Famous All Over Town
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| Author | : Bernie Schein |
| Publisher | : Univ of South Carolina Press |
| Total Pages | : 429 |
| Release | : 2014-09-16 |
| Genre | : Fiction |
| ISBN | : 1611174406 |
This sweeping comic novel examines the public and private upheavals of life in a small Southern town from the Civil Rights era to the new millennium. Famous All Over Town, the first novel from Southern storyteller Bernie Schein, is a comically candid multi-generational account of two Jews, a lowcountry native and a Northern transplant. Their lives interweave through the momentous events of a sleepy coastal hamlet based on Schein’s native Beaufort, South Carolina. Schein’s cast includes Southern Jewish lawyer Murray Gold and his foil, displaced New York psychiatrist Bert Levy. There’s also an emotionally scarred drill sergeant and his alluringly unconventional wife; a corrupt sheriff and his violent son; an African American madam and her two brilliant children; a fallen Southern belle; a transvestite Vietnam veteran; and many others. With their conflicted identities, burgeoning ambitions, and romantic entanglements, they live through the turbulent 1960s into the 1990s, confronting the ramifications of the civil rights era, Vietnam, Watergate, and—closer to home—a deadly version of the infamous Ribbon Creek incident. Foreword by Janis Owens.
| Author | : Danny Santiago |
| Publisher | : |
| Total Pages | : 292 |
| Release | : 1984 |
| Genre | : Los Angeles (Calif.) |
| ISBN | : |
The scene is Los Angeles--but not the LA of sun-drenched beaches or glamorous Hollywood. This is the Los Angeles of the Chicano barrio, where everything in life is stacked against the teenaged hero, Chato Medina, his beleaguered, disintegrating family, his defiant and doomed friends, and the future he may not make it far enough to enjoy. Chato, however, is out to beat all those odds--in his own indefatigable, inimitable way . . .
| Author | : Emma Mills |
| Publisher | : Henry Holt and Company (BYR) |
| Total Pages | : 321 |
| Release | : 2019-01-15 |
| Genre | : Young Adult Fiction |
| ISBN | : 1250179645 |
For Sophie, small town life has never felt small. With her four best friends—loving, infuriating, and all she could ever ask for—she can weather any storm. But when Sophie’s beloved Acadia High School marching band is selected to march in the upcoming Rose Parade, it’s her job to get them all the way to LA. Her plan? To persuade country singer Megan Pleasant, their Midwestern town’s only claim to fame, to come back to Acadia to headline a fundraising festival. The only problem is that Megan has very publicly sworn never to return. What ensues is a journey filled with long-kept secrets, hidden heartbreaks, and revelations that could change everything—along with a possible fifth best friend: a new guy with a magnetic smile and secrets of his own.
| Author | : Bill Bryson |
| Publisher | : VNR AG |
| Total Pages | : 326 |
| Release | : 1989 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780060161583 |
"I come from Des Moines. Somebody had to." And, as soon as Bill Bryson was old enough, he left. Des Moines couldn't hold him, but it did lure him back. After ten years in England he returned to the land of his youth, and drove almost 14,000 miles in search of a mythical small town called Amalgam, the kind of smiling village where the movies from his youth were set. Instead he drove through a series of horrific burgs, which he renamed Smellville, Fartville, Coleslaw, Coma, and Doldrum. At best his search led him to Anywhere, USA, a lookalike strip of gas stations, motels and hamburger outlets populated by obese and slow-witted hicks with a partiality for synthetic fibres. He discovered a continent that was doubly lost: lost to itself because he found it blighted by greed, pollution, mobile homes and television; lost to him because he had become a foreigner in his own country.
