Figure On The Carpet: Detective Fiction And Literature
| Author | : Martin Priestman |
| Publisher | : Springer |
| Total Pages | : 229 |
| Release | : 1990-09-20 |
| Genre | : Fiction |
| ISBN | : 1349209872 |
Figure On The Carpet Detective Fiction And Literature
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Crime Fiction
| Author | : Martin Priestman |
| Publisher | : Writers and Their Work |
| Total Pages | : 105 |
| Release | : 2013 |
| Genre | : Literary Criticism |
| ISBN | : 0746312172 |
This brief study surveys British and American crime fiction from the first detective stories of Edgar Allan Poe to the present day, exploring the ways in which Poe's basic form has intertwined with more suspense-driven elements to produce fiction featuring spies, private-eyes and serial killers, as well as the classic whodunnit.
Narrative Ironies
| Author | : Gerald Gillespie |
| Publisher | : BRILL |
| Total Pages | : 326 |
| Release | : 2023-04-12 |
| Genre | : History |
| ISBN | : 9004657037 |
This volume focuses on the flourishing of irony as a primary characteristic of the great era of European narrative sophistication from the Goethezeit to Modernism. Its eighteenth essays explore varieties of ironic consciousness associated with texts especially of northern Europe, and the ways they established a dialogue with and on literature and culture at large. As the volume shows, this interrogation of Europe's self-awareness of cultural identity bound up in reading and writing habits gained a new post-Cervantine complexity in Romanticism and has been of lasting significance for literary theory down to postmodernism. By its comparativistic framing of the issues raised by ironic consciousness, Narrative Ironies duly serves as a Festschrift honoring Lilian R. Furst. Among major writers treated are Sterne, Goethe, Godwin, Schlegel, Hoffmann, Poe, Stendhal, Kierkegaard, Disraeli, Keller, Maupassant, Zola, Huysmans, Wilde, Tolstoi, Hofmannsthal, Strindberg, Proust, Mann, Musil, Kafka, Joyce, Faulkner, and Szczypiorski.
American Mystery and Detective Novels
| Author | : Larry Landrum |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 297 |
| Release | : 1999-05-30 |
| Genre | : Literary Criticism |
| ISBN | : 0313003270 |
Mystery and detective novels are popular fictional genres within Western literature. As such, they provide a wealth of information about popular art and culture. When the genre develops within various cultures, it adopts, and proceeds to dominate, native expressions and imagery. American mystery and detective novels appeared in the late nineteenth century. This reference provides a selective guide to the important criticism of American mystery and detective novels and presents general features of the genre and its historical development over the past two centuries. Critical approaches covered in the volume include story as game, images, myth criticism, formalism and structuralism, psychonalysis, Marxism and more. Comparisons with related genres, such as gothic, suspense, gangster, and postmodern novels, illustrate similarities and differences important to the understanding of the unique components of mystery and detective fiction. The guide is divided into five major sections: a brief history, related genres, criticism, authors, and reference. This organization accounts for the literary history and types of novels stemming from the mystery and detective genre. A chronology provides a helpful overview of the development and transformation of the genre.
The Cambridge Companion to Crime Fiction
| Author | : Martin Priestman |
| Publisher | : Cambridge University Press |
| Total Pages | : 291 |
| Release | : 2003-11-06 |
| Genre | : Literary Criticism |
| ISBN | : 1107494508 |
The Cambridge Companion to Crime Fiction covers British and American crime fiction from the eighteenth century to the end of the twentieth. As well as discussing the detective fiction of writers like Arthur Conan Doyle, Agatha Christie and Raymond Chandler, it considers other kinds of fiction where crime plays a substantial part, such as the thriller and spy fiction. It also includes chapters on the treatment of crime in eighteenth-century literature, French and Victorian fiction, women and black detectives, crime on film and TV, police fiction and postmodernist uses of the detective form. The collection, by an international team of established specialists, offers students invaluable reference material including a chronology and guides to further reading. The volume aims to ensure that its readers will be grounded in the history of crime fiction and its critical reception.
A Counter-History of Crime Fiction
| Author | : Maurizio Ascari |
| Publisher | : Springer |
| Total Pages | : 236 |
| Release | : 2007-09-05 |
| Genre | : Fiction |
| ISBN | : 0230234534 |
This book takes a look at the evolution of crime fiction. Considering 'criminography' as a system of inter-related sub-genres, it explores the connections between modes of literature such as revenge tragedies, the gothic and anarchist fiction, while taking into account the influence of pseudo-sciences such as mesmerism and criminal anthropology.
