Fashionvictim
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| Author | : Amina Akhtar |
| Publisher | : Crooked Lane Books |
| Total Pages | : 341 |
| Release | : 2018-09-11 |
| Genre | : Fiction |
| ISBN | : 1683318358 |
Heathers meets The Devil Wears Prada in this “sick and vicious and funny” thriller set in the cut-throat world of fashion (Caroline Kepnes, New York Times–bestselling author of You) Fashion editor Anya St. Clair is on the verge of greatness. A to-die-for wardrobe. Killer social media numbers. And the path behind her is littered with the bodies of anyone who got in her way. She’s worked hard to get where she is, but she doesn’t have everything. Not like Sarah Taft. Anya’s obsession sits one desk away. Beautiful, stylish, and rich, Sarah’s a natural fashion icon. From her beach-wave blonde hair to her on-trend nail art, she’s a walking editorial spread. Anya wants to be her friend. Her best friend. Her only friend. When Sarah becomes her top competition for a promotion, Anya’s plan to win her friendship goes into overdrive. In order to beat Sarah, she’ll have to become her. Friendly competition may turn fatal, but as they say in fashion: One day you’re in, and the next day you’re dead. “As awesome as it sounds . . . welcome to the cruel world of fashion where women’s looks, weight, and youth is the only thing to value.” —Book Riot
| Author | : Alison Matthews David |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 393 |
| Release | : 2015-09-24 |
| Genre | : Social Science |
| ISBN | : 1472577744 |
From insidious murder weapons to blaze-igniting crinolines, clothing has been the cause of death, disease and madness throughout history, by accident and design. Clothing is designed to protect, shield and comfort us, yet lurking amongst seemingly innocuous garments we find hats laced with mercury, frocks laden with arsenic and literally 'drop-dead gorgeous' gowns. Fabulously gory and gruesome, Fashion Victims takes the reader on a fascinating journey through the lethal history of women's, men's and children's dress, in myth and reality. Drawing upon surviving fashion objects and numerous visual and textual sources, encompassing louse-ridden military uniforms, accounts of the fiery deaths of Oscar Wilde's half-sisters and dancer Isadora Duncan's accidental strangulation by entangled scarf; the book explores how garments have tormented those who made and wore them, and harmed animals and the environment in the process. Vividly chronicling evidence from Greek mythology to the present day, Matthews David puts everyday apparel under the microscope and unpicks the dark side of fashion. Fashion Victims is lavishly illustrated with over 125 images and is a remarkable resource for everyone from scholars and students to fashion enthusiasts.
| Author | : Ulinka Rublack |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 421 |
| Release | : 2021-02-11 |
| Genre | : Art |
| ISBN | : 1474249906 |
This captivating book reproduces arguably the most extraordinary primary source documents in fashion history. Providing a revealing window onto the Renaissance, they chronicle how style-conscious accountant Matthäus Schwarz and his son Veit Konrad experienced life through clothes, and climbed the social ladder through fastidious management of self-image. These bourgeois dandies' agenda resonates as powerfully today as it did in the sixteenth century: one has to dress to impress, and dress to impress they did. The Schwarzes recorded their sartorial triumphs as well as failures in life in a series of portraits by illuminists over 60 years, which have been comprehensively reproduced in full color for the first time. These exquisite illustrations are accompanied by the Schwarzes' fashion-focussed yet at times deeply personal captions, which render the pair the world's first fashion bloggers and pioneers of everyday portraiture. The First Book of Fashion demonstrates how dress – seemingly both ephemeral and trivial – is a potent tool in the right hands. Beyond this, it colorfully recaptures the experience of Renaissance life and reveals the importance of clothing to the aesthetics and every day culture of the period. Historians Ulinka Rublack's and Maria Hayward's insightful commentaries create an unparalleled portrait of sixteenth-century dress that is both strikingly modern and thorough in its description of a true Renaissance fashionista's wardrobe. This first English translation also includes a bespoke pattern by TONY award-winning costume designer and dress historian Jenny Tiramani, from which readers can recreate one of Schwarz's most elaborate and politically significant outfits.
