Fashioning Authorship In The Long Eighteenth Century
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| Author | : Gerald Egan |
| Publisher | : Springer |
| Total Pages | : 242 |
| Release | : 2017-01-10 |
| Genre | : Literary Criticism |
| ISBN | : 113751826X |
One view of the author in eighteenth- and nineteenth-century Britain held that poetic genius could reside in the lady or gentleman of fashion. Fashioning Authorship in the Long Eighteenth Century examines this cultural trope of genius-as-fashionista by applying an innovative mix of approaches—book history, Enlightenment and twentieth-century philosophy, visual studies, and material analyses of fashions in books and in dress—to specific editions of Alexander Pope, Mary Robinson and Lord Byron. In its material analyses of these books, Fashioning Authorship looks closely at bindings, letterforms, engravings, newspaper advertisements, correspondence, and other ephemera. In its theoretical approaches, it takes up the interventions of Locke and Kant in connection with the visual theories of Richardson, Hogarth, and Reynolds. These investigations point ultimately to a profound connection between Enlightenment formulations of subjectivity, genius, and fashion, a link that is relevant to the construction of celebrity in our own cultural moment.
| Author | : Gerald Egan |
| Publisher | : Palgrave Macmillan |
| Total Pages | : 0 |
| Release | : 2017-01-18 |
| Genre | : Literary Criticism |
| ISBN | : 9781137518255 |
One view of the author in eighteenth- and nineteenth-century Britain held that poetic genius could reside in the lady or gentleman of fashion. Fashioning Authorship in the Long Eighteenth Century examines this cultural trope of genius-as-fashionista by applying an innovative mix of approaches—book history, Enlightenment and twentieth-century philosophy, visual studies, and material analyses of fashions in books and in dress—to specific editions of Alexander Pope, Mary Robinson and Lord Byron. In its material analyses of these books, Fashioning Authorship looks closely at bindings, letterforms, engravings, newspaper advertisements, correspondence, and other ephemera. In its theoretical approaches, it takes up the interventions of Locke and Kant in connection with the visual theories of Richardson, Hogarth, and Reynolds. These investigations point ultimately to a profound connection between Enlightenment formulations of subjectivity, genius, and fashion, a link that is relevant to the construction of celebrity in our own cultural moment.
| Author | : Anja Müller |
| Publisher | : Routledge |
| Total Pages | : 372 |
| Release | : 2016-12-05 |
| Genre | : Literary Criticism |
| ISBN | : 1351937006 |
This innovative collection of essays re-examines conventional ideas of the history of childhood, exploring the child's increasing prominence in eighteenth-century discourse and the establishment of the category of age as a marker of social distinction alongside race, class and gender. While scholars often approach childhood within the context of a single nation, this collection takes a comparative approach, examining the child in British, German and French contexts and demonstrating the mutual influences between the Continent and Great Britain in the conceptualization of childhood. Covering a wide range of subjects, from scientific and educational discourses on the child and controversies over the child's legal status and leisure activities, to the child as artist and consumer, the essays shed light on well-known novels like Tristram Shandy and Tom Jones, as well as on less-familiar texts such as periodicals, medical writings, trial reports and schoolbooks. Articles on visual culture show how eighteenth-century discourses on childhood are reflected in representations of the child by illustrators and portraitists. The international group of contributors, including Peter Borsay, Patricia Crown, Bernadette Fort, Brigitte Glaser, Klaus Peter Jochum, Dorothy Johnson and Peter Sabor, represent the disciplines of history, literature and art and reflect the collection's commitment to interdisciplinarity. The volume's unique range of topics makes it essential reading for students and scholars concerned with the history and representation of childhood in eighteenth-century culture.
