Fantasies Of Gender And The Witch In Feminist Theory And Literature
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| Author | : Justyna Sempruch |
| Publisher | : Purdue University Press |
| Total Pages | : 201 |
| Release | : 2008 |
| Genre | : Literary Criticism |
| ISBN | : 1557534918 |
Lincoln's Censor examines the effect of government suppression on the Democratic press in Indiana during the spring of 1863. President Abraham Lincoln, who suspended the writ of habeas corpus in 1862, claiming presidential prerogatives given by the Constitution at times of invasion or rebellion, had some political misgivings about the intimidation of Democratic newspapers, but let the practice continue in Indiana from April through June of 1863.
| Author | : Brydie Kosmina |
| Publisher | : Springer Nature |
| Total Pages | : 275 |
| Release | : 2023-03-31 |
| Genre | : Social Science |
| ISBN | : 3031252926 |
The book investigates the witch as a key rhetorical symbol in twentieth- and twenty-first century feminist memory, politics, activism, and popular culture. The witch demonstrates the inheritance of paradoxical pasts, traversing numerous ideological memoryscapes. This book is an examination of the ways that the witch has been deployed by feminist activists and writers in their political efforts in the twentieth century, and how this has indelibly affected cultural memories of the witch and the witch trials, and how this plays out in popular culture representations of the symbol through the twentieth and twenty-first centuries. Consequently, this book considers the relationship between popular culture and media, activist politics, and cultural memory. Using hauntological theories of memory and temporality, and literary, screen, and cultural studies methodologies, this book considers how popular culture remembers, misremembers, and forgets usable pasts, and the uses (and misuses) of these memories for feminist politics. Given the ubiquity of the witch in popular culture, politics and activism since 2016, this book is a timely examination of the range of meanings inherent to the figure, and is an important study of how cultural symbols like the witch inherit paradoxical memories, histories, and politics. The book will be valuable for scholars across disciplines, including witchcraft studies, feminist philosophy and history, memory studies, and popular culture studies.
| Author | : Urszula Chowaniec |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 270 |
| Release | : 2013-02-22 |
| Genre | : Literary Collections |
| ISBN | : 1443847089 |
Every time a so-called “woman’s voice” appears in the media in connection with any sphere of creative activity, it finds itself confronted by the almost formulaic expression “feminism today,” instantaneously suggesting that feminism is, in fact, a matter of the past, and that if we want to return to this phenomenon, then we need to explain ourselves. Women’s Voices and Feminism in Polish Cultural Memory seeks to elaborate the problem of generalization, expressed by such formulas as “feminism today,” while analysing how feminist sympathies have shaped Polish literature, film and language. This volume does not want to impose any hegemonic understanding of “feminism,” or imply any a priori ideological assumptions about women’s “nature” or role in society. It seeks to identify what is particular to the Polish feminist experience. It starts by asking such questions as “what is feminism today?” or “what can we learn from the history of Polish women’s writing?” In answering these questions, the women scholars who have contributed to the volume examine Polish cultural history and memory in the context of the transformations, transitions and catastrophes of the last two centuries, whilst firmly rooting Polish experience within the common European heritage.
| Author | : Jason Barr |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 299 |
| Release | : 2014-05-15 |
| Genre | : Performing Arts |
| ISBN | : 1442234814 |
In a richly developed fictional universe, Doctor Who, a wandering survivor of a once-powerful alien civilization, possesses powers beyond human comprehension. He can bend the fabric of time and space with his TARDIS, alter the destiny of worlds, and drive entire species into extinction. The good doctor’s eleven “regenerations” and fifty years’ worth of adventures make him the longest-lived hero in science-fiction television. In The Language of Doctor Who: From Shakespeare to Alien Tongues, Jason Barr and Camille D. G. Mustachio present several essays that use language as an entry point into the character and his universe. Ranging from the original to the rebooted television series—through the adventures of the first eleven Doctors—these essays explore how written and spoken language have been used to define the Doctor’s ever-changing identities, shape his relationships with his many companions, and give him power over his enemies—even the implacable Daleks. Individual essays focus on fairy tales, myths, medical-travel narratives, nursery rhymes, and, of course, Shakespeare. Contributors consider how the Doctor’s companions speak with him through graffiti, how the Doctor himself uses postmodern linguistics to communicate with alien species, and how language both unites and divides fans of classic Who and new Who as they try to converse with each other. Broad in scope, innovative in approach, and informed by a deep affection for the program, TheLanguage of Doctor Whowill appeal to scholars of science fiction, television, and language, as well as to fans looking for a new perspective on their favorite Time Lord.
