Federico Da Montefeltro and His Library
Author | : Marcello Simonetta |
Publisher | : Y. Press |
Total Pages | : 200 |
Release | : 2007 |
Genre | : Antiques & Collectibles |
ISBN | : |
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Author | : Marcello Simonetta |
Publisher | : Y. Press |
Total Pages | : 200 |
Release | : 2007 |
Genre | : Antiques & Collectibles |
ISBN | : |
Author | : Jane Stevenson |
Publisher | : Bloomsbury Publishing |
Total Pages | : 530 |
Release | : 2021-10-14 |
Genre | : History |
ISBN | : 1800241992 |
The story of the Renaissance city and palace of Urbino, and the life of the extraordinary man who created it: Federico da Montefeltro. 'Painstakingly researched and yet unfailingly readable' Ross King 'An insight into one of Renaissance Italy's most glamorous courts' Catherine Fletcher 'The perfect tour guide to the past' Literary Review 'A fabulous merging of seductive design with bravura scholarship' Alexandra Harris 'A superior study... Packed with detail' TLS The one-eyed mercenary soldier Federico da Montefeltro, lord of Urbino between 1444 and 1482, was one of the most successful condottiere of the Italian Renaissance: renowned humanist, patron of the artist Piero della Francesca, and creator of one of the most celebrated libraries in Italy outside the Vatican. From 1460 until her early death in 1472 he was married to Battista, of the formidable Sforza family, their partnership apparently blissful. In the fine palace he built overlooking Urbino, Federico assembled a court regarded by many as representing a high point of Renaissance culture. For Baldassare Castiglione, Federico was la luce dell'Italia – 'the light of Italy'. Jane Stevenson's affectionate account of Urbino's flowering and decline casts revelatory light on patronage, politics and humanism in fifteenth-century Italy. As well as recounting the gripping stories of Federico and his Montefeltro and della Rovere successors, Stevenson considers in details Federico's cultural legacy – investigating the palace itself, the splendours of the ducal library, and his other architectural projects in Gubbio and elsewhere.
Author | : Marcello Simonetta |
Publisher | : Biblioteca Apostolica Vaticana |
Total Pages | : 288 |
Release | : 2007 |
Genre | : History |
ISBN | : |
Author | : Marcello Simonetta |
Publisher | : Doubleday |
Total Pages | : 274 |
Release | : 2008-06-03 |
Genre | : History |
ISBN | : 0385526806 |
A brutal murder, a nefarious plot, a coded letter. After five hundred years, the most notorious mystery of the Renaissance is finally solved. The Italian Renaissance is remembered as much for intrigue as it is for art, with papal politics and infighting among Italy’s many city-states providing the grist for Machiavelli’s classic work on take-no-prisoners politics, The Prince. The attempted assassination of the Medici brothers in the Duomo in Florence in 1478 is one of the best-known examples of the machinations endemic to the age. While the assailants were the Medici’s rivals, the Pazzi family, questions have always lingered about who really orchestrated the attack, which has come to be known as the Pazzi Conspiracy. More than five hundred years later, Marcello Simonetta, working in a private archive in Italy, stumbled upon a coded letter written by Federico da Montefeltro, the Duke of Urbino, to Pope Sixtus IV. Using a codebook written by his own ancestor to crack its secrets, Simonetta unearthed proof of an all-out power grab by the Pope for control of Florence. Montefeltro, long believed to be a close friend of Lorenzo de Medici, was in fact conspiring with the Pope to unseat the Medici and put the more malleable Pazzi in their place. In The Montefeltro Conspiracy, Simonetta unravels this plot, showing not only how the plot came together but how its failure (only one of the Medici brothers, Giuliano, was killed; Lorenzo survived) changed the course of Italian and papal history for generations. In the course of his gripping narrative, we encounter the period’s most colorful characters, relive its tumultuous politics, and discover that two famous paintings, including one in the Sistine Chapel, contain the Medici’s astounding revenge.
Author | : Robert Kirkbride |
Publisher | : |
Total Pages | : 262 |
Release | : 2008-11-11 |
Genre | : Architecture |
ISBN | : |
The studioli of the ducal palaces at Urbino and Gubbio, Italy, demonstrate architecture's capacity to transact between the mental and physical realms of human experience. Constructed between 1474 and 1483 for the military captain Federico da Montefeltro and his young motherless son, the studioli may be described as treasuries of emblems: they contain not things but images of things, rendered with remarkable perspectival exactitude. These small, image-filled chambers reflect how architecture and its ornament equipped a quattrocento mind with metaphors for wisdom and methods for statecraft and intellectual activity. Drawing on the densely layered imagery in the studioli and text sources readily available to the Urbino court, Robert Kirkbride examines the position of the studioli in the Western tradition of the memory arts, considering how architecture bridged the mathematical arts, which lent themselves to mechanical pursuits, and the art of rhetoric, a discipline central to memory and eloquence. As subtle ramifications of material and mental craft, the studioli provided ideal methods for education and prudent governance, extending an ancient legacy of open-ended models that were conceived to activate the imagination and exercise the memory. At the time of their construction, the studioli represented the leading edge of technologies of visual representation and offer a case study of how contemporary advances in interactive technologies reactivate and transform ancient metaphors for thought and learning.
Author | : Arthur White |
Publisher | : CUA Press |
Total Pages | : 433 |
Release | : 2014-12 |
Genre | : Biography & Autobiography |
ISBN | : 0813226813 |
Plague and Pleasure is a lively popular history that introduces a new hypothesis about the impetus behind the cultural change in Renaissance Italy. The Renaissance coincided with a period of chronic, constantly recurring plague, unremitting warfare and pervasive insecurity. Consequently, people felt a need for mental escape to alternative, idealized realities, distant in time or space from the unendurable present but made vivid to the imagination through literature, art, and spectacle.
Author | : Michael Wyatt |
Publisher | : Cambridge University Press |
Total Pages | : 471 |
Release | : 2014-06-26 |
Genre | : History |
ISBN | : 0521876060 |
Leading international contributors present a lively and interdisciplinary panorama of the Italian Renaissance as it has developed in recent decades.
Author | : Katie Reid |
Publisher | : BRILL |
Total Pages | : 241 |
Release | : 2023-10-09 |
Genre | : Literary Criticism |
ISBN | : 9004685324 |
In this book, Katie Reid argues that the fifth-century author Martianus Capella was a significant influence in the late Middle Ages and Renaissance. His poetic encyclopaedia, The Marriage of Philology and Mercury, was a source for writing on the liberal arts, allegory and classical mythology from 1300 to 1650. In fact, writers of this period had much more in common with Martianus Capella than they did with older ancients like Homer and Virgil. As such, we must reshape our understanding of late medieval and Renaissance encounters with the classical world by exploring their roots in Late Antiquity.
Author | : Luca Trevisan |
Publisher | : |
Total Pages | : 0 |
Release | : 2012 |
Genre | : ART |
ISBN | : 9780789211262 |
"The first modern survey of a fascinating yet underappreciated art form, abundantly illustrated with new color photography. In this volume, a team of art historians trace the evolution of Renaissance intarsia through a discussion of twelve of the most important intarsia cycles"--
Author | : Richard H. Rouse |
Publisher | : Harvey Miller |
Total Pages | : 0 |
Release | : 2019 |
Genre | : Art |
ISBN | : 9781912554287 |
Series statement and numbering from Brepols Publishers website.