| Author | : Caroline Weber |
| Publisher | : Macmillan + ORM |
| Total Pages | : 452 |
| Release | : 2007-10-02 |
| Genre | : Biography & Autobiography |
| ISBN | : 1429936479 |
In this dazzling new vision of the ever-fascinating queen, a dynamic young historian reveals how Marie Antoinette's bold attempts to reshape royal fashion changed the future of France Marie Antoinette has always stood as an icon of supreme style, but surprisingly none of her biographers have paid sustained attention to her clothes. In Queen of Fashion, Caroline Weber shows how Marie Antoinette developed her reputation for fashionable excess, and explains through lively, illuminating new research the political controversies that her clothing provoked. Weber surveys Marie Antoinette's "Revolution in Dress," covering each phase of the queen's tumultuous life, beginning with the young girl, struggling to survive Versailles's rigid traditions of royal glamour (twelve-foot-wide hoopskirts, whalebone corsets that crushed her organs). As queen, Marie Antoinette used stunning, often extreme costumes to project an image of power and wage war against her enemies. Gradually, however, she began to lose her hold on the French when she started to adopt "unqueenly" outfits (the provocative chemise) that, surprisingly, would be adopted by the revolutionaries who executed her. Weber's queen is sublime, human, and surprising: a sometimes courageous monarch unwilling to allow others to determine her destiny. The paradox of her tragic story, according to Weber, is that fashion—the vehicle she used to secure her triumphs—was also the means of her undoing. Weber's book is not only a stylish and original addition to Marie Antoinette scholarship, but also a moving, revelatory reinterpretation of one of history's most controversial figures.
| Author | : Kimberly Chrisman-Campbell |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Design |
| ISBN | : 9780300154382 |
A thoughtful, lavishly illustrated, and highly readable account of the fabulous French fashion world in the pre-Revolutionary period This engrossing book chronicles one of the most exciting, controversial, and extravagant periods in the history of fashion: the reign of Louis XVI and Marie-Antoinette in 18th-century France. Kimberly Chrisman-Campbell offers a carefully researched glimpse into the turbulent era's sophisticated and largely female-dominated fashion industry, which produced courtly finery as well as promoted a thriving secondhand clothing market outside the royal circle. She discusses in depth the exceptionally imaginative and uninhibited styles of the period immediately before the French Revolution, and also explores fashion's surprising influence on the course of the Revolution itself. The absorbing narrative demonstrates fashion's crucial role as a visible and versatile medium for social commentary, and shows the glittering surface of 18th-century high society as well as its seedy underbelly. Fashion Victims presents a compelling anthology of trends, manners, and personalities from the era, accompanied by gorgeous fashion plates, portraits, and photographs of rare surviving garments. Drawing upon documentary evidence, previously unpublished archival sources, and new information about aristocrats, politicians, and celebrities, this book is an unmatched study of French fashion in the late 18th century, providing astonishing insight, a gripping story, and stylish inspiration.
| Author | : Mark Tungate |
| Publisher | : Kogan Page Publishers |
| Total Pages | : 281 |
| Release | : 2008 |
| Genre | : Business & Economics |
| ISBN | : 0749453052 |
Crammed with facts and fascinating case studies, "Fashion Brands" explains how marketers and branding experts have turned clothes and accessories into objects of desire. This edition covers fashion bloggers and the rise of celebrity-endorsed products.
| Author | : John Harvey |
| Publisher | : Routledge |
| Total Pages | : 161 |
| Release | : 2014-12-05 |
| Genre | : Philosophy |
| ISBN | : 1317488717 |
Clothes protect our vulnerable skin and they keep us warm or cool. They help us show that we are young or old, rich or poor, at work or play, and whether we may be good to know. But though they are basic, much as food and shelter are - and also may be beautiful - they have long had a bad press in serious, moral and philosophical writing. The main reason for this is that they are external to us, a cover we may hide behind, and one on which some people spend too much money, perfecting a pompous plumage of vanity: also they, and the fashions for them, may not last long. Nonetheless, when we choose our own clothes, we know the choice is a sensitive matter and far from being merely superficial. John Harvey considers the overlapping values that clothes have for us. Clothes both cover and advertise the bodies within them. They help make us the men and women we are, and help us to attract each other. They enroll us in groups, from our own circle to our generation worldwide; and they show just how, as individuals, we want to be noticed. Clothes, like their wearers, may compete in claiming power. They may also, on and off the catwalk, compete to claim the spotlight. In sum they show how we think we matter - and they can matter themselves in ways that may be intimate and even crucial to us. At all times clothes have demanded attention, even when they have been castigated for their vanity, and contemporary opinion is still divided. Are clothes the most frivolous of consumer disposables - or are they, however extravagant, art? Though we wear and see them every day, the value that they have for us is multiple and fugitive and hard to catch exactly. "Clothes" attempts to sort the many-coloured wardrobe which marks off mankind from other creatures.
