Fearless Nadia

Fearless Nadia
Author: Dorothee Wenner
Publisher: Penguin Group
Total Pages: 278
Release: 2005
Genre: Biography & Autobiography
ISBN:

The Definitive Biography Of One Of Indian Cinema S Most Unusual Iconic Figures In 1935, A Young Blonde Girl Made Her First Appearance On The Indian Screen. Riding Like The Devil, Swinging On Chandeliers, Sporting A Mask And Tight-Fitting Shorts And Brandishing A Whip, She Drove Audiences Into Raptures. The Film Was Hunterwali, The Girl Fearless Nadia. For More Than A Decade After That She Remained One Of The Top Indian Film Stars As She Wielded Revolvers, Ran Along The Roofs Of Rushing Trains, Beat Up Men And Played With Lions. The Fearless Nadia Films, A Shimmering Mixture Of Action, Eroticism And Progressive Ideas, Were Unlike Anything Indian Audiences Had Seen So Far. Coming At A Time When India Was Struggling For Independence, These Films Also Carried Subtle Nationalist Propaganda As Fearless Nadia, The Daughter Of A British Soldier, Became The Cult Cinematic Symbol Of The Indian Freedom Struggle. How Did A Blonde With European Features Become A Celebrated Stunt Queen In Popular Indian Cinema? How Could An Indian Actress Of The 1930S Become A Rage With Feminists In The West At The Turn Of The Millennium? Dorothee Wenner S Absorbing Biography Traces The Nadia Story From Her Birth In Australia, Her Stint As A Shop Assistant, A Secretary, A Chorus Girl And A Variety Performer In A Circus To Her Unprecedented Stardom And Its Aftermath. In The Process, She Also Vividly Brings To Life A Fascinating Era Of Indian Cinema In Which Passionate Film-Makers Overcame Tremendous Financial, Technical And Logistical Odds To Create Celluloid Magic.

Wanted Cultured Ladies Only!

Wanted Cultured Ladies Only!
Author: Neepa Majumdar
Publisher: University of Illinois Press
Total Pages: 275
Release: 2010-10-01
Genre: Performing Arts
ISBN: 0252091787

Wanted Cultured Ladies Only! maps out the early culture of cinema stardom in India from its emergence in the silent era to the decade after Indian independence in the mid-twentieth century. Neepa Majumdar combines readings of specific films and stars with an analysis of the historical and cultural configurations that gave rise to distinctly Indian notions of celebrity. She argues that discussions of early cinematic stardom in India must be placed in the context of the general legitimizing discourse of colonial "improvement" that marked other civic and cultural spheres as well, and that "vernacular modernist" anxieties over the New Woman had limited resonance here. Rather, it was through emphatically nationalist discourses that Indian cinema found its model for modern female identities. Considering questions of spectatorship, gossip, popularity, and the dominance of a star-based production system, Majumdar details the rise of film stars such as Sulochana, Fearless Nadia, Lata Mangeshkar, and Nargis.

Stardom

Stardom
Author: Christine Gledhill
Publisher: Routledge
Total Pages: 367
Release: 2003-09-02
Genre: Social Science
ISBN: 1134940904

In the past stars have been studied as cogs in a mass entertainment industry selling desires and ideologies. But since the 1970s, new approaches have reopened debate, as film and cultural studies try to account for the active role of the star in producing meanings, pleasures, and identites for a diversity of audiences. Stardom brings together for the first time some of the major writing of the last decade which seeks to understand the phemomenon of stars and stardom. Gathered under four headings - The System, Stars and Society, Performers and Signs, Desire and Politics - these essays represent a range of approaches drawn from film history, sociolgy, textual analysis, audience research, psychoanalysis, and cultural politics. They raise important issues about the politics of representation and the cultural limitations and possibilities of stars.