| Author | : Gerald Egan |
| Publisher | : Springer Nature |
| Total Pages | : 362 |
| Release | : 2020-02-13 |
| Genre | : Literary Criticism |
| ISBN | : 3030268985 |
Studies of fashion and literature in recent decades have focused primarily on representations of clothing and dress within literary texts. But what about the author? How did he dress? What where her shopping practices and predilections? What were his alliances with modishness, stylishness, fashion? The essays in this book explore these and other questions as they look at authors from the eighteenth century through the postmodern and digital eras, cultural producers who were also men and women of fashion: Alexander Pope, Hester Thrale, Mary Robinson, Lord Byron, William Thackeray, Charlotte Bronte, Wilkie Collins, Margaret Oliphant, Virginia Woolf, Rebecca West, Trudi Kanter, Angela Carter, and Martin Margiela. The essays collected here ultimately converge upon a fundamental question: what happens to our notions of timeless literature when authorship itself is implicated in the transient and the temporary, the cycles and materials of fashion? “Gerald Egan’s provocative introduction to this exciting new book poses a bold question: How are authorship and literature – so often linked to ideas of transcendence – implicated in the transient trends and stuff of fashion? The thirteen chapters that follow track authorship’s complex implication in the discourses and materiality of fashion and fashionable goods from the eighteenth to the twentieth centuries. Wide-ranging in discipline and chronology, yet forensically focused and carefully argued, this book makes a striking and wonderfully original contribution to studies of authorship, celebrity and material culture.” — Dr Jennie Batchelor, Professor of Eighteenth-Century Studies,University of Kent, UK
| Author | : Carly Watson |
| Publisher | : Springer Nature |
| Total Pages | : 300 |
| Release | : 2021-03-26 |
| Genre | : Literary Criticism |
| ISBN | : 3030370666 |
This book is a critical study of the ancestors of contemporary poetry anthologies: the poetic miscellanies of the late seventeenth and eighteenth centuries. It argues that miscellanies are a distinctive kind of literary collection and that their popularity in the period 1680–1800 had a far-reaching impact on authors, publishers, and readers of poetry. This study expands the definition of miscellanies to include single-author collections called miscellanies as well as the multiple-author collections that have traditionally been the focus of scholarly attention. It shows how multiple-author miscellanies fostered different kinds of literary community and explores the neglected role of single-author miscellanies in the self-fashioning of eighteenth-century writers. Later chapters examine miscellanies’ relationships with periodicals, their contribution to the formation of the literary canon, and their reception and transformation in the hands of readers. The book draws on newly available digital data as well as evidence from hundreds of printed miscellanies to shed new light on how poetry was written, published, and read in the long eighteenth century.
| Author | : Peter McNeil |
| Publisher | : Yale University Press |
| Total Pages | : 258 |
| Release | : 2018-01-01 |
| Genre | : Design |
| ISBN | : 0300217463 |
"The term "macaroni" was once as familiar a label as "punk" or "hipster" is today. In this handsomely illustrated book devoted to notable 18th-century British male fashion, award-winning author and fashion historian Peter McNeil brings together dress, biography, and historical events with the broader visual and material culture of the late 18th century. For thirty years, macaroni was a highly topical word, yielding a complex set of social, sexual, and cultural associations. Pretty Gentlemen is grounded in surviving dress, archival documents, and art spanning hierarchies and genres, from scurrilous caricature to respectful portrait painting. Celebrities hailed and mocked as macaroni include politician Charles James Fox, painter Richard Cosway, freed slave Julius "Soubise," and criminal parson Reverend Dodd. The style also rapidly spread to neighboring countries in cross-cultural exchange, while Horace Walpole, George III, and Queen Charlotte were active critics and observers of these foppish men."--Publisher's website.
| Author | : J. Batchelor |
| Publisher | : Springer |
| Total Pages | : 201 |
| Release | : 2005-07-25 |
| Genre | : Literary Criticism |
| ISBN | : 0230595979 |
A constellation of new essays on authorship, politics and history, British Women's Writing in the Long Eighteenth Century: Authorship, Politics and History presents the latest thinking about the debates raised by scholarship on gender and women's writing in the long eighteenth century. The essays highlight the ways in which women writers were key to the creation of the worlds of politics and letters in the period, reading the possibilities and limits of their engagement in those worlds as more complex and nuanced than earlier paradigms would suggest. Contributors include Norma Clarke, Janet Todd, Brian Southam , Harriet Guest, Isobel Grundy and Felicity Nussbaum. Published in association with the Chawton House Library, Hampshire - for more information, visit http://www.chawton.org/
| Author | : Matthew H. Birkhold |
| Publisher | : |
| Total Pages | : 307 |
| Release | : 2019 |
| Genre | : Law |
| ISBN | : 0198831978 |
Based on extensive archival work, Characters before Copyright shows that fan fiction proliferated in the eighteenth century and explains why this phenomenon emerged when it did.
| Author | : Lauren Gillingham |
| Publisher | : Cambridge University Press |
| Total Pages | : 327 |
| Release | : 2023-05-25 |
| Genre | : Literary Criticism |
| ISBN | : 1009296574 |
Revealing how a modern notion of fashion helped to transform the novel and its representation of social change and individual and collective life in nineteenth-century Britain, Lauren Gillingham offers a revisionist history of the novel. With particular attention to the fiction of the 1820s through 1840s, this study focuses on novels that use fashion's idiom of currency and obsolescence to link narrative form to a heightened sense of the present and the visibility of public life. It contends that novelists steeped their fiction in date-stamped matters of dress, manners, and media sensations to articulate a sense of history as unfolding not in epochal change, but in transient issues and interests capturing the public's imagination. Reading fiction by Mary Shelley, Letitia Landon, Edward Bulwer-Lytton, W. H. Ainsworth, Charles Dickens, Mary Elizabeth Braddon, and others, Fashionable Fictions tells the story of a nineteenth-century genre commitment to contemporaneity that restyles the novel itself.
| Author | : Timothy Campbell |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 376 |
| Release | : 2016-08-19 |
| Genre | : Design |
| ISBN | : 0812248325 |
In Historical Style, Timothy Campbell argues that the eighteenth-century fashion press shaped British perception of time and history by producing new curiosity about the very recent past and a new self-consciousness about the means by which the past could be understood.
