Feminist Metafiction and the Evolution of the British Novel

Feminist Metafiction and the Evolution of the British Novel
Author: Joan Douglas Peters
Publisher:
Total Pages: 249
Release: 2002-01-01
Genre: Literary Criticism
ISBN: 9780813024318

Peters' groundbreaking study focuses on women as narrators in six British novels to show that the strategic use of women's narratives was intrinsic to the formation of the Western novel as a literary form and in fact has come to define what we now understand as novelistic even in non-canonical works. The book makes an original contribution to the scholarship of the history of British fiction by breaking away from the widely held critical position that women's narratives were outside and against the history of the genre. In her analysis of dual-voiced works from the eighteenth through the early twentieth centuries, Peters shows that women's metafictional discourse within the novel did not emerge as a late-twentieth-century reaction to the canon but has been present from the novel's beginnings. She also introduces a new level of academic discourse to feminist narratology as an approach to literary works by focusing attention on the dynamics of structure at the level of text, separate from the fiction. Peters' selection of novels by both male and female authors is a distinguishing feature of the book; the result is a rich and original description of how gender and genre interact in

The Female Figure in Contemporary Historical Fiction

The Female Figure in Contemporary Historical Fiction
Author: K. Cooper
Publisher: Springer
Total Pages: 251
Release: 2012-10-29
Genre: Social Science
ISBN: 1137283386

From The Other Boleyn Girl to Fingersmith , this collection explores the popularity of female-centred historical novels in recent years. It asks how these representations are influenced by contemporary gender politics, and whether they can be seen as part of a wider feminist project to recover women's history.

Victorian Metafiction

Victorian Metafiction
Author: Tabitha Sparks
Publisher: University of Virginia Press
Total Pages: 293
Release: 2022-11-17
Genre: Literary Criticism
ISBN: 081394872X

Critics agree in the abstract that "metafiction" refers to any novel that draws attention to its own fictional construction, but metafiction has been largely associated with the postmodern era. In this innovative new book Tabitha Sparks identifies a sustained pattern of metafiction in the Victorian novel that illuminates the art and intentions of its female practitioners. From the mid-nineteenth century through the fin de siècle, novels by Victorian women such as Charlotte Brontë, Rhoda Broughton, Charlotte Riddell, Eliza Lynn Linton, and several New Women authors share a common but underexamined trope: the fictional characterization of the woman novelist or autobiographer. Victorian Metafiction reveals how these novels systemically dispute the assumptions that women wrote primarily about their emotions or were restricted to trivial, sentimental plots. Countering an established tradition that has read novels by women writers as heavily autobiographical and confessional, Sparks identifies the literary technique of metafiction in numerous novels by women writers and argues that women used metafictional self-consciousness to draw the reader’s attention to the book and not the novelist. By dislodging the narrative from these cultural prescriptions, Victorian Metafiction effectively argues how these women novelists presented the business and art of writing as the subject of the novel and wrote metafiction in order to establish their artistic integrity and professional authority.

The Late Medieval Origins of the Modern Novel

The Late Medieval Origins of the Modern Novel
Author: Rachel A. Kent
Publisher: Springer
Total Pages: 293
Release: 2015-10-07
Genre: Literary Criticism
ISBN: 1137522917

Dramatically refreshing the age-old debate about the novel's origins and purpose, Kent traces the origin of the modern novel to a late medieval fascination with the wounded, and often eroticized, body of Christ. A wide range of texts help to illustrate this discovery, ranging from medieval 'Pietàs' to Thomas Hardy to contemporary literary theory.

From the Hearth to the Open Road

From the Hearth to the Open Road
Author: Barbara F. Waxman
Publisher: Praeger
Total Pages: 232
Release: 1990-05-11
Genre: Literary Criticism
ISBN:

This literary critical book deals exclusively with contemporary fiction by women that focuses on aging of women. It discusses the emergence of a new fictional genre, the novel of ripening or Reifungsroman. This emerging genre about the aging heroine reconceptualizes middle and old age for women, taking it from a formerly stereotypical state of passivity and deterioration (by the hearthside) into one of adventure, growth, self-discovery, self-affirmation, and integration (on the open road). The book contains an extensive bibliography of twentieth-century popular periodical articles on aging (Canadian, American, and British); literary critical articles on aging in the fiction of Doris Lessing, Alice Adams, Paule Marshall, Elizabeth Taylor, Barbara Pym, May Sarton, and Margaret Laurence; as well as general literary critical works on these authors; and some general (non-literary) studies of aging, often from a feminist framework (such as Simone de Beavoir's The Coming of Age). Using a feminist theoretical approach, with some influence from social literary critics such as Lentricchia and Said, the book surveys, in the first chapter, selected popular magazine articles written over this century. The next chapter analyzes fiction on middle-aged women, in works by Doris Lessing and Alice Adams. Chapter Three analyzes young-old women, in works by Barbara Pym, Elizabeth Taylor, and Paule Marshall. The final chapter looks at frail, or dependent old women, in works by May Sarton and Margaret Laurence. This work should be well received by students and scholars engaged in the study of literary criticism, women's studies in literature, gerontology, the life-cycle in literature, and contemporary women in literature.

