Fiat Ordo
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Author | : Harvard |
Publisher | : Harvard University Press |
Total Pages | : 438 |
Release | : 1992 |
Genre | : |
ISBN | : 9780674379428 |
This volume of twenty-two articles offers: Jared S. Klein, "Some Indo-European Systems of Conjunction: Rigveda, Old Persian, Homer"; Ramond Westbrook, "The Trial Scene in the Iliad"; Thomas K. Hubbard, "Remaking Myth and Rewriting History: Cult Tradition in Pindar's Ninth Nemean"; William F. Wyatt, Jr., "The Root of Parmenides"; Joe Park Poe, "Entrance-Announcements and Entrance-Speeches in Greek Tragedy"; Edward M. Harris, "Pericles' Praise of Athenian Democracy: Thucydides 2.37.1"; Simon Hornblower, "The Religious Dimension to the Peloponnesian War, or, What Thucydides Does Not Tell Us"; Michael Haslam, "Hidden Signs: Aratus Diosemeiai 46ff., Vergil Georgics 1.424ff."; Ralph M. Rosen, "Mixing of Genres and Literary Program in Herodas 8"; Lowell Edmunds, "Lucilius 730M: A Scale of Power"; Cynthia Damon, "Sex, Cloelius, Scriba"; Brent Vine, "On the "Missing" Fourth Stanza of Catullus 51"; Henri J. W. Wijsman, "Female Power in Georgics 3. 269/270"; Garth Tissol, "An Allusion to Callimachus' Aetia 3 in Vergil's Aeneid 11"; A. S. Hollis, "Hellenistic Colouring in Virgil's Aeneid"; G. P. Goold, "Paralipomena Propertiana"; Christina S. Kraus, "How (Not?) to End a Sentence: The Problem of -que"; R. J. Tarrant, "Nights at the Copa: Observations on Language and Date"; J. Linderski, "Aes Olet: Petronius 50.7 and Martial 9.59.11"; Ian Rutherford, "Inverting the Canon: Hermogenes on Literature"; Dana R. Miller, "Found: A Folio of the Lost Full Commentary of John Chrysostom on Jeremiah"; and Otto Skutsch, "Recollection of Scholars I Have Known."
Author | : Arthur Westwell |
Publisher | : Cambridge University Press |
Total Pages | : 301 |
Release | : 2023-12-31 |
Genre | : Language Arts & Disciplines |
ISBN | : 1009360469 |
This incisive, in-depth study unearths the significance of a neglected group of early medieval manuscripts, those which transmit the Ordines Romani. These texts present detailed scripts for Christian ceremonies that narrate the gestures, motions, actions and settings of ritual performance, with particular orientation to the Roman church. While they are usually understood as liturgical, and thus lacking any particular creative flair, Arthur Westwell here foregrounds their manuscript permutations in order to reveal their extraordinary dynamism. He reflects on how the Carolingian Church undertook to improve liturgical practice and understanding, questioning the accepted idea of a “reform” aimed at uniformity led by the monarch. Through these manuscripts, Westwell reveals a diversity of motivations in the recording of Roman liturgy and demonstrates the remarkable sophistication of Carolingian manuscript compilers.
Author | : Elena Lombardi |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 375 |
Release | : 2012 |
Genre | : History |
ISBN | : 0773539719 |
The tragic love of Francesca da Rimini and Paolo Malatesta - a classic story of passion and death - revisited through the lenses of literature, philosophy, and theology.
Author | : Catholic Church |
Publisher | : |
Total Pages | : 320 |
Release | : 1894 |
Genre | : Architecture |
ISBN | : |
This volume presents a kind of anticipated companion volume to the HBS edition of the Directorium Sacerdotum, a variety of ordinal or directory, which was privately compiled by Clement Maydeston, who though a priest held formally the post of "deacon" at the Brigittine Abbey of Syon, Middlesex (c. 1390-1456). Despite these origins, the compilation acquired a de facto official status. The Directorium Sacerdotum itself was published as volumes 20 and 22. The Directorium aimed in part at providing calendrical and rubrical solutions for those observing the Sarum Use. It did this by making a distinction between the practice of the Salisbury cathedral chapter and the practice that could reasonably be required from the many others in England who followed in general the Sarum Use. Maydeston's position was that outside the Salisbury chapter it was reasonable to make modifications to meet local conditions and calendars. This was deemed unacceptable by some, who maintained that the practice observed at Salisbury itself should be followed everywhere. This line of argument ignored the fact that in any case there were contradictions between the existing manuscript drafts of the Sarum ordinal and the rubrics of the liturgical books. The edition focuses in particular on two printed texts which offer Maydeston's defence. The first is the Defensorium Directorii Sacerdotum printed in successive editions of the Directorium Sacerdotum by Wynkyn de Worde in 1495 . The second is the text Crede Michi, a longer and more considered rubrical tract compiled by Maydeston but incorporating rubrical adjudications made by the Salisbury canons c. 1440-1450, and partly based on an earlier work by one John Raynton. The text given is that printed by Wynkyn de Worde in the quarto of 1495.