| Author | : Philip Goldstein |
| Publisher | : Oxford University Press |
| Total Pages | : 408 |
| Release | : 2008-01-30 |
| Genre | : Literary Collections |
| ISBN | : 0195320875 |
Contemporary reception study has developed a diversity of approaches and methods, including the institutional, textual, historical, authorial, and reader-response, which, to a greater or lesser extent, acknowledge the various ways in which readers have found texts-- literature, television shows, movies, and newspapers--meaningful. This collection emphasizes that new diversity, examining movies, newspapers, fans, television shows, and traditional American as well as modern Hispanic, Black, and Women's literature. The essays on literature include James Machor on Melville's short fiction, Kenneth Roemer on Edward Bellamy's utopian work Looking Backward, Amy Blair on the popularity of Sinclair Lewis's Main Street, Marcial Gonzalez on Danny Santiago and his Hispanic novel Famous All Over Town, and Leonard Diepeveen on modernist fiction and criticism. The theoretical essays on reader-oriented criticism include Patsy Schweickart on interpretation and the ethics of care and Jack Bratich on active audiences. Media versions of response criticism include Andrea Press and Camille Johnson's ethnographic analysis of fans of the Oprah Winfrey Show, Janet Staiger on Robert Aldrich's film version of Mickey Spillane's Kiss Me Deadly, and Rhiannon Bury on the fans of the HBO television show Six Feet Under. History-of-the-book versions include Barbara Hochman on the popularity of the 1890s editions of Harriet Beecher Stowe's Uncle Tom's Cabin, Ellen Garvey on nineteenth-century scrapbooks of newspaper, and David Nord on early twentieth-century newspapers' relations to audience charges of bias and unfairness. Poststructuralist studies include Philip Goldstein on Richard Wright's Native Son, Steve Mailloux on Reading Lolita in Tehran, and Tony Bennett on the cultural analyses of Pierre Bourdieu. The collection concludes with essays by Janice Radway on the limits of these methods and on the possibility of new forms of sociological and anthropological reception study and by Toby Miller on the "reception deception" in relation to the worldwide distribution and reception of movies and television shows.
| Author | : Ignacio L—pez-Calvo |
| Publisher | : University of Arizona Press |
| Total Pages | : 272 |
| Release | : 2011-02-15 |
| Genre | : Literary Criticism |
| ISBN | : 9780816529261 |
Los Angeles has long been a place where cultures clash and reshape. The city has a growing number of Latina/o authors and filmmakers who are remapping and reclaiming it through ongoing symbolic appropriation. In this illuminating book, Ignacio L—pez-Calvo foregrounds the emotional experiences of authors, implicit authors, narrators, characters, and readers in order to demonstrate that the evolution of the imaging of Los Angeles in Latino cultural production is closely related to the politics of spatial location. This spatial-temporal approach, he writes, reveals significant social anxieties, repressed rage, and deep racial guilt. Latino Los Angeles in Film and Fiction sets out to reconfigure the scope of Latino literary and cultural studies. Integrating histories of different regions and nations, the book sets the interplay of unresolved contradictions in this particular metropolitan area. The novelists studied here stem from multiple areas, including the U.S. Southwest, Guatemala, and Chile. The study also incorporates non-Latino writers who have contributed to the Latino culture of the city. The first chapter examines Latino cultural production from an ecocritical perspective on urban interethnic relations. Chapter 2 concentrates on the representation of daily life in the barrio and the marginalization of Latino urban youth. The third chapter explores the space of women and how female characters expand their area of operations from the domestic space to the public space of both the barrio and the city. A much-needed contribution to the fields of urban theory, race critical theory, Chicana/oÐLatina/o studies, and Los Angeles writing and film, L—pez-Calvo offers multiple theoretical perspectivesÑincluding urban theory, ecocriticism, ethnic studies, gender studies, and cultural studiesÑ contextualized with notions of transnationalism and post-nationalism.
| Author | : Laura Browder |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 334 |
| Release | : 2003-06-20 |
| Genre | : Literary Criticism |
| ISBN | : 0807860603 |
In the 1920s, black janitor Sylvester Long reinvented himself as Chief Buffalo Child Long Lance, and Elizabeth Stern, the native-born daughter of a German Lutheran and a Welsh Baptist, authored the immigrant's narrative I Am a Woman--and a Jew; in the 1990s, Asa Carter, George Wallace's former speechwriter, produced the fake Cherokee autobiography, The Education of Little Tree. While striking, these examples of what Laura Browder calls ethnic impersonator autobiographies are by no means singular. Over the past 150 years, a number of American authors have left behind unwanted identities by writing themselves into new ethnicities. Significantly, notes Browder, these ersatz autobiographies have tended to appear at flashpoints in American history: in the decades before the Civil War, when immigration laws and laws regarding Native Americans were changing in the 1920s, and during the civil rights era, for example. Examining the creation and reception of such works from the 1830s through the 1990s--against a background ranging from the abolition movement and Wild West shows to more recent controversies surrounding blackface performance and jazz music--Browder uncovers their surprising influence in shaping American notions of identity.
