Faust And Marguerite
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| Author | : MUSSER CHARLES |
| Publisher | : Smithsonian Books (DC) |
| Total Pages | : 730 |
| Release | : 1997 |
| Genre | : Art |
| ISBN | : |
"This book provides essential documentation of all known Edison films made between 1890 and 1900. Thomas Edison and his associates at the Edison Laboratory in West Orange, New Jersey, invented the first system of commercial motion pictures." "Making the historical framework predominant while retaining traditional cataloging features, Edison Motion Pictures, 18901900 is of value to a wide range of scholars interested in American life at the turn of the century - those working in performance studies, film and media studies, cultural history, ethnic studies, and social and political history. Documentary filmmakers, film programmers, archivists, and librarians can also benefit from using this catalog." "Edison films from the end of the nineteenth century offer a unique visual record of American entertainment and popular culture - moving images that become much more interesting and useful when they can be examined in conjunction with pertinent documentation." "Scholars concerned with portrayals of war, depictions of the American presidency, and many other topics in the nation's political history will find much useful information."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
| Author | : Lorna Fitzsimmons |
| Publisher | : Oxford University Press |
| Total Pages | : 617 |
| Release | : 2019-07-08 |
| Genre | : Music |
| ISBN | : 0190694521 |
Since its emergence in sixteenth-century Germany, the magician Faust's quest has become one of the most profound themes in Western history. Though variants are found across all media, few adaptations have met with greater acclaim than in music. Bringing together more than two dozen authors in a foundational volume, The Oxford Handbook of Faust in Music testifies to the spectacular impact the Faust theme has exerted over the centuries. The Handbook's three-part organization enables readers to follow the evolution of Faust in music across time and stylistic periods. Part I explores symphonic, choral, chamber, and solo Faust works by composers from Beethoven to Schnittke. Part II discusses the range of Faustian operas, and Part III examines Faust's presence in ballet and musical theater. Illustrating the interdisciplinary relationships between music and literature and the fascinating tapestry of intertextual relationships among the works of Faustian music themselves, the volume suggests that rather than merely retelling the story of Faust, these musical compositions contribute significant insights on the tale and its unrivalled cultural impact.
| Author | : Charles Gounod |
| Publisher | : |
| Total Pages | : 64 |
| Release | : 1892 |
| Genre | : Operas |
| ISBN | : |
| Author | : Lucy Paquette |
| Publisher | : |
| Total Pages | : 356 |
| Release | : 2020-10-03 |
| Genre | : Art |
| ISBN | : 9780578735221 |
THE HAMMOCK: A novel based on the true story of French painter James Tissot portrays ten remarkable years in the life of James Tissot (1836-1902), who rebuilt - and then lost - his reputation in London. THE HAMMOCK is a psychological portrait, exploring the forces that unwound the career of this complex man. Based on contemporary sources, the novel brings Tissot's world alive in a story of war, art, Society glamour, love, scandal, and tragedy.
| Author | : Mikhail Bulgakov |
| Publisher | : Grove/Atlantic, Inc. |
| Total Pages | : 306 |
| Release | : 2016-03-18 |
| Genre | : Fiction |
| ISBN | : 0802190510 |
Satan comes to Soviet Moscow in this critically acclaimed translation of one of the most important and best-loved modern classics in world literature. The Master and Margarita has been captivating readers around the world ever since its first publication in 1967. Written during Stalin’s time in power but suppressed in the Soviet Union for decades, Bulgakov’s masterpiece is an ironic parable on power and its corruption, on good and evil, and on human frailty and the strength of love. In The Master and Margarita, the Devil himself pays a visit to Soviet Moscow. Accompanied by a retinue that includes the fast-talking, vodka-drinking, giant tomcat Behemoth, he sets about creating a whirlwind of chaos that soon involves the beautiful Margarita and her beloved, a distraught writer known only as the Master, and even Jesus Christ and Pontius Pilate. The Master and Margarita combines fable, fantasy, political satire, and slapstick comedy to create a wildly entertaining and unforgettable tale that is commonly considered the greatest novel to come out of the Soviet Union. It appears in this edition in a translation by Mirra Ginsburg that was judged “brilliant” by Publishers Weekly. Praise for The Master and Margarita “A wild surrealistic romp. . . . Brilliantly flamboyant and outrageous.” —Joyce Carol Oates, The Detroit News “Fine, funny, imaginative. . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative.” —Saul Maloff, Newsweek “A rich, funny, moving and bitter novel. . . . Vast and boisterous entertainment.” —The New York Times “The book is by turns hilarious, mysterious, contemplative and poignant. . . . A great work.” —Chicago Tribune “Funny, devilish, brilliant satire. . . . It’s literature of the highest order and . . . it will deliver a full measure of enjoyment and enlightenment.” —Publishers Weekly
