Fiddlehead Gold
Author | : Sabine Campbell |
Publisher | : Fredericton, N.B. : Goose Lane Editions |
Total Pages | : 260 |
Release | : 1995 |
Genre | : Fiction |
ISBN | : |
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Author | : Sabine Campbell |
Publisher | : Fredericton, N.B. : Goose Lane Editions |
Total Pages | : 260 |
Release | : 1995 |
Genre | : Fiction |
ISBN | : |
Author | : Tony Tremblay |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 324 |
Release | : 2019-12-05 |
Genre | : Literary Criticism |
ISBN | : 0228000548 |
For many Canadians, the small province of New Brunswick on Canada's scenic east coast is "a nice place to visit but no place to live," plagued for generations by outmigration and economic stagnation. In The Fiddlehead Moment Tony Tremblay challenges this potent stereotype by showcasing the work of a group of literary modernists who set out to change the meaning of New Brunswick in the national lexicon. Alfred Bailey, Desmond Pacey, Fred Cogswell, and a formidable group of local poets and cultural workers – collectively, New Brunswick's Fiddlehead School – sought to restore New Brunswick's literary reputation by adapting avant-garde modernist practices to the contours of the province, opening it to the contemporary world while also encouraging writers to make it their subject. The result was a non-urban form of modernism that was as responsive to technical innovation as to the human geographies of New Brunswick. By placing New Brunswick writers and critics at the forefront of Canadian literature in the midcentury modernist project, Tremblay adds an important new chapter to our understanding of Canadian modernism. The Fiddlehead Moment is the first critical examination of this group's considerable influence. Whether through Bailey's ethnomethodology, Pacey's critical ordering, or Cogswell's editorial eclecticism in the Fiddlehead magazine and Fiddlehead Poetry Books, authors in New Brunswick, Tremblay argues, had a profound impact on writing in Canada.
Author | : Eric Linn Ormsby |
Publisher | : Grove Press |
Total Pages | : 164 |
Release | : 1997 |
Genre | : Literary Criticism |
ISBN | : 9780802116079 |
Ormsby's new work is here presented together with a generous selection from two previous volumes published in Canada, Bavarian Shrine and Other Poems and Coastlines. In this earlier material, the poet delights in celebrating the hidden life in everyday objects: a twisted nail, a seashell, a roadside weed, the human body itself. Revealing the mystery and amazement contained in the quotidian, Ormsby's poetry has always been able to transmute the humblest object by virtue of his stunning gift for metaphor and his opulent exuberance of language. This is a poet whose verse rewards both the head and the heart, who can discover entire galaxies in a scrap of lichen, who can locate an entire lifetime of submerged emotion in the touch of an old woman's hand.
Author | : Michelle Berry |
Publisher | : Anchor Canada |
Total Pages | : 563 |
Release | : 2010-08-13 |
Genre | : Literary Collections |
ISBN | : 0385672314 |
In the tradition of the Paris Review, The Notebooks is an exciting collection of original short fiction and in-depth interviews from Canada’s most celebrated and innovative young writers. A provocative examination of the writer’s life in the twenty-first century, The Notebooks charts a new direction in Canadian literature. It brings together a unique collection of accomplished fiction, ranging from the classic storytelling of Michael Redhill to the more experimental style of Lynn Crosbie. In his keenly observed story “Seratonin,” Russell Smith captures the sensuous pleasures and dizzying energy of the rave scene. “Big Trash Day,” a hybrid of fiction and poetry by Esta Spalding, is a devastating commentary on poverty and a striking portrait of the shorthand that develops within intimate relationships. In a sample from a novel-in-progress, Yann Martel shares the process through which rough sketches become realized characters, and disparate moments become fleshed-out scenes. The interviews, remarkable for their honesty and insight, bring us into the writer’s world, revealing the passion and inspiration that motivates these young writers, as well as the hardships they endure in pursuit of their art. By asking thoughtful and probing questions, Michelle Berry and Natalee Caple elicit frank and intriguing details of how writers work, structure their days, and order their physical space to facilitate the act of writing. Many of the authors here explore the impact of technological innovation and mass culture on contemporary fiction, as well as the influence of various art forms on the way they imagine stories. The writers in The Notebooks speak candidly about their political engagement, their passion for writing, and their desire to produce art that will last. Contributors: Catherine Bush, Eliza Clark, Lynn Coady, Lynn Crosbie, Steven Heighton, Yann Martel, Derek McCormack, Hal Niedzviecki, Andrew Pyper, Michael Redhill, Eden Robinson, Russell Smith, Esta Spalding, Michael Turner, R.M. Vaughan, Michael Winter, Marnie Woodrow "These seventeen writers come from different backgrounds, different parts of the country, have different lifestyles, and write very different kinds of fiction, yet the connections between them are still plentiful. As a group they are highly engaged with the world around them, politically sophisticated, intelligent, modest about their potential success, and passionate about the act of writing. We hope that The Notebooks inspires an ongoing discussion with young writers at work and answers some of the silent questions that readers have longed to ask." -- From the Introduction