| Author | : Jana Brubaker |
| Publisher | : McFarland |
| Total Pages | : 167 |
| Release | : 2018-07-09 |
| Genre | : Reference |
| ISBN | : 0786497440 |
What do James Frey's A Million Little Pieces, Margaret B. Jones' Love and Consequence and Wanda Koolmatrie's My Own Sweet Time have in common? None of these popular books are what they appear to be. Frey's fraudulent drug addiction "memoir" was really a semi-fictional novel, Jones' chronicle of her life in a street gang was a complete fabrication, and Koolmatrie was not an Aboriginal woman removed from her family as a child, as in her seemingly autobiographical account, but rather a white taxi driver named Leon Carmen. Deceptive literary works mislead readers and present librarians with a dilemma. Whether making recommendations to patrons or creating catalog records, objectivity and accuracy are crucial--and can be difficult when a book's authorship or veracity is in doubt. This informative (and entertaining!) study addresses ethical considerations for deceptive works and proposes cataloging solutions that are provocative and designed to spark debate. An extensive annotated bibliography describes books that are not what they seem.
| Author | : Christopher L. Miller |
| Publisher | : University of Chicago Press |
| Total Pages | : 253 |
| Release | : 2018-12-10 |
| Genre | : Literary Criticism |
| ISBN | : 022659114X |
“Miller takes us on an exciting tour of postcolonial and world literature, guiding us through the literary maze of the real and the pretenders to the real.” —Ngugi wa Thiong’o, author of Wizard of the Crow Writing a new page in the surprisingly long history of literary deceit, Impostors examines a series of literary hoaxes, deceptions that involved flagrant acts of cultural appropriation. This book looks at authors who posed as people they were not, in order to claim a different ethnic, class, or other identity. These writers were, in other words, literary usurpers and appropriators who trafficked in what Christopher L. Miller terms the “intercultural hoax.” In the United States, such hoaxes are familiar. Forrest Carter’s The Education of Little Tree and JT LeRoy’s Sarah are two infamous examples. Miller’s contribution is to study hoaxes beyond our borders, employing a comparative framework and bringing French and African identity hoaxes into dialogue with some of their better-known American counterparts. In France, multiculturalism is generally eschewed in favor of universalism, and there should thus be no identities (in the American sense) to steal. However, as Miller demonstrates, this too is a ruse: French universalism can only go so far and do so much. There is plenty of otherness to appropriate. This French and Francophone tradition of imposture has never received the study it deserves. Taking a novel approach to this understudied tradition, Impostors examines hoaxes in both countries, finding similar practices of deception and questions of harm. “In this fascinating study of intercultural literary hoaxes, Christopher L. Miller provides a useful, brief history of American literary impostures as a backdrop for his investigation of France’s literary history of ‘ethnic usurpation.’” —Henry Louis Gates, Jr., New York Times–bestselling author
| Author | : M. Daphne Kutzer |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 496 |
| Release | : 1996-01-09 |
| Genre | : Literary Criticism |
| ISBN | : 0313064229 |
Multicultural fiction is an essential part of the American literary landscape. This reference helps scholars, teachers, and librarians choose significant texts from both the past and present, and provides guidance in approaching multicultural issues as they are discussed in fiction for young adults. Included are entries for 51 writers, some of whom have nearly been forgotten, others who are just emerging. Each entry provides biographical, critical, and bibliographical information, while a general bibliography of works on multicultural literature concludes the book. Authors included range from the nearly forgotten, such as Laura Adams Armer, to the newly discovered, such as Graham Salisbury, winner of the 1994 Scott O'Dell Award for Historical Fiction. The breadth of authors covered ensures an historical context for the issues raised by multiculturalism, and the sections on the critical reception of each author address such important issues as the authority and authenticity of the writer to comment on a different culture. Contributors are of many different ethnicities and include important scholars of children's literature, lending authenticity and authority to the volume itself.
