Filippino Lippis Stroz
Author | : John Russell Sale |
Publisher | : Garland Publishing |
Total Pages | : 600 |
Release | : 1979 |
Genre | : Architecture |
ISBN | : |
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Author | : John Russell Sale |
Publisher | : Garland Publishing |
Total Pages | : 600 |
Release | : 1979 |
Genre | : Architecture |
ISBN | : |
Author | : Paula Nuttall |
Publisher | : BRILL |
Total Pages | : 407 |
Release | : 2020-07-20 |
Genre | : Art |
ISBN | : 9004434615 |
Filippino Lippi (1457–1504), although one of the most original and gifted artists of the Florentine renaissance, has attracted less scholarly attention than his father Fra Filippo Lippi or his master Botticelli, and very little has been published on him in English. This book, authored by leading Renaissance art historians, covers diverse aspects of Filippino Lippi’s art: his role in Botticelli’s workshop; his Lucchese patrons; his responses to Netherlandish painting; portraits; space and temporality; the restoration of the Strozzi Chapel in Santa Maria Novella; his immediate artistic legacy; and, finally, his nineteenth-century critical reception. The fourteen chapters in this volume were originally presented at the international conference Filippino Lippi: Beauty, Invention and Intelligence, held at the Dutch University Institute (NIKI) in Florence in 2017. See inside the book.
Author | : Bernard Berenson |
Publisher | : |
Total Pages | : 246 |
Release | : 1909 |
Genre | : Art, Renaissance |
ISBN | : |
Author | : Willard R. Espy |
Publisher | : Checkmark Books |
Total Pages | : 692 |
Release | : 2001 |
Genre | : English language |
ISBN | : 9780816043132 |
An easy-to-use dictionary of over 80,000 rhyming words.
Author | : Robert Maillard |
Publisher | : |
Total Pages | : 394 |
Release | : 1961 |
Genre | : Painting |
ISBN | : |
From prehistoric cave painting to abstract art.
Author | : Raimond Van Marle |
Publisher | : Springer Science & Business Media |
Total Pages | : 640 |
Release | : 2012-12-06 |
Genre | : Education |
ISBN | : 940152792X |
The pictorial production which, in Tuscany, belongs to the cosmopolitan Gothic style, exhibits certain peculiarities which differentiate it from the other local groups. The cause of this phenomenon must be looked for in the artistic movement in th Florence and Siena before the beginning of the I5 century. It is evident that in these two towns artistic currents were established which were so to say autonomous and provided in themselves a strong reaction against any outside influence. Moreover, contrary to the regions of Northern Italy, both the towns of Florence and Siena were too far distant from other countries to feel the effects of the evolution that took place in the field of figurative art. It is true that certain districts to the south of Tuscany were influenced by foreign schools but this can be accounted for by the feebleness of local centres of any importance, if not their entire absence.