Bollyworld

Bollyworld
Author: Raminder Kaur
Publisher: SAGE
Total Pages: 348
Release: 2005-07-13
Genre: Business & Economics
ISBN: 9780761933212

Providing a critique of a common scholarly tendency in the field of popular Indian cinema, this text argues that Indian cinema cannot be understood in terms of a national paradigm, but must instead be considered as a field of visual and cultural production that interlinks diverse sites, in India and beyond.

Visions of Empire and Other Imaginings

Visions of Empire and Other Imaginings
Author: Jeannine Woods
Publisher: Peter Lang
Total Pages: 240
Release: 2011
Genre: Imperialism in motion pictures
ISBN: 9783039119745

This book was shortlisted for the ESSE Junior Scholars book award for Cultural Studies in English, 2012 Since its inception cinema has served as a powerful medium that both articulates and intervenes in visions of identity. The experiences of British colonialism in Ireland and India are marked by many commonalities, not least in terms of colonial and indigenous imaginings of the relationships between colony or former colony and imperial metropolis. Cinematic representations of Ireland and India display several parallels in their expressions and contestations of visions of Empire and national identity. This book offers a critical approach to the study of Ireland's colonial and postcolonial heritage through a comparative exploration of such filmic visions, yielding insights into the operations of colonial, nationalist and postcolonial discourse. Drawing on postcolonial and cultural theory and employing Bakhtin's concept of dialogism, the author engages in close readings of a broad range of metropolitan and indigenous films spanning an approximately fifty-year period, exploring the complex relationships between cinema, colonialism, nationalism and postcolonialism and examining their role in the (re)construction of Irish and Indian identities.

Mumbai Fables

Mumbai Fables
Author: Gyan Prakash
Publisher: Princeton University Press
Total Pages: 425
Release: 2010-09-20
Genre: History
ISBN: 1400835941

A sweeping cultural history of India’s largest city A place of spectacle and ruin, Mumbai exemplifies the cosmopolitan metropolis. It is not just a big city but also a soaring vision of modern urban life. Millions from India and beyond, of different ethnicities, languages, and religions, have washed up on its shores, bringing with them their desires and ambitions. Mumbai Fables explores the mythic inner life of this legendary city as seen by its inhabitants, journalists, planners, writers, artists, filmmakers, and political activists. In this remarkable cultural history of one of the world's most important urban centers, Gyan Prakash unearths the stories behind its fabulous history, viewing Mumbai through its turning points and kaleidoscopic ideas, comic book heroes, and famous scandals—the history behind Mumbai's stories of opportunity and oppression, of fabulous wealth and grinding poverty, of cosmopolitan desires and nativist energies. Starting from the catastrophic floods and terrorist attacks of recent years, Prakash reaches back to the sixteenth-century Portuguese conquest to reveal the stories behind Mumbai's historic journey. Examining Mumbai's role as a symbol of opportunity and reinvention, he looks at its nineteenth-century development under British rule and its twentieth-century emergence as a fabled city on the sea. Different layers of urban experience come to light as he recounts the narratives of the Nanavati murder trial and the rise and fall of the tabloid Blitz, and Mumbai's transformation from the red city of trade unions and communists into the saffron city of Hindu nationalist Shiv Sena. Starry-eyed planners and elite visionaries, cynical leaders and violent politicians of the street, land sharks and underworld dons jostle with ordinary citizens and poor immigrants as the city copes with the dashed dreams of postcolonial urban life and lurches into the seductions of globalization. Shedding light on the city's past and present, Mumbai Fables offers an unparalleled look at this extraordinary metropolis.

