic image to the abstraction and non-representation of modernism.
Author | : Louis Paul |
Publisher | : McFarland |
Total Pages | : 337 |
Release | : 2014-11-29 |
Genre | : Performing Arts |
ISBN | : 0786484020 |
From movie villains to scream queens, here are interviews with 36 actors and actresses familiar to fans of sixties and seventies cult cinema. Interviewees include the well-known (David Carradine, Christopher Lee), the relatively obscure (Marrie Lee), sex symbols (Valerie Leon), surfers who became movie stars (Don Stroud), and action heroes (Fred Williamson), among many others. Each interview is accompanied by a biography and filmography.
Author | : James Ursini |
Publisher | : Limelight Editions |
Total Pages | : 601 |
Release | : 2009-10-01 |
Genre | : Performing Arts |
ISBN | : 0879107243 |
(Limelight). From the femme fatale of the early cinema to her post-feminist rebirth, this lavishly illustrated book and comprehensive guide traces the history of these dangerously alluring, manipulative, and desperate lethal ladies. Femme Fatale surveys the history of the femme fatale in world cinema, with more than 300 photographs testifying to the power of these mysterious women. The book begins with the silent period and its vamps, like Theda Bara, Pola Negri, Clara Bow, and Bebe Daniels, then moves on to the Pre-Code sound period of American films, which, showing liberated attitudes toward sex and women, featured actresses like Jean Harlow, Marlene Dietrich, and Greta Garbo. The story continues with the noir 1940s, when the femme fatale became truly lethal including actresses like Ava Gardner, Rita Hayworth, and Barbara Stanwyck. In the repressive 1950s, the international femme fatale took the fore Brigitte Bardot, Maria Felix, Elizabeth Taylor, Anita Ekberg, etc. Finally, the authors turn to the revolutionary post-feminist modern period, with an array of lethal ladies from all over the world, like Pam Grier, Salma Hayek, Gong Li, Angelina Jolie, and Sharon Stone.
Author | : Tom Lisanti |
Publisher | : McFarland |
Total Pages | : 366 |
Release | : 2003-01-01 |
Genre | : Performing Arts |
ISBN | : 9780786415755 |
During the 1960s, a bushel of B-movies were produced and aimed at the predominantly teenage drive-in movie audience. At first teens couldn't get enough of the bikini-clad beauties dancing on the beach or being wooed by Elvis Presley, but by 1966 young audiences became more interested in the mini-skirted, go-go boot wearing, independent-minded gals of spy spoofs, hot rod movies and biker flicks. Profiled herein are fifty sexy, young actresses that teenage girls envied and teenage boys desired including Quinn O'Hara, Melody Patterson, Hilarie Thompson, Donna Loren, Pat Priest, Meredith MacRae, Arlene Martel, Cynthia Pepper, and Beverly Washburn. Some like Sue Ane Langdon, Juliet Prowse, Marlyn Mason, and Carole Wells, appeared in major studio productions while others, such as Regina Carrol, Susan Hart, Angelique Pettyjohn and Suzie Kaye were relegated to drive-in movies only. Each biography contains a complete filmography. Some also include the actresses' candid comments and anecdotes about their films, the people they worked with, and their feelings about acting. A list of web sites that provide further information is also included.
Author | : Robert B. Pippin |
Publisher | : University of Virginia Press |
Total Pages | : 136 |
Release | : 2012 |
Genre | : Performing Arts |
ISBN | : 0813931894 |
This book reveals the ways in which American film noir explore the declining credibility of individuals as causal centers of agency, and how we live with the acknowledgment of such limitations.