Author | : Beaton Institute of Cape Breton Studies |
Publisher | : University of Toronto Press |
Total Pages | : 814 |
Release | : 2005-01-01 |
Genre | : Reference |
ISBN | : 9780802087126 |
Nova Scotia's Cape Breton Island is a beautiful region with a unique community whose history and ethnic composition have resulted in the evolution of a powerful sense of identity and place. While outsiders may think only of the island's perennial economic woes and long economic dependence on coal mining and steel production, it is also the home of a rich, vibrant, and distinct culture. Brian Douglas Tennyson's Cape Bretoniana is the first bibliography to gather together all known publications relating to the history, culture, economy, and politics of Cape Breton Island. With more than 6000 entries, it not only provides a comprehensive listing of publications and post-graduate theses, but also detailed annotations on the listings. Each entry lists the author, title, place of publication, publisher, date of publication, volume and issue number in the case of periodicals, and page references, followed by a brief description of the item. Cape Breton has never been so thoroughly documented. This bibliography will help to ensure that ? even in a world becoming increasingly homogenized by the forces of globalization ? unique cultural identities like Cape Breton's can be preserved and nurtured.
Author | : T. Anne Archer |
Publisher | : Dundurn |
Total Pages | : 212 |
Release | : 1999-04-16 |
Genre | : Fiction |
ISBN | : 9780888783929 |
A wonderful weave of poetry and prose, this anthology reflects on moments that have formed the crucible for life in the twenty-first century.
Author | : Travis V. Mason |
Publisher | : Wilfrid Laurier Univ. Press |
Total Pages | : 306 |
Release | : 2013-09-03 |
Genre | : Literary Criticism |
ISBN | : 155458647X |
Ornithologies of Desire develops ecocritical reading strategies that engage scientific texts, field guides, and observation. Focusing on poetry about birds and birdwatching, this book argues that attending to specific details about the physical world when reading environmentally conscious poetry invites a critical humility in the face of environmental crises and evolutionary history. The poetry and poetics of Don McKay provide Ornithologies of Desire with its primary subject matter, which is predicated on attention to ornithological knowledge and avian metaphors. This focus on birds enables a consideration of more broadly ecological relations and concerns, since an awareness of birds in their habitats insists on awareness of plants, insects, mammals, rocks, and all else that constitutes place. The book’s chapters are organized according to: apparatus (that is, science as ecocritical tool), flight, and song. Reading McKay’s work alongside ecology and ornithology, through flight and birdsong, both challenges assumptions regarding humans’ place in the earth system and celebrates the sheer virtuosity of lyric poetry rich with associative as well as scientific details. The resulting chapters, interchapter, and concordance of birds that appear in McKay’s poetry encourage amateurs and specialists, birdwatchers and poetry readers, to reconsider birds in English literature on the page and in the field.
Author | : Eric Ormsby |
Publisher | : Biblioasis |
Total Pages | : 290 |
Release | : 2007-04-30 |
Genre | : Poetry |
ISBN | : 1926845730 |
Bringing together Eric Ormsby's entire poetic oeuvre thus far, including a healthy selection of previously unpublished poems, Time's Covenant is timeless, by one of America's best poets. Essential reading.
Author | : Bruce Bond |
Publisher | : SIU Press |
Total Pages | : 97 |
Release | : 2016-08-15 |
Genre | : Poetry |
ISBN | : 0809335336 |
In his collection Gold Bee, Bruce Bond takes his cue from Wallace Stevens’s Harmonium, bringing a finely honed talent to classic poetic questions concerning music, the march of progress, and the relationship between reality and the imagination. Blending humor and pathos, Bond examines the absurdities of contemporary life: “The modern air so full of phantom wires, / hard to tell the connected from the confused / who yak out loud to their beleaguered angels.” At other times, his intricately crafted lyrics weave together myth and history to explore the various roles music and art play in the human experience, as when Bond’s poems meditate on Orphean themes, descending to the underworld of loneliness, commercialism, or death and emerging with hard (and hard-won) truths. Addressing broadly ranging topics—from a retelling of the story of Artephius, the fabled father of alchemy, to a meditation on a fashion ad’s wind machine—Bond’s voice is always penetrating in its examination, yet wondering in the face of beauty, conjuring for the reader a world where music has “the power / to move stones, not far, but far enough.”