Fairburns Naval Songster Or Jack Tars Chest Of Conviviality For 1812 Containing A Collection Of Sea Songs Embellished With A Frontispiece Of The Eccentric Humour Of Ducking And Shaving When Crossing The Line
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Catalogue of Printed Books in the Library of the British Museum
Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 842 |
Release | : 1887 |
Genre | : English literature |
ISBN | : |
The British Museum Catalogue of Printed Books, 1881-1900
Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 1152 |
Release | : 1946 |
Genre | : English literature |
ISBN | : |
Catalogue of Printed Books
Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 646 |
Release | : 1881 |
Genre | : English imprints |
ISBN | : |
General catalogue of printed books
Author | : British museum. Dept. of printed books |
Publisher | : |
Total Pages | : 504 |
Release | : 1931 |
Genre | : |
ISBN | : |
Charles Dibdin and Late Georgian Culture
Author | : Oskar Cox Jensen |
Publisher | : Oxford University Press |
Total Pages | : 276 |
Release | : 2018 |
Genre | : Biography & Autobiography |
ISBN | : 0198812426 |
This volume examines Charles Dibdin's extraordinarily wide-ranging career as an actor, lyricist, composer, singer-songwriter, comedian, theatre-manager, journalist, artist, music tutor, speculator, and author, and offers fresh insights into late Georgian culture, society, and politics.
The Theatre Career of Charles Dibdin the Elder (1745-1814)
Author | : Robert Fahrner |
Publisher | : Peter Lang Pub Incorporated |
Total Pages | : 241 |
Release | : 1989 |
Genre | : Drama |
ISBN | : 9780820407982 |
Charles Dibdin made his London debut in 1760 and retired in 1811; indefatigable, he flourished as performer, author-composer, and impresario. Early in his career, he worked in every important theatre and with most of the major theatrical figures of his time - contributing to the light entertainment that late 18th-century theatre-goers increasingly demanded; later, he worked in the proliferating minor theatres which steadily challenged the monopoly of the legitimate houses. Ironically, the theatrical establishment succumbed not long after his death; the prolific Dibdin, with his popular but undemanding forms of entertainment, was riding the wave of the future.