Author | : John Morris (author of The new nation.) |
Publisher | : |
Total Pages | : 620 |
Release | : 1880 |
Genre | : |
ISBN | : |
Author | : Susan Boynton |
Publisher | : Cornell University Press |
Total Pages | : 324 |
Release | : 2006 |
Genre | : History |
ISBN | : 9780801443817 |
During the eleventh and early twelfth centuries, the imperial abbey of Farfa was one of the most powerful institutions on the Italian peninsula. In this period many of the lands of central Italy fell under its sway, and it enjoyed the protection of the emperor until the 1120s, when it passed gradually into the control of the papacy. At the same time, the monastery was an influential religious center, and the monks of Farfa filled their days with the celebration of the liturgy through prayers, processions, sermons, chants, and hymns.Susan Boynton, a historian of medieval music, addresses several of the major themes of present-day medieval historiography through a close study of the liturgical practices of the abbey of Farfa. Boynton's findings are a striking demonstration of the local nature of liturgical practices in the centuries before church ritual was controlled and codified by the papacy. Boynton shows that the liturgy was highly flexible, continually adapting to the monastery's changing circumstances. The monks regularly modified traditional forms to reflect new realities, often in the service of Farfa's power and prestige. Equally fascinating is Boynton's examination of the process by which Farfa, like other monasteries, cathedral chapters, and royal houses, constantly rewrote its history--particularly the stories of its founding--as part of the continuous negotiation of power that was central to medieval politics and culture.
Author | : Richard A. Jackson |
Publisher | : University of Pennsylvania Press |
Total Pages | : 320 |
Release | : 1995 |
Genre | : History |
ISBN | : 9780812232639 |
The ordines coronationis are essentially the scripts for the coronation of Frankish and French sovereigns. Combining detailed religious, ceremonial, and political material, they are an extraordinarily important source for the study of individual rulers or dynasties, as well as for the study of kingship, queenship, and the evolution of political institutions. Complete in two volumes, Richard A. Jackson's is the first full edition of these texts, including all the ordines from the early thirteenth century through the end of the fifteenth century, a period during which the texts shift from Latin to the vernacular, and the institutions of kingship become distinctively French.
Author | : Rolando Ferri |
Publisher | : Cambridge University Press |
Total Pages | : 483 |
Release | : 2003-12-18 |
Genre | : History |
ISBN | : 1139440519 |
This 2003 book is a full-length study of Octauia, the only complete Roman drama of an historical subject, or fabula praetexta. The play deals with Nero's divorce from the princess Octavia, Claudius' daughter by Valeria Messalina, and with his subsequent marriage to Poppaea Sabina. Professor Ferri presents a critical edition of the text based on a fresh re-examination of the relevant manuscripts and provides a full discussion of textual issues. In the Introduction he argues that the play, wrongly ascribed to Seneca in our MSS, was composed in the late Flavian period, and that the author relied on pre-existing historical accounts written after the death of Nero. He also discusses in detail the style and language of the play, strongly influenced by Senecan tragedy, its relationship to the other plays of the Senecan corpus, and particularly to Hercules Oetaeus, its stagecraft and post-Classical dramatic conventions, and the author's political position.
Author | : M. Manilius |
Publisher | : Cambridge University Press |
Total Pages | : 175 |
Release | : 2011-11-18 |
Genre | : History |
ISBN | : 1107648084 |
This volume contains the Latin text of the second book of Manilius, first published in 1912 and then reissued in a second edition in 1937.
Author | : Pindar |
Publisher | : |
Total Pages | : 822 |
Release | : 1811 |
Genre | : Greek language |
ISBN | : |