Family in Edward Albee's Plays 'The Sandbox' and 'Who's Afraid of Virginia Woolf?'

Family in Edward Albee's Plays 'The Sandbox' and 'Who's Afraid of Virginia Woolf?'
Author: Nadja Klopsch
Publisher: GRIN Verlag
Total Pages: 37
Release: 2010-02
Genre: Language Arts & Disciplines
ISBN: 3640537750

Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,3, Ernst Moritz Arndt University of Greifswald (Department of English and American Studies), course: Modul Specialisation, language: English, abstract: The American dramatist Edward Albee is going to celebrate his 80th birthday these days. In his life he observed several decades of American society as well as changes in attitudes and values of the American population. In almost all of his plays Edward Albee looks at the American family and its various manifestations, criticises it, mocks it, and reveals its dishonesty. His plays frequently contain "the figure of the child which ranges from that of the adopted infant, real or imagined baby, young man, dead child, imaginary person, to that of grown-up homosexual son" (Cristian 1). The figure of the child is often understood as "the alter ego" of Edward Albee (Cristian 6). Shortly afterwards his birth on March 12 1928 Albee was adopted by a wealthy couple. The family was part of the New York high society and tried to bring up their son to be a respectable constituent of this community. Edward Albee sensed early that he was not the couple's biological son. He experienced several conflicts with his parents who disapproved of his lifestyle, interests, sexual orientation and acquaintances. After some years at various boarding schools and colleges, Albee finally and abruptly left home and broke ties with his adoptive parents in 1949. Albee took employment as runner in an advertising agency, sales clerk in a music shop, bookseller-assistant, waiter in convenience restaurant and telegram deliverer for Western Union. His various occupations not only allowed him to write but through his jobs he was able to observe quite a number of different people and lifestyles. In an interview about his plays and the assumed analogousness of his plays he said: "You must remember

The Sandbox

The Sandbox
Author: Edward Albee
Publisher:
Total Pages: 0
Release: 1963
Genre: American fiction
ISBN:

Study Guide to Who's Afraid of Virginia Woolf? and Other Works by Edward Albee

Study Guide to Who's Afraid of Virginia Woolf? and Other Works by Edward Albee
Author: Intelligent Education
Publisher: Influence Publishers
Total Pages: 143
Release: 2020-09-26
Genre: Study Aids
ISBN: 1645420957

A comprehensive study guide offering in-depth explanation, essay, and test prep for selected works by Edward Albee, well renowned American dramatist and theatrical producer. Titles in this study guide include Who’s Afraid of Virginia Woolf?, The Zoo Story, and Tiny Alice. As a major playwright of the twentieth century, Albee’s work established him as a sharp critic of American values. Moreover, he expertly displayed slashing insight and witty dialogue in the gruesome portrayal of marriage, family life, and self revelation. This Bright Notes Study Guide explores the context and history of Albee’s classic work, helping students to thoroughly explore the reasons they have stood the literary test of time. Each Bright Notes Study Guide contains: - Introductions to the Author and the Work - Character Summaries - Plot Guides - Section and Chapter Overviews - Test Essay and Study Q&As The Bright Notes Study Guide series offers an in-depth tour of more than 275 classic works of literature, exploring characters, critical commentary, historical background, plots, and themes. This set of study guides encourages readers to dig deeper in their understanding by including essay questions and answers as well as topics for further research.

Edward Albee as Theatrical and Dramatic Innovator

Edward Albee as Theatrical and Dramatic Innovator
Author:
Publisher: BRILL
Total Pages: 264
Release: 2019-05-07
Genre: Drama
ISBN: 9004394710

Edward Albee as Theatrical and Dramatic Innovator offers eight essays and a major interview by important scholars in the field that explore this three-time Pulitzer prize-winning playwright’s innovations as a dramatist and theatrical artist. They consider not only Albee’s award-winning plays and his contributions to the evolution of modern American drama, but also his important influence to the American theatre as a whole, his connections to art and music, and his international influence in Spanish and Russian theatre. Contributors: Jackson R. Bryer, Milbre Burch, David A. Crespy, Ramon Espejo-Romero, Nathan Hedman, Lincoln Konkle, Julia Listengarten, David Marcia, Ashley Raven, Parisa Shams, Valentine Vasak

