Femmes Fatales Of The 1950s
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Author | : Bunny Yeager |
Publisher | : Schiffer Publishing |
Total Pages | : 0 |
Release | : 2008 |
Genre | : Photography |
ISBN | : 9780764330308 |
Look out! Here come sixty sultry femmes fatales captured at their most alluring by world famous photographer Bunny Yeager. Each image was hand-picked by Yeager herself from her vast photo archives of seductive, flirtatious, beautiful women. These images are sure to hold every reader's attention and heighten an appreciation for the artistry portrayed on every page. Photo locations range from the familiar and intimate to the wild and exotic, yet all the while maintaining a certain 1950s style and flair. Here are the girls you wished had lived next door, including actress Allison Hayes, ready to capture you with the very first glance.
Author | : Maysaa Husam Jaber |
Publisher | : Springer |
Total Pages | : 222 |
Release | : 2016-02-02 |
Genre | : Literary Criticism |
ISBN | : 1137356472 |
This book fills a gap in both literary and feminist scholarship by offering the first major study of femme fatales in hardboiled crime fiction. Maysaa Jaber shows that the criminal literary figures in the genre open up powerful spaces for imagining female agency in direct opposition to the constraining forces of patriarchy and misogyny.
Author | : Tereska Torres |
Publisher | : She Winked Press |
Total Pages | : 302 |
Release | : 2011-01-01 |
Genre | : Fiction |
ISBN | : 1936456141 |
First Digital Edition; Grier Rating: A*** This is the true-life story of what happens when scores of young girls live intimately together in a French military barracks. Many of these girls, utterly innocent and inexperienced, meet other women who have lived every type of existence. Their problems, their temptations, their fights and failures are those faced by all women who are forced to live together during dangerous and stressful times. The girls who chose Tereska Torres, the author, as their confidante poured out to her their most intimate feelings, their secret thoughts. With all of its revelations and tenderness, Women’s Barracks is an important book because it tells a story that had never been truly told before--the story of women in war. It also has the special distinction of being the first “lesbian pulp” novel ever published and became a record-breaking bestseller. This autobiographical novel takes place in London, England during World War II. The terror of the V-1 and V-2 rocket bombings, and the resulting fires and destruction, are an unknown experience to most readers. The women enduring these events were not even 20 years old when they first arrived. Many volunteered to be there. They were French, or of French heritage, and wanted to be part of the effort to help protect France from invasion by the Nazis. Throughout it all, passions flare, long-standing taboos are tossed to the wind, and passionate relationships are begun between older, more experienced butch officers and the young, inexperienced femme girls under their charge. In her telling of these women’s stories, Torres remains nonjudgmental of the lesbian relationships these women explored. Perhaps as a result, Women’s Barracks was banned in several states for being obscene. The House Select Committee on Current Pornographic Materials denounced the book in 1952 as an illustration of how the newly emerging paperback industry was breeding and promoting moral depravity. By today’s standards, of course, the book is somewhat tame; however, the eroticism and honesty with which Torres writes immerses the reader in the love, tenderness, loyalty and passion that women share with each other.
Author | : Bunny Yeager |
Publisher | : Schiffer Publishing |
Total Pages | : 132 |
Release | : 2004 |
Genre | : Art |
ISBN | : |
As the 1950s dawned, a new level of sexual openness developed in behavior and dress. In magazines and on beaches, women appeared in revealing two-piece bathing suits called bikinis. Bunny Yeager, model and commercial photographer, forged a unique role in 1952, photographing bikinis and the beautiful women who wore them. This collection of Bunny's work from the 1950s features 169 original photographs and featuring little known models and women she helped launch to fame, such as Betty Page. The bikinis they wore were often of Bunny's own creation, sewn with her own hands. She says, "My ability helped me sell photographs to men's magazines and compete with male photographers. They didn't know how to sew!" Many of her original designs still influence styles today. This collection of photographs, along with Bunny's reflections on her life and career, the models, and the era, make an insightful addition to the literature on this photographic pioneer.
