Excerpt from Fashion and Famine What shall I say in this Preface to my book? Shall I make the usual half-sincere, half-affected apology of haste and inexperience, with hints of improvement in future efforts? Indeed I cannot, for though this volume really is the first novel ever printed in book form under my name, its imperfections, whatever they are, arise from no inexperience or undue haste, but from absolute lack of power to accomplish that which I have undertaken. Nor is it probable that the points in which I have failed here, would be very greatly improved were the same book to be written again. I have endeavored to make this book a good one. If I have failed it is because the power has not been granted to me by the Source of all power, and for deficiency like this, the only admissible apology would be for having written at all. But excuses are out of place here. The book, with all its faults, is frankly surrendered to the public judgment, asking neither favoritism or forbearance, save that favoritism which deals gently with unintentional error, and that forbearance which no American ever withholds from a woman. Shall I say that this volume is launched on the world with fear and trembling? That would express an ungrateful want of faith in a class of readers who have generously sustained me through years of literary toil, and have nobly supported not only Peter sons Ladies' National Magazine now under my charge, but every periodical with which I have been connected. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.