The Works of Francis Beaumont and John Fletcher

The Works of Francis Beaumont and John Fletcher
Author: Francis Fletcher, John Beaumont
Publisher: BoD – Books on Demand
Total Pages: 66
Release: 2019-09-25
Genre: Fiction
ISBN: 3734092426

Reproduction of the original: The Works of Francis Beaumont and John Fletcher by Francis Beaumont, John Fletcher

The Plays of Beaumont and Fletcher

The Plays of Beaumont and Fletcher
Author: Sandra Clark
Publisher: Routledge
Total Pages: 209
Release: 2014-07-15
Genre: Literary Criticism
ISBN: 131786669X

This is an analysis of sexual themes in the plays of Beaumont and Fletcher, both in the context of the Jacobean theatre and in the light of modern readings of sexuality and gender during the English Renaissance. Sandra Clark challenges commonly-held perceptions of Beaumont and Fletcher's work. The book is intended for undergraduate and graduate courses on Renaissance literature, Elizabethan and Jacobean drama, tragicomedy, gender and genre in the Renaissance.

Delphi Complete Works of Beaumont and Fletcher (Illustrated)

Delphi Complete Works of Beaumont and Fletcher (Illustrated)
Author: Francis Beaumont
Publisher: Delphi Classics
Total Pages: 6652
Release: 2015-05-14
Genre: Drama
ISBN: 1910630934

Regarded by some as second only to Shakespeare, the Jacobean dramatists Francis Beaumont and John Fletcher collaborated to produce some of the finest plays of the seventeenth century. For the first time in publishing history, this comprehensive eBook presents Beaumont and Fletcher’s complete works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 2) * Beautifully illustrated with images relating to Beaumont and Fletcher’s lives and works * Concise introductions to the plays * ALL 58 plays, with individual contents tables * Features all the plays written with other collaborators, many appearing for the first time digital publishing * Images of how the plays were first published, giving your eReader a taste of the Jacobean texts * Excellent formatting of the plays * Also includes the poetry of Beaumont and Fletcher * Easily locate the poems or scenes you want to read * Includes rare and disputed plays * Special criticism section, with essays evaluating Beaumont and Fletcher’s contribution to literature * Features two biographies – explore Beaumont and Fletcher’s Jacobean world * Scholarly ordering of texts into chronological order and literary genres * UPDATED with improved texts CONTENTS: Beaumont’s Solo Plays The Knight of the Burning Pestle The Masque of the Inner Temple and Gray’s Inn Fletcher’s Solo Plays The Faithful Shepherdess Valentinian Monsieur Thomas The Woman’s Prize; or the Tamer Tamed Bonduca The Chances Wit Without Money The Mad Lover The Loyal Subject The Humorous Lieutenant Women Pleased The Island Princess, The Wild Goose Chase The Pilgrim A Wife for a Month Rule a Wife and Have a Wife Beaumont and Fletcher’s Plays The Woman Hater Cupid’s Revenge Philaster; or Love Lies A-Bleeding The Maid’s Tragedy A King and No King The Captain The Scornful Lady Love’s Pilgrimage The Noble Gentleman Beaumont and Fletcher’s Plays Revised by Massinger Thierry and Theodoret The Coxcomb Beggars’ Bush Love’s Cure Fletcher and Massinger’s Plays Sir John Van Olden Barnavelt The Little French Lawyer A Very Woman; Or, the Prince of Tarent The Custom of the Country The Double Marriage The False One The Prophetess The Sea Voyage The Spanish Curate The Lovers’ Progress or the Wandering Lovers The Elder Brother Fletcher, Massinger and Field’s Plays The Honest Man’s Fortune The Queen of Corinth The Knight of Malta Fletcher and Shakespeare’s Plays Henry VIII The Two Noble Kinsmen Cardenio (Lost) Fletcher, Middleton and Rowley’s Collaboration Wit at Several Weapons Fletcher and Rowley’s Play The Maid in the Mill Fletcher and Field’s Play Four Plays; or Moral Representations, in One, Morality Fletcher, Massinger, Jonson and Chapman’s Play Rollo Duke of Normandy; or the Bloody Brother Fletcher and Shirley’s Play The Night Walker; or the Little Thief Contested Fletcher Plays The Nice Valour; or the Passionate Madman The Laws of Candy The Fair Maid of the Inn The Faithful Friends The Coronation The Poetry Beaumont’s Poetry Fletcher’s Poetry First Folio Commendatory Verses List of Poems in Alphabetical Order The Criticism Notes on Beaumont and Fletcher by Samuel Taylor Coleridge The Three Masterpieces by Walter W. Greg The Later Elizabethans by Ashley H. Thorndike The Biographies Francis Beaumont: Dramatist by Charles Mills Gayley Beaumont and Fletcher by Algernon Charles Swinburne and Margaret Bryant

Catalogue

Catalogue
Author: Bernard Quaritch (Firm)
Publisher:
Total Pages: 344
Release: 1916
Genre: Antiquarian booksellers
ISBN:

Music and Gender in English Renaissance Drama

Music and Gender in English Renaissance Drama
Author: Katrine K. Wong
Publisher: Routledge
Total Pages: 234
Release: 2013-05-02
Genre: Literary Criticism
ISBN: 1136169695

This book offers a survey of how female and male characters in English Renaissance theatre participated and interacted in musical activities, both inside and outside the contemporary societal decorum. Wong’s analysis broadens our understanding of the general theatrical representation of music, or musical dramaturgy, and complicates the current discussion of musical portrayal and construction of gender during this period. Wong discusses dramaturgical meanings of music and its association with gender, love, and erotomania in Renaissance plays. The negotiation between the dichotomous qualities of the heavenly and the demonic finds extensive application in recent studies of music in early modern English plays. However, while ideological dualities identified in music in traditional Renaissance thinking may seem unequivocal, various musical representations of characters and situations in early modern drama would prove otherwise. Wong, building upon the conventional model of binarism, explores how playwrights created their musical characters and scenarios according to the received cultural use and perception of music, and, at the same time, experimented with the multivalent meanings and significance embodied in theatrical music.