Author | : Valerie Taylor |
Publisher | : Feminist Press |
Total Pages | : 206 |
Release | : 2003 |
Genre | : Fiction |
ISBN | : 9781558614567 |
Three small-town girls move to the big city in this reissue of a classic 1950s pulp.
Author | : Helen Hanson |
Publisher | : Springer |
Total Pages | : 244 |
Release | : 2010-07-20 |
Genre | : Performing Arts |
ISBN | : 0230282016 |
These essays trace the femme fatale across literature, visual culture and cinema, exploring the ways in which fatal femininity has been imagined in different cultural contexts and historical epochs, and moving from mythical women such as Eve, Medusa and the Sirens via historical figures such as Mata Hari to fatal women in contemporary cinema.
Author | : Pam Keesey |
Publisher | : |
Total Pages | : 182 |
Release | : 1997 |
Genre | : Femmes fatales |
ISBN | : |
'A lavishly illustrated survey of screen sirens and bad girls.' - Booklist
Author | : Jans B. Wager |
Publisher | : University of Texas Press |
Total Pages | : 203 |
Release | : 2009-03-06 |
Genre | : Performing Arts |
ISBN | : 0292773870 |
With its focus on dangerous, determined femmes fatales, hardboiled detectives, and crimes that almost-but-never-quite succeed, film noir has long been popular with moviegoers and film critics alike. Film noir was a staple of classical Hollywood filmmaking during the years 1941-1958 and has enjoyed a resurgence in popularity since the 1990s. Dames in the Driver's Seat offers new views of both classical-era and contemporary noirs through the lenses of gender, class, and race. Jans Wager analyzes how changes in film noir's representation of women's and men's roles, class status, and racial identities mirror changes in a culture that is now often referred to as postmodern and postfeminist. Following introductory chapters that establish the theoretical basis of her arguments, Wager engages in close readings of the classic noirs The Killers, Out of the Past, and Kiss Me Deadly and the contemporary noirs L. A. Confidential, Mulholland Falls, Fight Club, Twilight, Fargo, and Jackie Brown. Wager divides recent films into retro-noirs (made in the present, but set in the 1940s and 1950s) and neo-noirs (made and set in the present but referring to classic noir narratively or stylistically). Going beyond previous studies of noir, her perceptive readings of these films reveal that retro-noirs fulfill a reactionary social function, looking back nostalgically to outdated gender roles and racial relations, while neo-noirs often offer more revisionary representations of women, though not necessarily of people of color.
Author | : Katherine Farrimond |
Publisher | : Routledge |
Total Pages | : 305 |
Release | : 2017-07-06 |
Genre | : Performing Arts |
ISBN | : 131720817X |
The femme fatale occupies a precarious yet highly visible space in contemporary cinema. From sci-fi alien women to teenage bad girls, filmmakers continue to draw on the notion of the sexy deadly woman in ways which traverse boundaries of genre and narrative. This book charts the articulations of the femme fatale in American cinema of the past twenty years, and contends that, despite her problematic relationship with feminism, she offers a vital means for reading the connections between mainstream cinema and representations of female agency. The films discussed raise questions about the limits and potential of positioning women who meet highly normative standards of beauty as powerful icons of female agency. They point towards the constant shifting between patriarchal appropriation and feminist recuperation that inevitably accompanies such representations within mainstream media contexts.
Author | : Samantha Lindop |
Publisher | : Springer |
Total Pages | : 180 |
Release | : 2015-08-11 |
Genre | : Social Science |
ISBN | : 1137503599 |
This book is a thought-provoking study that expands on film scholarship on noir and feminist scholarship on postfeminism, subjectivity, and representation to provide an inclusive, sophisticated, and up-to-date analysis of the femme fatale , fille fatale , and homme fatal from the classic era through to recent postmillennial neo-noir .