| Author | : Julie M. Still |
| Publisher | : McFarland |
| Total Pages | : 253 |
| Release | : 2019-09-19 |
| Genre | : Performing Arts |
| ISBN | : 1476664463 |
Science fiction and fantasy are often thought of as stereotypically male genres, yet both have a long and celebrated history of female creators, characters, and fans. In particular, the science fiction and fantasy heroine is a recognized figure made popular in media such as Alien, The Terminator, and Buffy, The Vampire Slayer. Though imperfect, she is strong and definitely does not need to be saved by a man. This figure has had an undeniable influence on The Hunger Games, Divergent, Star Wars: The Force Awakens, and many other, more recent female-led book and movie franchises. Despite their popularity, these fictional women have received inconsistent scholarly interest. This collection of new essays is intended to help fill a gap in the serious discussion of women and gender in science fiction and fantasy. The contributors are scholars, teachers, practicing writers, and other professionals in fields related to the genre. Critically examining the depiction of women and gender in science fiction and fantasy on both page and screen, they focus on characters who are as varied as they are interesting, and who range from vampire slayers to time travelers, witches, and spacefarers.
| Author | : Jack J. B. Hutchens |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 155 |
| Release | : 2020-07-22 |
| Genre | : Literary Criticism |
| ISBN | : 1793605041 |
Throughout the twentieth century in Poland various ideologies attempted to keep queer voices silent—whether those ideologies were fascist, communist, Catholic, or neo-liberal. Despite these pressures, there existed a vibrant, transgressive trend within Polish literature that subverted such silencing. This book provides in-depth textual analyses of several of those texts, covering nearly every decade of the last century, and includes authors such as Witold Gombrowicz, Marian Pankowski, and Olga Tokarczuk, winner of the 2018 Nobel Prize in Literature. Jack J. B. Hutchens demonstrates the subversive power of each work, showing that through their transgressions they help to undermine nationalist and homophobic ideologies that are still at play in Poland today. Hutchens argues that the transgressive reading of Polish literature can challenge the many binaries on which conservative, heteronormative ideology depends in order to maintain its cultural hegemony.
| Author | : James P. Wilper |
| Publisher | : Purdue University Press |
| Total Pages | : 216 |
| Release | : 2016-02-15 |
| Genre | : Literary Criticism |
| ISBN | : 1612494218 |
In Reconsidering the Emergence of the Gay Novel in English and German, James P. Wilper examines a key moment in the development of the modern gay novel by analyzing four novels by German, British, and American writers. Wilper studies how the texts are influenced by and respond and react to four schools of thought regarding male homosexuality in the late nineteenth and early twentieth centuries. The first is legal codes criminalizing sex acts between men and the religious doctrine that informs them. The second is the ancient Greek erotic philosophy, in which a revival of interest took place in the late nineteenth century. The third is sexual science (or "sexology"), which offered various medical and psychological explanations for same-sex desire and was employed variously to defend, as well as to attempt to cure, this "perversion." And fourth, in the wake of the scandal caused by his trials and conviction for "gross indecency," Oscar Wilde became associated with a homosexual stereotype based on "unmanly" behavior. Wilper analyzes the four novels—Thomas Mann's Death in Venice, E. M. Forster's Maurice, Edward Prime-Stevenson's Imre: A Memorandum, and John Henry Mackay's The Hustler—in relation to these schools of thought, and focuses on the exchange and cross-cultural influence between linguistic and cultural contexts on the subject of love and desire between men.
