Sean O’Casey

Sean O’Casey
Author: R. Ayling
Publisher: Springer
Total Pages: 432
Release: 1978-06-17
Genre: Literary Criticism
ISBN: 1349009393

Sean O'Casey

Sean O'Casey
Author: Christopher Murray
Publisher: McGill-Queen's Press - MQUP
Total Pages: 639
Release: 2004-11-08
Genre: Biography & Autobiography
ISBN: 0773586156

Se?O'Casey was the quintessential Dublin playwright. In critical works that include his Dublin Trilogy - The Shadow of a Gunman, Juno and the Paycock, and The Plough and the Stars - he portrayed the traumatic birth of a nation and delved into the Irish national character. Christopher Murray's Se?O'Casey: Writer at Work takes a fresh look at the last of the great writers of the Irish literary revival.

The Prose Literature of the Gaelic Revival, 1881–1921

The Prose Literature of the Gaelic Revival, 1881–1921
Author: Philip O'Leary
Publisher: Penn State Press
Total Pages: 537
Release: 1994-04-15
Genre: Literary Criticism
ISBN: 0271076321

The Gaelic Revival has long fascinated scholars of political history, nationalism, literature, and theater history, yet studies of the period have neglected a significant dimension of Ireland's evolution into nationhood: the cultural crusades mounted by those who believed in the centrality of the Irish language to the emergent Irish state. This book attempts to remedy that deficiency and to present the lively debates within the language movement in their full complexity, citing documents such as editorials, columns, speeches, letters, and literary works that were influential at the time but all too often were published only in Irish or were difficult to access. Cautiously employing the terms "nativist" and "progressive" for the turnings inward and toward the European continent manifested in different authors, this study examines the strengths and weaknesses of contrasting positions on the major issues confronting the language movement. Moving from the early collecting or retelling of folklore through the search for heroes in early Irish history to the reworking of ancient Irish literary materials by retelling it in modern vernacular Irish, O'Leary addresses the many debates and questions concerning Irish writing of the period. His study is a model for inquiries into the kind of linguistic-literary movement that arises during intense nationalism.

Sean O'Casey

Sean O'Casey
Author: Ronald Ayling
Publisher: London : Macmillan Press
Total Pages: 456
Release: 1978
Genre: Literary Criticism
ISBN:

Modernism and the Idea of the Crowd

Modernism and the Idea of the Crowd
Author: Judith Paltin
Publisher: Cambridge University Press
Total Pages: 235
Release: 2020-12-03
Genre: Literary Criticism
ISBN: 1108901727

This book argues that modernists such as James Joyce and Virginia Woolf engaged creatively with modernity's expanding forms of collective experience and performative identities. Judith Paltin compares patterns of crowds in modernist Anglophone literature to historical arrangements and theories of democratic assembly to argue that an abstract construction of the crowd engages with the transformation of popular subjectivity from a nineteenth-century liberal citizenry to the contemporary sense of a range of political multitudes struggling with intersectional conditions of oppression and precarity. Modernist works, many of which were composed during the ascendancy of fascism and other populist politics claiming to be based on the action of the crowd, frequently stage the crowd as a primal scene for violence; at the same time, they posit a counterforce in more agile collective gatherings which clarify the changing relations in literary modernity between subjects and power.

The Years of O'Casey, 1921-1926

The Years of O'Casey, 1921-1926
Author: Robert Goode Hogan
Publisher: University of Delaware Press
Total Pages: 446
Release: 1992
Genre: Literary Criticism
ISBN: 9780874134216

However, these contemporary accounts are frequently amplified and put into modern perspective, particularly at crucial moments such as a major production, a final production, or a death. The authors have particularly done so with writers of some importance such as Edward Martyn, William Boyle, or T.C. Murray. Since the theater of these years was especially influenced by the state of the country, the authors give considerable space to the disruptive political events of the times. Always, however, this is done from the particular vantage point of the theater and its workers, for the Irish theater vigorously reacted to and quickly assimilated the turbulent political events of the day: the raids, the reprisals, the burnings, and the murders. These 1,800 days really break into two periods. The first comprises the violence of the Black and Tan War, the exhaustion that led to the treaty, and the bitterness occasioned by the treaty that led to the culminating ferocity of the civil war.

Hegemony and Fantasy in Irish Drama, 1899-1949

Hegemony and Fantasy in Irish Drama, 1899-1949
Author: P. Murphy
Publisher: Springer
Total Pages: 273
Release: 2015-12-04
Genre: Literary Criticism
ISBN: 0230583857

Hegemony and Fantasy in Irish Drama, 1899-1949 offers a theoretically innovative reconsideration of drama produced in the Irish Renaissance, as well as an engagement with non-canonical drama in the under-researched period 1926-1949.

Portraying the Self

Portraying the Self
Author: Michael Kenneally
Publisher: Rowman & Littlefield
Total Pages: 300
Release: 1988
Genre: Biography & Autobiography
ISBN: 9780389207146

Irish Literary Studies Series No. 26.

Irish Women Playwrights, 1900-1939

Irish Women Playwrights, 1900-1939
Author: Cathy Leeney
Publisher: Peter Lang
Total Pages: 282
Release: 2010
Genre: Drama
ISBN: 9781433103322

Irish Women Playwrights 1900-1939 is the first book to examine the plays of five fascinating and creative women, placing their work for theatre in co-relation to suggest a parallel tradition that reframes the development of Irish theatre into the present day. How these playwrights dramatize violence and its impacts in political, social, and personal life is a central concern of this book. Augusta Gregory, Eva Gore-Booth, Dorothy Macardle, Mary Manning, and Teresa Deevy re-model theatrical form, re-structuring action and narrative, and exploring closure as a way of disrupting audience expectation. Their plays create stage spaces and images that expose relationships of power and authority, and invite the audience to see the performance not as illusion, but as framed by the conventions and limits of theatrical representation. Irish Women Playwrights 1900-1939 is suitable for courses in Irish theatre, women in theatre, gender and performance, dramaturgy, and Irish drama in the twentieth century as well as for those interested in women's work in theatre and in Irish theatre in the twentieth century.