Film and Its Techniques
Author | : Raymond Spottiswoode |
Publisher | : Univ of California Press |
Total Pages | : 540 |
Release | : 1951 |
Genre | : Cinematography |
ISBN | : |
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Author | : Raymond Spottiswoode |
Publisher | : Univ of California Press |
Total Pages | : 540 |
Release | : 1951 |
Genre | : Cinematography |
ISBN | : |
Author | : Francis Ford Coppola |
Publisher | : Liveright Publishing |
Total Pages | : 171 |
Release | : 2017-09-26 |
Genre | : Performing Arts |
ISBN | : 1631493736 |
From a master of cinema comes this “gold mine of a book . . . a rocket ride to the potential future” of filmmaking (Walter Murch). Celebrated as an “exhilarating account” of a revolutionary new medium (Booklist), Francis Ford Coppola’s indispensable guide to live cinema is a boon for moviegoers, film students, and teachers alike. As digital movie-making, like live sports, can now be performed by one director—or by a collaborative team online— it is only a matter of time before cinema auteurs will create “live” movies to be broadcast instantly in faraway theaters. “Peppered with brilliant personal observations” (Wendy Doniger), Live Cinema and Its Techniques offers a behind-the-scenes look at a consummate career: from Coppola’s formative boyhood obsession with live 1950s television shows and later attempts to imitate the spontaneity of live performance on set, the book usefully includes a guide to presenting state-of-the-art techniques on everything from rehearsals to equipment. A testament to Coppola’s prodigious enthusiasm for reinvigorating the form, Live Cinema is an indispensable guide that “reenergizes . . . the search for a new way of storytelling” (William Friedkin).
Author | : Michael Rabiger |
Publisher | : Taylor & Francis |
Total Pages | : 690 |
Release | : 2013-04-02 |
Genre | : Performing Arts |
ISBN | : 1136042490 |
Directing: Film Techniques and Aesthetics is a comprehensive manual that teaches the essentials of filmmaking from the perspective of the director. Ideal for film production and directing classes, as well as for aspiring and current directors, Directing covers all phases of preproduction and production, from idea development to final cut. Thoroughly covering the basics, Directing guides the reader to professional standards of expression and control, and goes to the heart of what makes a director. The book outlines a great deal of practical work to meet this goal, with projects, exercises. The third edition emphasizes the connection between knowing and doing, with every principle realizable through projects and exercises. Much has been enhanced and expanded, notably: aspects of dramaturgy; beats and dramatic units; pitching stories and selling one's work; the role of the entrepreneurial producer; and the dangers of embedded moral values. Checklists are loaded with practical recommendations for action, and outcomes assessment tables help the reader honestly gauge his or her progress. Entirely new chapters present: preproduction procedures; production design; script breakdown; procedures and etiquette on the set; shooting location sound; continuity; and working with a composer. The entire book is revised to capitalize on the advantages offered by the revolutionary shift to digital filmmaking.
Author | : Raymond Fielding |
Publisher | : |
Total Pages | : 436 |
Release | : 1972 |
Genre | : Cinematography |
ISBN | : |
Author | : Earle Hagen |
Publisher | : Alfred Music Publishing |
Total Pages | : 186 |
Release | : 1990 |
Genre | : Music |
ISBN | : 9780882844473 |
Accompanying audio CD has music segments from film soundtracks.
Author | : Joshua Yumibe |
Publisher | : Rutgers University Press |
Total Pages | : 215 |
Release | : 2012-07-17 |
Genre | : Performing Arts |
ISBN | : 0813552982 |
Color was used in film well before The Wizard of Oz. Thomas Edison, for example, projected two-colored films at his first public screening in New York City on April 23, 1896. These first colors of early cinema were not photographic; they were applied manually through a variety of laborious processes—most commonly by the hand-coloring and stenciling of prints frame by frame, and the tinting and toning of films in vats of chemical dyes. The results were remarkably beautiful. Moving Color is the first book-length study of the beginnings of color cinema. Looking backward, Joshua Yumibe traces the legacy of color history from the beginning of the nineteenth century to the cinema of the early twentieth century. Looking forward, he explores the implications of this genealogy on experimental and contemporary digital cinemas in which many colors have become, once again, vividly unhinged from photographic reality. Throughout this history, Moving Color revolves around questions pertaining to the sensuousness of color: how color moves us in the cinema—visually, emotionally, and physically.
Author | : James Monaco |
Publisher | : New York : Oxford University Press |
Total Pages | : 568 |
Release | : 1981 |
Genre | : Performing Arts |
ISBN | : |
Now thoroughly revised and updated, the book discusses recent breakthroughs in media technology, including such exciting advances as video discs and cassettes, two-way television, satellites, cable and much more.
Author | : Bruce Mamer |
Publisher | : Wadsworth Publishing Company |
Total Pages | : 480 |
Release | : 2008-02-01 |
Genre | : Performing Arts |
ISBN | : 9780495503040 |
FILM PRODUCTION TECHNIQUE: CREATING THE ACCOMPLISHED IMAGE, 5e, International Edition, combines extensive information on video production with a strong emphasis on how motion picture film can be integrated into a project's workflow. An invaluable resource for those with limited background in the field, it equips you with a solid foundation in the basics of film. Exploring cutting-edge technologies as well as traditional techniques, the text covers lighting, cameras, editing, crew organization, and the production process. It uses clear terminology to explain complex topics and also lays out the basic, conventional approach to scene structure in a straightforward and methodical manner. Extremely practical, the text not only illustrates what you need to know to make a film but also it gives a sense of the magnitude of the process--the trials and tribulations, the mistakes, and the myriad intangibles that can make up a production. Diagrams and screen grabs throughout vividly illustrate the inner workings of equipment and the step-by-step procedures to execute specific tasks.
Author | : Gerald Millerson |
Publisher | : |
Total Pages | : 544 |
Release | : 1991 |
Genre | : Photography |
ISBN | : |
The nature of light - The eye and perception - The principles of lighting - Lighting people - The production process - Lighting on location - Atmospheric lighting - Light sources - Lighting equipment - Color temperature - Picture control - Scenery - Visual effects - Safety!