Ferro Concrete
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The Ferro-concrete Style
Author | : Francis Skillman Onderdonk |
Publisher | : |
Total Pages | : 286 |
Release | : 1908 |
Genre | : Architecture |
ISBN | : |
Concrete Architecture
Author | : Catherine Croft |
Publisher | : Laurence King Publishing |
Total Pages | : 252 |
Release | : 2004 |
Genre | : Architecture, Modern |
ISBN | : 1856693643 |
Inspiration for architects and urban planners, this text presents a re-evaluation of a material finally coming into its own in the 21st century - concrete. The text is illustrated with projects from some of the biggest-name architects around.
Early Reinforced Concrete
Author | : Frank Newby |
Publisher | : Taylor & Francis |
Total Pages | : 391 |
Release | : 2016-12-05 |
Genre | : History |
ISBN | : 1351942328 |
This volume traces the process by which reinforced concrete emerged during the 19th century as the successful building material of today. Early work on testing the strength of cements led into a period of experimental work by a number of engineers, notably in Britain, France and America, to devise successful systems of embedding iron in concrete in such a way that the two materials would act together to carry imposed loads. The papers take the story to the early years of the 20th century and provide a thorough review of the gradual evolution of ideas and the contributions of individuals to this technology.
Ferro-cement: Design, Techniques, and Application
Author | : Bruce Bingham |
Publisher | : Cornell Maritime Press/Tidewater Publishers |
Total Pages | : 662 |
Release | : 1974 |
Genre | : Technology & Engineering |
ISBN | : |
Building in France, Building in Iron, Building in Ferroconcrete
Author | : Sigfried Giedion |
Publisher | : Getty Publications |
Total Pages | : 250 |
Release | : 1995-09-01 |
Genre | : Architecture |
ISBN | : 0892363193 |
With Building in France, Building in Iron, Building in Ferroconcretre (1928)—published now for the first time in English—Sigfried Giedion positioned himself as an eloquent advocate of modern architecture. This was the first book to exalt Le Corbusier as the artistic champion of the new movement. It also spelled out many of the tenets of Modernism that are now regarded as myths, among them the impoverishment of nineteenth-century architectural thinking and practice, the contrasting vigor of engineering innovations, and the notion of Modernism as technologically preordained.