| Author | : Giovanna Parmigiani |
| Publisher | : Indiana University Press |
| Total Pages | : 205 |
| Release | : 2019-09-12 |
| Genre | : Social Science |
| ISBN | : 0253043395 |
Can the way a word is used give legitimacy to a political movement? Feminism, Violence, and Representation in Modern Italy traces the use of the word "femminicidio" (or "femicide") as a tool to mobilize Italian feminists, particularly the Union of Women in Italy (UDI). Based on nearly two years of fieldwork among feminist activists, Giovanna Parmigiani takes a broad look at the many ways in which violence inflects the lives of women in Italy. From unchallenged gendered grammar rules to the representation of women as victims, Parmigiani examines the devaluing of women's contribution to their communities through the words and experiences of the women she interviews. She describes the first uses of the word "femminicidio" as a political term used by and within feminist circles and traces its spread to ultimate legitimization and national relevance. The word redefined women as a political subject by building an imagined community of potentially violated women. In doing so, it challenged Italians to consider the status of women in Italian society, and to make this status a matter of public debate. It also problematized the connection between women and tropes of women as objects of suffering and victimhood. Parmigiani considers this exchange within the context of Italian Catholic heritage, a precarious economy, and long-held notions of honor and shame. Parmigiani provides a careful and searing consideration of the ways in which representations of violence and the politics of this representation are shaping the future of women in Italy and beyond.
| Author | : Yi Zheng |
| Publisher | : Purdue University Press |
| Total Pages | : 160 |
| Release | : 2011-01-15 |
| Genre | : Literary Criticism |
| ISBN | : 1612491855 |
This volume presents a historical-textual study about transformations of the aesthetics of the sublime—the literary and aesthetic quality of greatness under duress —from early English Romanticism to the New Poetry Movement in twentieth-century China. Zheng sets up the former and the latter as distinct but historically analogous moments and argues that both the European Romantic reinvention of the sublime and its later Chinese transformation represent cultural movements built on the excessive and capacious nature of the sublime to counter their shared sense of historical crisis. The author further postulates through a critical analysis of Edmund Burke's Inquiry into the Origins of Our Ideas of the Sublime and Beautiful, William Wordsworth's Prelude, and Guo Moruo's experimental poem "Fenghuang Niepan" ("Nirvana of the Phoenix") and verse drama Qu Yuan that these aesthetic practices of modernity suggest a deliberate historical hyperbolization of literary agency. Such an agency is in turn constructed imaginatively and affectively as a means to redress different cultures' traumatic encounter with modernity. The volume will be of interest to scholars including graduate students of Romanticism, philosophy, history, English literature, Chinese literature, comparative literature, and (comparative) cultural studies.
| Author | : Junior Research Fellow in Russian and German Intellectual History Galin Tihanov |
| Publisher | : Purdue University Press |
| Total Pages | : 322 |
| Release | : 2009 |
| Genre | : Philosophy |
| ISBN | : 1557535256 |
This book offers original research by leading scholars from the United States, United Kingdom, Germany, France, and Russia, which covers the central areas of Shpet's work on phenomenology, philosophy of language, cultural theory, and aesthetics and takes forward the current state of knowledge and debates on his contribution to these fields of enquiry. The book also contains, for the first time in English translation, the most seminal portions of Shpet's book-length study of hermeneutics, which is his most significant work for contemporary students of cultural theory. The first part of the book maps out Shpet's legacy in the main areas of his multi-faceted work; the second part examines in closer detail particular aspects of Shpet's philosophical affiliations and contributions in the framework of cultural theory, phenomenology, hermeneutics, and in the field of Russian intellectual history; the final part features the publication of extracts from Shpet's 1918 book on hermeneutics.