Moll Flanders

Moll Flanders
Author: Daniel Defoe
Publisher: Broadview Press
Total Pages: 448
Release: 2005-02-23
Genre: Fiction
ISBN: 1460401336

Born to a petty thief in London’s notorious Newgate prison and determined to make her way in a rapacious and materialistic society, Moll Flanders recounts the “fortunes and misfortunes” of her turbulent life in this 1722 novel. Though Moll Flanders was shaped by the conventions of criminal biography, Defoe also drew on other literary traditions and his own rich background to create a remarkably original—and still controversial—work. In addition to a critical introduction and substantial footnotes, this Broadview edition provides a wide range of writings by Defoe as well as contemporary responses to Moll Flanders. Other appendices include a selection of eighteenth-century writings on crime, prisons, and the Virginia colony.

Routledge Encyclopedia of Narrative Theory

Routledge Encyclopedia of Narrative Theory
Author: David Herman
Publisher: Routledge
Total Pages: 728
Release: 2010-06-10
Genre: Literary Criticism
ISBN: 1134458401

The past several decades have seen an explosion of interest in narrative, with this multifaceted object of inquiry becoming a central concern in a wide range of disciplinary fields and research contexts. As accounts of what happened to particular people in particular circumstances and with specific consequences, stories have come to be viewed as a basic human strategy for coming to terms with time, process, and change. However, the very predominance of narrative as a focus of interest across multiple disciplines makes it imperative for scholars, teachers, and students to have access to a comprehensive reference resource.

Handbook of Narratology

Handbook of Narratology
Author: Peter Hühn
Publisher: Walter de Gruyter
Total Pages: 478
Release: 2009-08-17
Genre: Literary Criticism
ISBN: 3110217449

This handbook in English provides a systematic overview of the present state of international research in narratology. Detailed individual studies by internationally renowned narratologists elucidate 34 central terms. The articles present original research contributions and are all structured in a similar manner. Each contains a concise definition and a detailed explanation of the term in question. In a main section they present a critical account of the major research positions and their historical development and indicate directions for future research; they conclude with selected bibliographical references.

Cinematic Howling

Cinematic Howling
Author: Hoi Cheu
Publisher: UBC Press
Total Pages: 218
Release: 2010-10-01
Genre: Performing Arts
ISBN: 0774859741

Cinematic Howling presents a refreshingly unorthodox framework for feminist film studies. Instead of criticizing mainstream movies from feminist perspectives, Hoi Cheu focuses on women's filmmaking itself. Integrating systems theory and feminist aesthetics in his close readings of films and screenplays by women, he considers how women engage the process of storytelling in cinema. The importance of these films, he argues, is not merely that they reflect women's perceptions, but that they have the power to reframe experiences and, consequently, to transform life. A major contribution to feminist scholarship that will appeal to scholars of both gender and film, Cinematic Howling is written in an approachable and inviting style, full of vivid examples and attention to detail, which will suit both undergraduate and graduate courses in gender, film, and cultural studies.

Linguistics, Literature and Culture

Linguistics, Literature and Culture
Author: Shakila Abdul Manan
Publisher: Cambridge Scholars Publishing
Total Pages: 345
Release: 2012-12-05
Genre: Language Arts & Disciplines
ISBN: 1443843962

This book documents the changing realities in the fields of linguistics, literature and culture in Asia, resulting from globalization, modernisation and rapid technological development. It consists of sixteen essays by academics and researchers around the world, reflecting on the interface between the global and the local, and its impact on the local and regional languages, literatures and cultures of Asia. This scenario, which exemplifies language contact in action, is captured by the book mainly to demonstrate that linguistic negotiations, appropriations and indeed changes are not one-way. As such, their implications on language use, language choice, language policy and planning, literacy and pedagogy, identity, subjectivity and culture need to be closely examined. The uniqueness of this book lies in its attempt to showcase original research in a variety of multicultural settings. Its multi- and cross-disciplinary approach will appeal to a wide spectrum of readers from diverse backgrounds. This book will serve as a useful reference that is both scholarly and informative for researchers as well as academics in the fields of linguistics, literature and culture.