Filippino Lippi

Filippino Lippi
Author: Paula Nuttall
Publisher: BRILL
Total Pages: 407
Release: 2020-07-20
Genre: Art
ISBN: 9004434615

Filippino Lippi (1457–1504), although one of the most original and gifted artists of the Florentine renaissance, has attracted less scholarly attention than his father Fra Filippo Lippi or his master Botticelli, and very little has been published on him in English. This book, authored by leading Renaissance art historians, covers diverse aspects of Filippino Lippi’s art: his role in Botticelli’s workshop; his Lucchese patrons; his responses to Netherlandish painting; portraits; space and temporality; the restoration of the Strozzi Chapel in Santa Maria Novella; his immediate artistic legacy; and, finally, his nineteenth-century critical reception. The fourteen chapters in this volume were originally presented at the international conference Filippino Lippi: Beauty, Invention and Intelligence, held at the Dutch University Institute (NIKI) in Florence in 2017. See inside the book.

Words to Rhyme with

Words to Rhyme with
Author: Willard R. Espy
Publisher: Checkmark Books
Total Pages: 692
Release: 2001
Genre: English language
ISBN: 9780816043132

An easy-to-use dictionary of over 80,000 rhyming words.

The Development of the Italian Schools of Painting

The Development of the Italian Schools of Painting
Author: Raimond Van Marle
Publisher: Springer Science & Business Media
Total Pages: 640
Release: 2012-12-06
Genre: Education
ISBN: 940152792X

The pictorial production which, in Tuscany, belongs to the cosmopolitan Gothic style, exhibits certain peculiarities which differentiate it from the other local groups. The cause of this phenomenon must be looked for in the artistic movement in th Florence and Siena before the beginning of the I5 century. It is evident that in these two towns artistic currents were established which were so to say autonomous and provided in themselves a strong reaction against any outside influence. Moreover, contrary to the regions of Northern Italy, both the towns of Florence and Siena were too far distant from other countries to feel the effects of the evolution that took place in the field of figurative art. It is true that certain districts to the south of Tuscany were influenced by foreign schools but this can be accounted for by the feebleness of local centres of any importance, if not their entire absence.