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| Author | : J. Allen Suddeth |
| Publisher | : Heinemann Drama |
| Total Pages | : 376 |
| Release | : 1996 |
| Genre | : Education |
| ISBN | : |
Authored by professional fight director J. Allen Suddeth, all the aspects of brawn, brawl, and broadswords are covered.
| Author | : Philip d'Orleans |
| Publisher | : The Crowood Press |
| Total Pages | : 552 |
| Release | : 2021-02-25 |
| Genre | : Performing Arts |
| ISBN | : 1785007866 |
Stage combat is a constantly evolving craft, responsive to the growing demands of an ever changing industry and an ever more perceptive audience. Experienced fight director, teacher and examiner Philip d'Orleans shows how to respond to this challenge through innovative techniques and original choreography. Unarmed Stage Combat explores the fundamental performance principles of violence on stage, before a dedicated series of chapters focus on over forty specific unarmed combat techniques, including non-contact slaps, punches, kicks and chokes as well as controlled contact and the illusion of falling. Each technique is beautifully illustrated with step-by-step photos and detailed practical guidance through the preparation, action and reaction to the movement, as well as the key safety principles, common pitfalls and staging variables. Supported by stunning fight photos from professional productions, this indispensable handbook is equally as valuable for beginners at the start of their career or preparing for their fight performance exam as it will be for seasoned professionals seeking to refresh their knowledge.
| Author | : Christopher DuVal |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 305 |
| Release | : 2016-01-28 |
| Genre | : Performing Arts |
| ISBN | : 1472522168 |
The art of armed and unarmed stage combat thrills actors and audiences alike the world over. This book details many of the foundational techniques used by actors studying stage combat and actor-movement disciplines. A variety of specific training exercises are described that connect the actor's imagination to a cohesive and meaningful actor-training curriculum – integrating stage combat with the actor's process of developing a fully embodied awareness of the physical life of the character. Developing physical awareness and dexterity is an essential component of an actor's training and rehearsal processes. Engagement, connection, the ability to listen and respond with authenticity, clarity, flexibility, intentionality, tactical response, variety are all helpful aspects for the actor studying combat movement. With practical exercises and expert advice, Stage Combat Arts allows the actor to further hone their emotional connection and extension, breath and voice, intention and focus, movement and freedom, and their ability to connect physically to imagery and text – disciplines that are at the foundation of actor-training – all through the art of combat movement.
| Author | : Joe Deer |
| Publisher | : Routledge |
| Total Pages | : 217 |
| Release | : 2014-01-10 |
| Genre | : Performing Arts |
| ISBN | : 1136246703 |
This comprehensive guide, from the author of Acting in Musical Theatre, will equip aspiring directors with all of the skills that they will need in order to guide a production from beginning to end. From the very first conception and collaborations with crew and cast, through rehearsals and technical production all the way to the final performance, Joe Deer covers the full range. Deer’s accessible and compellingly practical approach uses proven, repeatable methods for addressing all aspects of a production. The focus at every stage is on working with others, using insights from experienced, successful directors to tackle common problems and devise solutions. Each section uses the same structure, to stimulate creative thinking: Timetables: detailed instructions on what to do and when, to provide a flexible organization template Prompts and Investigations: addressing conceptual questions about style, characterization and design Skills Workshops: Exercises and ‘how-to’ guides to essential skills Essential Forms and Formats: Including staging notation, script annotation and rehearsal checklists Case Studies: Well-known productions show how to apply each chapter’s ideas Directing in Musical Theatre not only provides all of the essential skills, but explains when and how to put them to use; how to think like a director.
| Author | : Rob Swain |
| Publisher | : A&C Black |
| Total Pages | : 337 |
| Release | : 2011-09-29 |
| Genre | : Performing Arts |
| ISBN | : 1408156628 |
The theatre director is one of the most critical roles in a successful drama company, yet there are no formal qualifications required for entry into this profession. This practical guide for emerging theatre directors answers all the key questions from the very beginning of your career to key stages as you establish your credentials and get professionally recognized. It analyzes the director's role through relationships with the actors, author, designer, production manager and creative teams and provides vital advice for "on-the-job" situations where professional experience is invaluable. The book also provides an overview of the many approaches to acting methodology without focusing on any in particular to allow the director to develop their own unique methods of working with any actor's style. Each chapter includes these key features: * Introduces important theories, identifies practitioners and provides key reading to provide an overview of historic and current practice. * Interviews with leading practitioners and emerging directors. * Suggested exercises to develop the director's own approach and practical skills.