| Author | : Richard Harrison Martin |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 82 |
| Release | : 1999 |
| Genre | : Costume |
| ISBN | : 0870999001 |
Published in conjunction with the April 1999 exhibition, this catalogue presents the clothes, accessories, and library materials acquired by The Costume Institute at The Metropolitan Museum of Art during the 1990s. Six chapters (a history of fashion, the white dress, men of three centuries, the Americans, the contemporaries, and the library) provide a miniview of three centuries of clothing. The 113 color illustrations and illuminating text by Richard Martin (curator, The Costume Institute) display the Institute's commitment to presenting costume as a living art that interprets history, becomes part of the historical process, and inspires subsequent art. Oversize: 9.25x11.75". Annotation copyrighted by Book News, Inc., Portland, OR
| Author | : Sam Baker |
| Publisher | : Ballantine Books |
| Total Pages | : 324 |
| Release | : 2005-05-31 |
| Genre | : Fiction |
| ISBN | : 0345484428 |
Who would leave a highly respected, hard-won position as an investigative journalist at one of London’s top newspapers for a job at a fashion rag? That’s the question on everyone’s mind when Annie Anderson announces she’s making the move. True, the last few months have been tough on Annie, who remains haunted by memories of an undercover sting gone wrong that left an innocent woman dead. But a glossy magazine? It just doesn’t seem very Annie. Her colleagues assume she’s lost it, but Annie has her secret reasons. After a few days at Handbag, Annie realizes that being a fashion editor is going to be much harder than she ever anticipated. Thrown into the heart of New York Fashion Week, she is unprepared for her new world’s bewildering hierarchy–though she’s becoming increasingly familiar with “that fashion feeling” she gets when facing constant comparisons to the über-thin, ultra-glam women around her. It would be easier working in a war zone than getting the right seat at the Marc Jacobs show. But if there’s one thing Annie knows, it’s interviewing. So when she scores an exclusive with the hot up-and-coming designer Mark Mailer, she’s back on familiar ground. The gossip du jour has Mark and his supermodel girlfriend Patty Lang on the outs after Patty’s disastrous and very public return to her first love: heroin. Annie senses there’s much more to the story, but before she can coax Mark to open up, he’s dead–shot before Annie’s eyes in what appears to be attempted robbery. Though shaken, Annie believes that Mark’s death was anything but random, and a grief-stricken Patty agrees. From New York to London to Milan, while taking on a tyrannical boss, slick-as-oil PR execs, and egomaniacal designers with the depth of a linen blouse, Annie searches for answers. But in the pursuit of a good story, Annie must not lose sight of her common sense–or the consequences could make her the next fashion victim. From the Hardcover edition.
| Author | : Michelle Lee |
| Publisher | : Broadway |
| Total Pages | : 354 |
| Release | : 2003 |
| Genre | : Business & Economics |
| ISBN | : |
A riveting look inside the fashion world that exposes the truth about shopaholics, sweatshops, and celebrity closets. Fashion—from the $1500 Prada bag to the $30 Kate Spade knock-off sold on the sidewalk—has been transformed from a commodity reserved for the elite to a powerful presence in mass market culture. As a society, we are obsessed with fashion and style, racking up credit card debt to support compulsive shopping habits, scouring magazines for the latest trends to buy, and focusing more on who’s wearing what at the Oscars than on who’s winning. In Fashion Victim, award-winning journalist Michelle Lee blows the lid off the fashion industry, and spotlights the fascinating—and often disturbing--ways in which it is morphing our culture, our economy and our values. Dishing on the lords of the label, including designers like Donna Karan, Calvin Klein, and Kenneth Cole, Fashion Victim reveals a world that is sometimes grotesque, sometimes glitzy, but constantly intriguing. From bear hides to the Victorian bustle, Lee traces the role of fashion through the ages, taking us from the dawn of ready-to-wear in 1865 to the modern trend cycles that incite us to clamor after leg warmers, bumster trousers, and Manolo Blahniks. She details the birth of “Speed Chic”—the hamster wheel of style that keeps us stuck in an endless cycle of consumption and has become the crack-cocaine of fashion, providing us with a temporary high until we spot the next trend and reach for our wallets. She also explores the phenomenon of “McFashion,” the uncanny proliferation of retailers like the Gap and Old Navy that are creeping into every town in America and stripping us—and the designers they knock off--of individuality and innovation. And she ultimately probes the human cost of fashion’s decadence, including the distorted perceptions of beauty fueled by high-end designers, the dangers of dry cleaning, and the ugly financial disparity between those who make the clothes and those who buy them. An unprecedented look behind the runway at the forces and personalities driving this $200 billion dollar industry, Fashion Victim is a stylish, provocative and highly entertaining contribution to the analysis of American popular culture.