The Play about the Baby

The Play about the Baby
Author: Edward Albee
Publisher: Methuen Publishing
Total Pages: 60
Release: 2004
Genre: Parent and child
ISBN: 9780413773845

The first British publication of a brilliant new Albee play If you have no wounds, how can you know if you're alive? In THE PLAY ABOUT THE BABY, a young couple who are madly in love with each other, have a child - the perfect family - that is, until an older couple steal the baby. Through a series of mind games and manipulations, they call into question both couples' sense of reality and fiction, joy and sorrow in this devastating black comedy which invites parallels with Who's Afraid of Virginia Woolf. "You're unlikely to find a more intriguingly structured, provocative or entertaining new play" - Curtain Up "The Play about the Baby rockets into that special corner of theatre heaven where words shoot off like fireworks into dazzling patterns and hues" - New York Times

Sex, Gender, and Sexualities in Edward Albee's Plays

Sex, Gender, and Sexualities in Edward Albee's Plays
Author:
Publisher: BRILL
Total Pages: 204
Release: 2018-03-12
Genre: Literary Criticism
ISBN: 9004362711

Sex, Gender, and Sexualities in the Plays of Edward Albee contains a general introduction and eleven essays by American and European Albee scholars on Albee’s depictions of gender relations, sexual relations, monogamy, child-rearing, and homosexuality. The volume includes close readings of individual plays and more general theoretical and historical discussions. Contributors: Henry Albright, Mary Ann Barfield, Araceli Gonzalez Crespan, Andrew Darr, John M. Clum, Paul Grant, Emeline Jouve, T. Ross Leasure, David Marcia, Cormac O’Brien, Donald Pease, Valentine Vasak

Albee and Influence

Albee and Influence
Author:
Publisher: BRILL
Total Pages: 211
Release: 2021-03-01
Genre: Drama
ISBN: 9004448608

Albee and Influence contains essays, written by leading Albee scholars, that focus on literary and philosophical influences on Edward Albee’s plays as well as essays on writers and works that Albee influenced.

Edward Albee's At Home at the Zoo

Edward Albee's At Home at the Zoo
Author: Edward Albee
Publisher: Dramatists Play Service Inc
Total Pages: 50
Release: 2008
Genre:
ISBN: 0822223171

When you emerge from this impish comic playwright's glittering tribute to Molière, written entirely in verse, your head will be so dizzy with syncopated rhyme that you'll almost expect to find yourself speaking and thinking in chiming couplets...[Ives] add The truism that families come in all shapes and sizes is illuminated with haunting beauty...in this exquisitely wrought comedy-drama...a piercing portrait of the contemporary social architecture, in which the distance between people can be widened or collaps

Three Tall Women

Three Tall Women
Author: Edward Albee
Publisher: Penguin
Total Pages: 129
Release: 1995-09-01
Genre: Drama
ISBN: 0452274001

WINNER OF THE PULITZER PRIZE FOR DRAMA Recently revived on Broadway in a production directed by Joe Mantello, starring two-time Oscar winner Glenda Jackson and Tony winner Laurie Metcalf Earning a Pulitzer and Best Play awards from the Evening Standard, Critics Circle, and Outer Critics Circle, among others, when it premiered, Edward Albee has, in Three Tall Women, created a masterwork of modern theater. As an imperious, acerbic old woman lies dying, she is tended by two other women and visited by a young man. Albee’s frank dialogue about everything from incontinence to infidelity portrays aging without sentimentality. His scenes are charged with wit, pain, and laughter, and his observations tell us about forgiveness, reconciliation, and our own fates. But it is his probing portrait of the three women that reveals Albee’s genius. Separate characters on stage in the first act, yet actually the same “everywoman” at different ages in the second act, these “tall women” lay bare the truths of our lives—how we live, how we love, what we settle for, and how we die. Edward Albee has given theatergoers, critics, and students of drama reason to rejoice.