Exporting Perilous Pauline

Exporting Perilous Pauline
Author: Marina Dahlquist
Publisher: University of Illinois Press
Total Pages: 250
Release: 2013-06-01
Genre: Performing Arts
ISBN: 0252094948

Exceptionally popular during their time, the spectacular American action film serials of the 1910s featured exciting stunts, film tricks, and effects set against the background of modern technology, often starring resourceful female heroines who displayed traditionally male qualities such as endurance, strength, and authority. The most renowned of these "serial queens" was Pearl White, whose career as the adventurous character Pauline developed during a transitional phase in the medium's evolving production strategies, distribution and advertising patterns, and fan culture. In this volume, an international group of scholars explores how American serials starring Pearl White and other female stars impacted the emerging cinemas in the United States and abroad. Contributors investigate the serial genre and its narrative patterns, marketing, and cultural reception, and historiographic importance, with essays on Pearl White's life on and off the screen as well as the "serial queen" genre in Western and Eastern Europe, India, and China. Contributors are Weihong Bao, Rudmer Canjels, Marina Dahlquist, Monica Dall'Asta, Kevin B. Johnson, Christina Petersen, and Rosie Thomas.

Bombay before Bollywood

Bombay before Bollywood
Author: Rosie Thomas
Publisher: State University of New York Press
Total Pages: 347
Release: 2015-03-01
Genre: Performing Arts
ISBN: 1438456778

Bombay before Bollywood offers a fresh, alternative look at the history of Indian cinema. Avoiding the conventional focus on India's social and mythological films, Rosie Thomas examines the subaltern genres of the "magic and fighting films"—the fantasy, costume, and stunt films popular in the decades before and immediately after independence. She explores the influence of this other cinema on the big-budget masala films of the 1970s and 1980s, before "Bollywood" erupted onto the world stage in the mid-1990s. Thomas focuses on key moments in this hidden history, including the 1924 fairy fantasy Gul-e-Bakavali; the 1933 talkie Lal-e-Yaman; the exploits of stunt queen Fearless Nadia; the magical neverlands of Hatimtai and Aladdin and the Wonderful Lamp; and the 1960s stunt capers Zimbo and Khilari. She includes a detailed ethnographic account of the Bombay film industry of the early 1980s, centering on the beliefs and fantasies of filmmakers themselves with regard to filmmaking and film audiences, and on-the-ground operations of the industry. A welcome addition to the fields of film studies and cultural studies, the book will also appeal to general readers with an interest in Indian cinema.

Sound and Music in Film and Visual Media

Sound and Music in Film and Visual Media
Author: Graeme Harper
Publisher: Bloomsbury Publishing USA
Total Pages: 1257
Release: 2014-10-27
Genre: Social Science
ISBN: 1501305441

Sound and Music in Film and Visual Media: A Critical Overview is a comprehensive work defining and encapsulating concepts, issues and applications in and around the use of sound in film and the cinema, media/broadcast and new media. Over thirty definitive full-length essays, which are linked by highlighted text and reference material, bring together original research by many of the world's top scholars in this emerging field. Complete with an extensive bibliography, Sound and Music in Film and Visual Media provides the most comprehensive and wide-ranging consideration of this subject yet produced.

Cinema, Transnationalism, and Colonial India

Cinema, Transnationalism, and Colonial India
Author: Babli Sinha
Publisher: Routledge
Total Pages: 203
Release: 2013-07-18
Genre: History
ISBN: 1136765077

Through the lens of cinema, this book explores the ways in which the United States, Britain and India impacted each other politically, culturally and ideologically. It argues that American films of the 1920s posited alternative notions of whiteness and the West to that of Britain, which stood for democracy and social mobility even at a time of virulent racism. The book examines the impact that the American cinema has on Indian filmmakers of the period, who were integrating its conventions with indigenous artistic traditions to articulate an Indian modernity. It considers the way American films in the 1920s presented an orientalist fantasy of Asia, which occluded the harsh realities of anti-Asian sentiment and legislation in the period as well as the exciting engagement of anti-imperial activists who sought to use the United States as the base of a transnational network. The book goes on to analyse the American ‘empire films’ of the 1930s, which adapted British narratives of empire to represent the United States as a new global paradigm. Presenting close readings of films, literature and art from the era, the book engages cinema studies with theories of post-colonialism and transnationalism, and provides a novel approach to the study of Indian cinema.