The Art of Detective Fiction
| Author | : NA NA |
| Publisher | : Springer |
| Total Pages | : 256 |
| Release | : 2016-04-30 |
| Genre | : Science |
| ISBN | : 1349627682 |
In the hands of many of the great writers, the unravelling of mystery is only one strand within a complex project. Other things get unravelled, too - the belief in a rationally explicable world, in the beneficent, ordering force of culture and civilization. Constantly the detective story delights in muddying the waters, in acknowledging the omnipresent possibilities of anarchy and carnage. As a genre, it is supremely able to combine popular appeal with the ability to disturb, provoke and challenge the reader. The essays in this volume all pay tribute to, and seek to account for, the astonishing durability of the detective story as a narrative genre. They range generously, taking a variety of theoretical approaches and including detective fiction in languages other than English, but particular attention is paid to the 'Golden Age' of English detective story-writing and to the 'hard-boiled' American version of the genre. This is a collection that will appeal to the scholar and to the devotee alike; to all those, in fact, who cannot resist the lure of finding out whodunit.
A Companion to Crime Fiction
| Author | : Charles J. Rzepka |
| Publisher | : John Wiley & Sons |
| Total Pages | : 648 |
| Release | : 2020-07-13 |
| Genre | : Literary Criticism |
| ISBN | : 1119675774 |
A Companion to Crime Fiction presents the definitive guide to this popular genre from its origins in the eighteenth century to the present day A collection of forty-seven newly commissioned essays from a team of leading scholars across the globe make this Companion the definitive guide to crime fiction Follows the development of the genre from its origins in the eighteenth century through to its phenomenal present day popularity Features full-length critical essays on the most significant authors and film-makers, from Arthur Conan Doyle and Dashiell Hammett to Alfred Hitchcock and Martin Scorsese exploring the ways in which they have shaped and influenced the field Includes extensive references to the most up-to-date scholarship, and a comprehensive bibliography
Class and Culture in Crime Fiction
| Author | : Julie H. Kim |
| Publisher | : McFarland |
| Total Pages | : 239 |
| Release | : 2014-04-17 |
| Genre | : Literary Criticism |
| ISBN | : 0786473231 |
The crime fiction world of the late 1970s, with its increasingly diverse landscape, is a natural beginning for this collection of critical studies focusing on the intersections of class, culture and crime--each nuanced with shades of gender, ethnicity, race and politics. The ten new essays herein raise broad and complicated questions about the role of class and culture in transatlantic crime fiction beyond the Golden Age: How is "class" understood in detective fiction, other than as a socioeconomic marker? Can we distinguish between major British and American class concerns as they relate to crime? How politically informed is popular detective fiction in responding to economic crises in Scotland, Ireland, England and the United States? When issues of race and gender intersect with concerns of class and culture, does the crime writer privilege one or another factor? Do values and preoccupations of a primarily middle-class readership get reflected in popular detective fiction?
Women Writing Crime Fiction, 1860-1880
| Author | : Kate Watson |
| Publisher | : McFarland |
| Total Pages | : 261 |
| Release | : 2014-01-10 |
| Genre | : Social Science |
| ISBN | : 0786491175 |
Arthur Conan Doyle has long been considered the greatest writer of crime fiction, and the gender bias of the genre has foregrounded William Godwin, Edgar Allan Poe, Wilkie Collins, Emile Gaboriau and Fergus Hume. But earlier and significant contributions were being made by women in Britain, the United States and Australia between 1860 and 1880, a period that was central to the development of the genre. This work focuses on women writers of this genre and these years, including Catherine Crowe, Caroline Clive, Elizabeth Cleghorn Gaskell, Mary Elizabeth Braddon, Mrs. Henry (Ellen) Wood, Harriet Prescott Spofford, Louisa May Alcott, Metta Victoria Fuller Victor, Anna Katharine Green, Celeste de Chabrillan, "Oline Keese" (Caroline Woolmer Leakey), Eliza Winstanley, Ellen Davitt, and Mary Helena Fortune--innovators who set a high standard for women writers to follow.