| Author | : J. Robert Wills |
| Publisher | : Scarecrow Press |
| Total Pages | : 228 |
| Release | : 1994 |
| Genre | : Performing Arts |
| ISBN | : 9780810827356 |
The revised edition offers an expanded array of materials, organized into cases and shorter 'briefs, ' for use in the study of directing. There are new cases covering issues of censorship, non-traditional casting, theater safety, and ethics among others. The corresponding Instructor's Manual is available free upon request
| Author | : Christopher Innes |
| Publisher | : Cambridge University Press |
| Total Pages | : 299 |
| Release | : 2013-05-02 |
| Genre | : Drama |
| ISBN | : 0521844495 |
The director was fundamental to the development of modern theatre. This Introduction explores the emergence of the director's artistic force.
| Author | : William Hobbs |
| Publisher | : |
| Total Pages | : 143 |
| Release | : 1995 |
| Genre | : Performing Arts |
| ISBN | : 9780713640229 |
William Hobbs has written his book as a guide to the inexperienced, so they are able to put their ideas into action more smoothly. The author's aim is to promote a more professional attitude and way of thinking about the task of performing and arranging fights that will demonstrate the range of exciting challenges which are open to directors, actors and fight arrangers alike. Both amateurs and professionals will find the problems and dangers of stage combat dealt with by the author. There is a fully illustrated glossary of strokes, a chapter on battle scenes and mass fighting, and an account of how to arrange comic and symbolic fights and how to stage unarmed fights. The author explains his system of notation for recording the moves of a fight, and includes a 6short chapter on weapons. The final chapter covers slapstick - a deceptively simple art. Forewords by Laurence Olivier and Roman Polanski. The author's first fight direction was for Franco Zefferelli's Romeo and Juliet at the Old Vic and he was Fight Director to Olivier's National Theatre Company for 9 years. He has worked at the National Theatre with Peter Hall, the RSC, the Royal Opera House and the ENO and on many productions in Europe. His many TV productions include Olivier's King Lear and the recent BBC series, Clarissa. Fight direction on feature films includes Cyrano de Bergerac, Dangerous Liaisons, Hamlet, The Duellists, Excalibur and many others. He has just finished shooting the film Rob Roy."
| Author | : Terry McCabe |
| Publisher | : Ivan R. Dee |
| Total Pages | : 134 |
| Release | : 2008-12-16 |
| Genre | : Performing Arts |
| ISBN | : 146169941X |
Terry McCabe, himself an accomplished stage director and teacher of theatre arts, here attacks what he calls the growing decadence that plagues contemporary stage directing. He argues for a radical reorganization of the director’s view of his role. It has become an article of faith in the theatre, Mr. McCabe observes, that a play is about what the director chooses to have it be about. But what right does a director have to treat a play as a found object, to be reshaped to express the director’s concerns? None whatsoever, Mr. McCabe replies. He examines anecdotally a range of work by different directors by way of offering a substantial critique of today’s leading theory of stage directing, and he offers an alternate approach. He challenges the notion that a play is the director’s vehicle for self-expression, arguing that the idea of the director as centerpiece of the theatre tends to distort plays and oppress actors. He explores what it means to direct a play when directing is properly understood as a process of self-effacement. Mis-directing the Play examines the role of the director as collaborator with actors, designers, dramaturges, and playwrights. Throughout, the book’s focus is on shedding the counterproductive myth of the director as creative auteur and urging in its place a return to first principles: the idea of the director as the interpretive artist in charge of putting the playwright’s play onstage.
| Author | : Robert M. Boland |
| Publisher | : Scarecrow Press |
| Total Pages | : 230 |
| Release | : 1997-09-04 |
| Genre | : Performing Arts |
| ISBN | : 1461669979 |
Musicals! is an illustrated sourcebook for total theatre training, emphasizing the director's role in the three main building blocks for mounting a performance: preparation, production, and performance. Boland and Argentini provide a comprehensive step-by-step theatre primer which will prove invaluable to musical directors, teachers, administrators, students, and actors. After the initial decisions are made, specific guidelines in preparing the stage picture, holding auditions and casting, and running the gamut of rehearsals are provided. Lighting, costumes, creating sets and scenery, and safety precautions are also discussed. The musical number and choreography are analyzed and defined, and advice on how to use color and solve multiple scene problems is given. With opening night approaching, a checklist of what must be done is enumerated and explained. The authors provide tips on publicity, running the box office, as well as the do's and don'ts of mounting the show and its final strike. Includes a glossary of theatrical terms, a selected bibliography, and recommended sources for scenic drops, costumes, and lighting equipment.