| Author | : Adolphe d'Ennery |
| Publisher | : Wildside Press LLC |
| Total Pages | : 205 |
| Release | : 2012-01-26 |
| Genre | : Drama |
| ISBN | : 1434449696 |
French dramatist Adolphe d'Ennery (1811-1899) follows the Faust story originally developed by Goethe, but with a leavening of humor that the German playwright lacked. Especially entertaining is the character of the female demon Sulphurine, who's created by Faust's servant Wagner to be his slave. Needless to say, this she-devil is no one's mistress! Faust initially repels the advances of Mephistopheles, but suddenly finds himself in love with the young woman Marguerite, whom the devil has dangled in front of him. Now he wants the youth and vigor that Old Nibs has offered, and is willing to do whatever's necessary to gain the girl's love. But "love" is not part of the equation, as he discovers to his ultimate dismay. A marvelous--and highly entertaining--version of the Faust legend.
| Author | : |
| Publisher | : |
| Total Pages | : 84 |
| Release | : 1867 |
| Genre | : Operas |
| ISBN | : |
| Author | : James M. Van der Laan |
| Publisher | : Camden House |
| Total Pages | : 414 |
| Release | : 2013 |
| Genre | : History |
| ISBN | : 1571135529 |
New essays revealing the enduring significance of the story made famous in the 1587 Faustbuch and providing insights into the forces that gave the sixteenth century its distinct character. The Reformation and Renaissance, though segregated into distinct disciplines today, interacted and clashed intimately in Faust, the great figure that attained European prominence in the anonymous 1587 Historia von D. Johann Fausten. The original Faust behind Goethe's great drama embodies a remote culture. In his century, Faust evolved from an obscure cipher to a universal symbol. The age explored here as "the Faustian century" invested the Faustbuch and its theme with a symbolic significance still of exceptional relevance today. The new essays in this volume complement one another, providing insights into the tensions and forces that gave the century its distinctcharacter. Several essays seek Faust's prototypes. Others elaborate the symbolic function of his figure and discern the resonance of his tale in conflicting allegiances. This volume focuses on the intersection of historical accounts and literary imaginings, on shared aspects of the work and its times, on concerns with obedience and transgression, obsessions with the devil and curiosity about magic, and quandaries created by shifting religious and worldlyauthorities. Contributors: Marguerite de Huszar Allen, Kresten Thue Andersen, Frank Baron, Günther Bonheim, Albrecht Classen, Urs Leo Gantenbein, Karl S. Guthke, Michael Keefer, Paul Ernst Meyer, J. M. van der Laan, Helen Watanabe-O'Kelly, Andrew Weeks. J. M. van der Laan is Professor of German and Andrew Weeks is Professor of German and Comparative Literature, both at Illinois State University.
| Author | : Robert Nye |
| Publisher | : Putnam Publishing Group |
| Total Pages | : 292 |
| Release | : 1981 |
| Genre | : Fiction |
| ISBN | : |
| Author | : Evanghelia Stead |
| Publisher | : BRILL |
| Total Pages | : 482 |
| Release | : 2023-07-24 |
| Genre | : Literary Criticism |
| ISBN | : 9004543015 |
In a new approach to Goethe's Faust I, Evanghelia Stead extensively discusses Moritz Retzsch's twenty-six outline prints (1816) and how their spin-offs made the unfathomable play available to larger reader communities through copying and extensive distribution circuits, including bespoke gifts. The images amply transformed as they travelled throughout Europe and overseas, revealing differences between countries and cultures but also their pliability and resilience whenever remediated. This interdisciplinary investigation evidences the importance of print culture throughout the nineteenth and early twentieth centuries in nations involved in competition and conflict. Retzsch's foundational set crucially engenders parody, and inspires the stage, literature, and three-dimensional objects, well beyond common perceptions of print culture's influence. This book is available in open access thanks to an Institut Universitaire de France (IUF) grant.
