Fado And The Place Of Longing
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| Author | : Richard Elliott |
| Publisher | : Routledge |
| Total Pages | : 230 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351567306 |
Fado, often described as 'urban folk music', emerged from the streets of Lisbon in the mid-nineteenth century and went on to become Portugal's 'national' music during the twentieth. It is known for its strong emphasis on loss, memory and nostalgia within its song texts, which often refer to absent people and places. One of the main lyrical themes of fado is the city itself. Fado music has played a significant role in the interlacing of mythology, history, memory and regionalism in Portugal in the second half of the twentieth century. Richard Elliott considers the ways in which fado songs bear witness to the city of Lisbon, in relation to the construction and maintenance of the local. Elliott explores the ways in which fado acts as a cultural product reaffirming local identity via recourse to social memory and an imagined community, while also providing a distinctive cultural export for the dissemination of a 'remembered Portugal' on the global stage.
| Author | : Richard Elliott |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 297 |
| Release | : 2015-10-22 |
| Genre | : Music |
| ISBN | : 1628921188 |
Popular music artists, as performers in the public eye, offer a privileged site for the witnessing and analysis of ageing and its mediation. The Late Voice will undertake such an analysis by considering issues of time, memory, innocence and experience in modern Anglophone popular song and the use by singers and songwriters of a 'late voice'. Lateness here refers to five primary issues: chronology (the stage in an artist's career); the vocal act (the ability to convincingly portray experience); afterlife (posthumous careers made possible by recorded sound); retrospection (how voices 'look back' or anticipate looking back); and the writing of age, experience, lateness and loss into song texts. There has been recent growth in research on ageing and the experience of later stages of life, focussing on physical health, lifestyle and psychology, with work in the latter field intersecting with the field of memory studies. The Late Voice seeks to connect age, experience and lateness with particular performers and performance traditions via the identification and analysis of a late voice in singers and songwriters of mid-late twentieth century popular music.
| Author | : Lila Ellen Gray |
| Publisher | : Duke University Press |
| Total Pages | : 334 |
| Release | : 2013-10-16 |
| Genre | : Social Science |
| ISBN | : 082237885X |
Fado, Portugal's most celebrated genre of popular music, can be heard in Lisbon clubs, concert halls, tourist sites, and neighborhood bars. Fado sounds traverse the globe, on internationally marketed recordings, as the "soul" of Lisbon. A fadista might sing until her throat hurts, the voice hovering on the break of a sob; in moments of sung beauty listeners sometimes cry. Providing an ethnographic account of Lisbon's fado scene, Lila Ellen Gray draws on research conducted with amateur fado musicians, fadistas, communities of listeners, poets, fans, and cultural brokers during the first decade of the twenty-first century. She demonstrates the power of music to transform history and place into feeling in a rapidly modernizing nation on Europe's periphery, a country no longer a dictatorship or an imperial power. Gray emphasizes the power of the genre to absorb sounds, memories, histories, and styles and transform them into new narratives of meaning and "soul."
| Author | : Myronn Hardy |
| Publisher | : Bucknell University Press |
| Total Pages | : 101 |
| Release | : 2012-12-27 |
| Genre | : Poetry |
| ISBN | : 1611485029 |
Catastrophic Bliss contemplates the longing to understand connections and disconnections within a world ever more fragmented yet interdependent. With allusions to Dante, Stevie Wonder, Fernando Pessoa, Persephone and Marianne Moore, these poems move from the tumultuous to the sublime: a pit bull killing an invading thief, two people on a New York City subway playing chess, Billy Eckstine recording in Rio de Janeiro, to an imagined Barack Obama writing poems to his father. Myronn Hardy’s third collection comprises war, place, love, and history all yearning to be reconciled.
| Author | : Mimi Khalvati |
| Publisher | : |
| Total Pages | : 190 |
| Release | : 2010-01-01 |
| Genre | : Fados |
| ISBN | : 9781903080139 |
An anthology of translations and versions of Portuguese fado poems by leading poets writing in English, including Elaine Feinstein, Don Paterson, Marilyn Hacker and Grey Gowrie.
| Author | : Jimmy Creech |
| Publisher | : Duke University Press |
| Total Pages | : 390 |
| Release | : 2011-04-04 |
| Genre | : Biography & Autobiography |
| ISBN | : 0822348853 |
The inspiring first-person account of a minister whose ordination credentials were revoked by The United Methodist Church after he performed same-gender commitment ceremonies.
| Author | : Fernando Pessoa |
| Publisher | : New Directions Publishing |
| Total Pages | : 516 |
| Release | : 2017-08-29 |
| Genre | : Fiction |
| ISBN | : 0811226948 |
For the first time—and in the best translation ever—the complete Book of Disquiet, a masterpiece beyond comparison The Book of Disquiet is the Portuguese modernist master Fernando Pessoa’s greatest literary achievement. An “autobiography” or “diary” containing exquisite melancholy observations, aphorisms, and ruminations, this classic work grapples with all the eternal questions. Now, for the first time the texts are presented chronologically, in a complete English edition by master translator Margaret Jull Costa. Most of the texts in The Book of Disquiet are written under the semi-heteronym Bernardo Soares, an assistant bookkeeper. This existential masterpiece was first published in Portuguese in 1982, forty-seven years after Pessoa’s death. A monumental literary event, this exciting, new, complete edition spans Fernando Pessoa’s entire writing life.
| Author | : Antonio Tabucchi |
| Publisher | : New Directions Publishing |
| Total Pages | : 148 |
| Release | : 1997-06-17 |
| Genre | : Fiction |
| ISBN | : 0811221911 |
"One of the most intriguing and appealing character studies in recent European fiction, and easily the best work of Tabucchi's to have appeared in English translation."—Kirkus Reviews Dr. Pereira is an aging, overweight journalist who has failed to notice the menacing cloud of fascism over Salazarist Portugal, until one day he meets an aspiring young writer and anti-fascist. Breaking out of his apolitical torpor, Pereira reluctantly rises to heroism.
| Author | : Richard Elliott |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 153 |
| Release | : 2017-12-28 |
| Genre | : Music |
| ISBN | : 1501324551 |
In The Sound of Nonsense, Richard Elliott highlights the importance of sound in understanding the 'nonsense' of writers such as Lewis Carroll, Edward Lear, James Joyce and Mervyn Peake, before connecting this noisy writing to works which engage more directly with sound, including sound poetry, experimental music and pop. By emphasising sonic factors, Elliott makes new and fascinating connections between a wide range of artistic examples to ultimately build a case for the importance of sound in creating, maintaining and disrupting meaning.
| Author | : Richard Elliott |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 157 |
| Release | : 2022-01-13 |
| Genre | : Music |
| ISBN | : 1501357859 |
Call it batida, kuduro, Afro house, Lisbon bass: anyone with a keen ear for contemporary developments in global electronic dance music can't fail to have noticed the rise in popularity and influence of Lisbon-based DJs such as DJ Marfox, DJ Nervoso and Nídia. These DJs and producers have brought the sound of the Lisbon projects to the wider world via international club nights, festival appearances, recordings and remix projects for a range of international artists. This book uses the 2006 compilation DJs do Guetto as a prism for exploring this music's aesthetics and its roots in Lusophone Africa, its evolution in the immigrant communities of Lisbon and its journey from there to the world. The story is one of encounters: between people, sounds, neighborhoods, technologies and cultural contexts. Drawing on reflections by DJ Marfox and others, the book establishes DJs do Guetto as a foundation stone not only for a burgeoning music scene, but also for a newfound sense of pride in a place and a community.
